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British Columbia
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Chief's House at Masset

Chief's House at Masset

Image depicts exterior view of Chief Wiah's Monster House and frontal house post in Masset, Haida Gwaii, B. C. In front of the house are ten seated figures. Image appears to be reproduction of a039353.

Chief Skedan

Chief Skedan

Image depicts exterior view of small house built within the frame of the House Chiefs Peep at from a Distance with two Watchmen figures with potlatch hats sitting atop the corner posts of the original house and frontal pole. On the left is a mortuary pole raised for Skedans, head chief of Skedans village with Skedan's crests: a moon with a Thunderbird face at top, mountain goat, and grizzly bear at the base. House is located in Skidegate, Haida Gwaii, B. C. Image appears to be reproduction of a039355.

Kwakiutl Totem Poles

View of the Kwakiutl totem poles standing in a cemetery. The two poles stand adjacent to graves marked with crosses, which are identified Chief J .Aul Sewid and Mrs. Lucy Sewid. The presence of flowers at this gravesite suggest that this photo may have been taken in 1988 when Chief Sewid died. Photo is attributed to Eric J. Cooke, Photo Productions, Sidney, B. C.

CMC houses project

This subseries contains records relating to an exhibit built at the Canadian Museum of Civilization. McLennan was the project manager and design developer for this project. He oversaw the completion and installation of six west coast First Nation house designs: Coast Salish, Haida, Tsimshian, Bella Coola, Oweekeno, and Kwakwaka'wakw. The records include newspaper clippings, correspondence, photographs, and notes.

Ronnie Tessler fonds

  • 12
  • Fundo
  • 1986 - 1987

The fonds consists of photographs created by Ronnie Tessler between 1986 and 1987 documenting a canoe project by Nisga’a carver Norman Tait. The project was abandoned in the summer of 1987, and the canoe was left uncompleted. The photographs depict models for the canoe, transportation of the log for the canoe to the Museum of Anthropology, ceremonies performed throughout the project, and various stages of work on the canoe and model. Additional photographs from this period depict a totem pole-raising ceremony at Capilano Mall in North Vancouver, as well as portraits of Les Baker, a model Tait wanted to use for a “white man” mask. The fonds is arranged into a single series: Norman Tait canoe project and related materials.

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