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Ketchikan and Kitwancool Totems and Views
Part of Minn Sjolseth fonds
File consists of slides depicting totems and views labeled as in Kispiox, Kitwancool, Ketchikan, Haida, Kitseguckla, Skedans, and Kingcome. File also consists of slides documenting two of Minn Sjolseth's paintings entitled "En av de Siste" (sp?) and "Peace."
Part of Reverend Thomas Crosby fonds
Image depicts canoes, house, house posts, and totem poles on a shoreline in Masset, Haida Gwaii, B. C. Handwritten inscription on the verso reads "This is a Indian Village in Masset B. C. at the turn of the century. As you can see there are a lot of wooden shacks, totem poles and canoes. it is a very wild and remote area [redacted]. grandfather Crosby used to travel to these remoat [sic] villages by canoe." Image appears to be reproduction of a039351.
Part of Reverend Thomas Crosby fonds
Image depicts canoes, house, house posts, and totem poles on a shoreline in Masset, Haida Gwaii, B. C. Printed around the border of the image is the photographer information "PHOTOGRAPHED BY R. MAYNARD, VICTORIA, . . . B. C." Handwritten inscription on the border reads "Massett [sic] Village Q. Ch. Is." Printed on the verso is the photographer information with the inscription "R. Maynard, Photographic Artist, AND DEALER IN ALL KINDS OF PHOTOGRAPHIC MATERIALS, COR. OF DOUGLAS AND JOHNSON STS., VICTORIA, B. C. -- Views of British Columbia and Vancouver Island for Sale." A handwritten inscription reads "Indian Totems Queen Charlotte's Island".
Mountain House, Moresby Island
Part of Reverend Thomas Crosby fonds
Image depicts exterior view of the Mountain House, frontal pole, house post, and mortuary pole located on Moresby Island in Haida Gwaii, B. C. In the foreground is a canoe. Printed around the border of the image is the photographer information "PHOTOGRAPHED BY R. MAYNARD, VICTORIA, . . . B. C." Handwritten inscription on the border reads "Gold Harbour Q. Ch. Is.". Printed on the verso is the photographer information with the inscription "R. Maynard, Photographic Artist, AND DEALER IN ALL KINDS OF PHOTOGRAPHIC MATERIALS, COR. OF DOUGLAS AND JOHNSON STS., VICTORIA, B. C. -- Views of British Columbia and Vancouver Island for Sale." A handwritten inscription reads "Indian Village".
New pole in Old Massett, Robt. Davidson, Massett, Aug. 69
Part of Harry B. Hawthorn fonds
Image of a totem pole in Massett, Haida Gwaii. The pole was carved by Robert Davidson, and is seen just after it was raised. A crowd is still gathered for the pole raising ceremony.
Series consists of photographs documenting events in various communities throughout British Columbia and Washington State. These include community photographs in Mt. Currie; the Salish Linguistic Conference in Oman, Washington State; a Robert Davidson Pole Raising; coverage of NWC artifacts at the National Museum of Copenhagen in Denmark; coverage of 1992 Nuxalk Potlatch at Bella Coola for Canadian Museum of Civilization; and photographs of a Haida bentwood box.
Between working on language and education projects, Jensen was often hired by communities to document important events, such as pole-raisings, conferences and potlatches. This series consists of the photographs taken at those events.
Part of Reverend Thomas Crosby fonds
Image depicts an elderly woman seated on the ground with a number of metal vessels. In the background is a seated man wrapped in a blanket. Photograph was taken at Moresby Island in Haida Gwaii, B. C. Printed around the border of the image is the photographer information "PHOTOGRAPHED BY R. MAYNARD, VICTORIA, . . . B. C." Handwritten inscription on the border reads "Old Woman at Gold Harbour". Printed on the verso is the photographer information with the inscription "R. Maynard, Photographic Artist, AND DEALER IN ALL KINDS OF PHOTOGRAPHIC MATERIALS, COR. OF DOUGLAS AND JOHNSON STS., VICTORIA, B. C. -- Views of British Columbia and Vancouver Island for Sale." A handwritten inscription reads "Natives - Gold Harbour".
Part of Robert Reford fonds
Item is an image of a group of people sitting for the photograph. Other people, buildings, and totem poles are visible in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago
Part of Robert Reford fonds
Item is an image of a group of people by a building and a totem pole, other buildings and poles visible in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago
(Replica)? Haida dwelling house, Totem Park, UBC, Vancouver
Part of E. Polly Hammer fonds
Mortuary House frontal pole by Bill Reid and Doug Cranmer (1960-61) moved from Totem Park to MOA in 1978.
(Replica) Haida house front and poles #14, 15, 16 + 17, Thunderbird Park, Victoria, B.C.
Part of E. Polly Hammer fonds
(Replica) Haida mortuary pole, Thunderbird Park, Victoria, B.C.
Part of E. Polly Hammer fonds
(Replica) Haida thunderbird and whale #16, Thunderbird Park, Victoria, B.C.
Part of E. Polly Hammer fonds
Part of E. Polly Hammer fonds
(Replica)?, Haida grave house #5, Totem Park, UBC, Vancouver
Part of E. Polly Hammer fonds
Mortuary House frontal pole by Bill Reid and Doug Cranmer (1960-61) moved from Totem Park to MOA in 1978.
(Replica)?, Haida memorial pole #4, 6, Totem Park, UBC, Vancouver
Part of E. Polly Hammer fonds
Double mortuary pole by Bill Reid and Doug Cranmer (1960-61). Moved from Totem Park to MOA in 1978.
(Replica)?, Haida sea wolf #2, Totem Park - UBC, Vancouver
Part of E. Polly Hammer fonds
The Wasgo is a monster of Haida legend that had the ability to transform between wolf and sea creature. Carved and painted by Bill Reid and Doug Cranmer in 1962.
(Replicas)?, mortuary poles (Haida), dwelling house and sea wolf, Totem Park, UBC, Vancouver
Part of E. Polly Hammer fonds
MOA Object ID numbers correspond to poles in the image from left to right.
A50030 carved by Bill Reid and Doug Cranmer (1961-62) as the frontal pole for the front of the Haida house, at the University of British Columbia, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002.
Part of Gillian Darling Kovanic fonds
The series consists primarily of material accumulated and/or created by Gillian Darling Kovanic during her travels abroad, both as a student of anthropology and a filmmaker. This series includes field research conducted by Kovanic with the Kalash in Pakistan, the Kom/Kati tribes in Pakistan and Afghanistan, the Orissa in India, the Haida on the Queen Charlotte Islands [Haida Gwaii], British Columbia and the Kwakwaka’wakw in Alert Bay, British Columbia. Much of her fieldwork is made up of a study of the languages and cultural practices of the people being studied.
Included in the series are eleven field notebooks, a handwritten Kalash’a dictionary, a notebook containing information on the ethnographic materials collected by Darling, which now reside with the Royal Ontario Museum, and approximately 4502 photographs, including slides, negatives, prints and digital photos. Also included are a number of academic and popular articles collected by Kovanic, which compliment her field research, including a unique, handwritten article by Wazir Ali Shah, secretary to the last ruler of Chital, Mehtar, in 1977, which was written after the original manuscript was lost. The series also contains published material, comprised of a teaching kit titled “Kalash Bread-making: From Field to Feast” and the Wakhi Language Book by Haqiqat Ali.
Gillian Darling Kovanic
Reverend Smith Stanley Osterhout fonds
Fonds consists of 45 glass-plate lantern slides featuring scenes from Osterhout's work with B.C. First Nations, including Haida, Tsimshian and Kwakwaka'wakw. Images document First Nations individuals, communities, totem poles and landscapes of British Columbia.
Smith Stanley Osterhout