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Director's fonds

  • 119
  • Fundo
  • 1953 - 2018, predominant 1971 - 2004

Fonds consists of records created by the Director of the Museum of Anthropology. The records consist of mainly textual material and a small amount of graphic material and architectural drawings. The records include correspondence, memoranda, minutes of staff, committee, and association meetings, reports, handwritten notations, draft copies, published and unpublished articles and papers, applications and forms, financial reports and statements, pamphlets, brochures, day-timers ,contracts, agreements, newspaper clippings, blueline prints, programmes, invitations, staff lists, volunteer lists, donor lists, member lists, photographs, curriculum vitae, job descriptions, collections lists, architectural plans, advertisements, cards, receipts, slides, contact sheets, and other textual and graphic material related to the activities and functions of Director.

The fonds has been organized into the following series:

  1. General Administration Files, 1970-ca. 2013
  2. Finances Files, 1971-2005
  3. Human Resources Files, 1972-2013
  4. Facilities and Services Files, 1972-2013
  5. Collections Files, 1953-2004
  6. Exhibitions Files, 1971-2017
  7. Public Programmes and Events Files, 1974-2013
  8. School Programmes Files, 1978-1996
  9. Teaching/Training and Research Files, 1971-2008
  10. External Relations Files, 1966-2012

Director of the Museum of Anthropology

Charles Gladstone fonds

  • 34
  • Fundo
  • [ca. 1888 - 1895]

Fonds consists of a diary. It appears the diary was written by Josephine Gladstone between 1888 and 1895. The content of the diary includes: Bible references, notes on events, money annotations, stories, songs, personal annotations, and transcription of correspondence written/received by Josephine and her relatives. The correspondence includes several letters to and from missionary G. Hopkins.

Charles Gladstone

Audrey Hawthorn (MOA Curator) fonds

  • 35
  • Fundo
  • 1941-1991, predominant 1947-1978

Fonds consists of records generated by Audrey Hawthorn in her positions as curator of the Museum of Anthropology.

The fonds is arranged into ten series:

1 - General
2 - Finances
3 - Human Resources
4 - Facilities and Services
5 - Collections
6 - Exhibitions
7 - Public Programmes
8 - School Programmes
9 - Teaching/Training/Research
10 - External Relations

These series are further divided into various subseries. The records include, but are not limited to, correspondence between Audrey Hawthorn and a variety of donors, scholars, and other parties associated with the museum; materials documenting collections acquisitions and loans; and records relating to visible storage, and the planning and development of the new museum building. There is extensive documentation concerning the acquisition, development and maintenance of the museum collections. The fonds also includes records of Harry Hawthorn, who formally held the position of Director of the museum, during much of his wife’s tenure as Curator, though often it was Audrey Hawthorn who took on the responsibilities of the directorship. Records in this fonds take the form of correspondence, memoranda, ephemera, newspaper clippings, photographs, sketches, plans slides financial documents, schedules, notes, and forms.

See attached pdf document for full finding aid and box/file list.

Audrey Hawthorn

Deborah Taylor fonds

  • 40
  • Fundo
  • 1969 - 1972

The fonds consists of records relating to African culture and craftsmanship. It includes photographs and slides of Ivory Coast and Nigerian crafts and cultural events, correspondence, research notes about African handicrafts, typed anthropological portraits of craftspeople and related drawings, postcards and magazine clippings.

Deborah Taylor

Harry B. Hawthorn fonds

  • 51
  • Fundo
  • [189-] - [200-], predominant [193-] - [197-]

The fonds consists of records created and collected by Harry B. Hawthorn in a number of different capacities: as researcher, professor, Dean of Anthropology and Director of the Museum of Anthropology. Textual records in the fonds include correspondence, transcripts, research notes and clippings from publications. Much of the graphic materials relate to Harry Hawthorn’s interactions with aboriginal communities as an anthropologist, a professor, and as the Director of MOA. Other images relate to his personal life, documenting his youth in New Zealand, his life as a father and anthropologist, and his later established professional roles.

Harry Bertram Hawthorn

Museum of Anthropology Student Exhibition and Research collection

  • 125
  • Coleção
  • 1973 - 2003

Collection consists of projects and reports written by students in Anthropology 302, 431, 432, 433, 449, 518 and other related courses and programs. The projects and reports include information about exhibits designed and displayed at the Museum of Anthropology
by the students; critiques on "current" museum exhibitions and programs; and proposal papers for student exhibit projects.

President's Planning and Coordinating Committee fonds

  • 123
  • Fundo
  • 1971 - 1976

The fonds consists of minutes, correspondence, contracts, and reports relating to the Planning of the Museum of Man (later Museum of Anthropology). The fonds includes information pertaining to the planning for the new museum, building needs, museum function, and the Functional Program which outlines the results of decisions the committee made.

President’s Planning and Coordinating Committee

Roland Reed collection

  • 121
  • Coleção
  • 1907 - 1921

Collection consists of photographic prints by Roland Reed, featuring Native Americans and scenery of the western United States.

Roland Reed

Hakka Mountain songs and laments collection

  • 137
  • Coleção
  • 1976 - [200-]

Collection consists of six compact discs with recordings of Hakka Mountain songs and laments, sung by Mrs. Yau Chan Shek-ying in 1976, along with accompanying documentation. Documentation includes lists of recordings with song descriptions, song translations/transcriptions, a photograph and bio of the singer, and articles collected by Elizabeth Lominska Johnson. The songs were sung in an older dialect of Hakka. Song types include marriage laments, mountain songs, and funeral laments.

Hakka mountain, or Hakka hill songs, are rural songs sung in the Hakka language by the Hakka people of Southern China. The songs vary in theme/subject, and exist as a kind of oral literature and/or communication at a distance.

Elizabeth Lominska Johnson

Lorna R. Marsden fonds

  • 141
  • Fundo
  • Digitized 2016 (originally created 1971-1972)

The fonds consists of digitized photographs and slides taken by Lorna R. Marsden during her visit to northern Ethiopia in the late fall, winter, and spring of 1971-1972. Marsden traveled from Addis Ababa to Debre Libanos, Debre Markos, Bahar Dar, Gondar, Lalibela, Mekele, and Aksum. On this trip, Marsden purchased several objects, thirteen of which she later donated to the Museum of Anthropology in 2016. Photographs include images of buildings, landscapes, and cityscapes, historic and tourist sites, celebrations, marketplaces, objects and goods, scenes from everyday life in urban and rural northern Ethiopia, as well as other images related to or giving context to the donated objects. The photographs also show Marsden at historic sites and other locations in northern Ethiopia, with Ethiopian locals and her travelling companions, and with some of the donated objects.

Lorna R. Marsden

Hylton Smith fonds

  • 142
  • Fundo
  • May 1955

Colour slides of a shaman gathering labeled as a "Witchdoctor Conference" that took place in Johannesburg, South Africa, in 1955, and other images from South Africa (Johannesburg, Zululand, Ndebele village near Pretoria, and Majuji Village near Transvaal). Photos taken by Hylton Smith, who was working as an architect in Johannesburg when he witnessed and photographed the conference.

Hylton Smith

Iris and Jack Lieber collection

  • 143
  • Coleção
  • 1961-1972

The collection consists of research reports collected by Iris and Jack Lieber during their time in Africa and 5 Super 8 video reel tapes were collected during their time in Papua New Guinea. The research reports were written by students at the University of Ibadan, where Jack Lieber worked as a professor in the Department of Education. Reels include footage from schools and the community in Papua New Guinea. Collection also includes two books published by Jack Lieber, and a piece of correspondence sent to him.

Jack Lieber

Gordon Miller collection

  • 36
  • Coleção
  • [1979?]-1993

The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit "The Four Seasons: Food Getting in British Columbia Prehistory," which ran from April to November 1979. The other watercolour is from an unidentified exhibit or sourcebook.

The collection also contains one painting that was commissioned by the museum for a publication (Museum Note, no.12, "Ninstints: World Heritage Site"), as well as a blueprint reproduction of a related drawing. These are renderings of how the houses and poles on a beach at the Ninstints village site might have looked when they were in use. The rendering is based on George MacDonald's map.

Collection consists of the following items:

001: The Four Seasons – Spring – Interior [1979?]
002: The Four Seasons – Spring – Coast [1979?]
003: The Four Seasons – Summer – Interior [1979?]
004: The Four Seasons – Summer – Coast [1979?]
005: The Four Seasons – Autumn – Interior [1979?]
006: The Four Seasons – Autumn – Coast [1979?]
007: The Four Seasons – Winter – Interior [1979?]
008: The Four Seasons – Winter – Coast [1979?]
009: Haida six beam house 1993
010: [Ninstints village painting] 1983
011: [Ninstints village, drawing for Museum Note] 1983

Gordon Miller

Nadia Abu-Zahra fonds

  • 23
  • Fundo
  • 1966-1972

The fonds consists of 26 colour slides, including ceremonies and traditions related to weddings and male circumcision taken in Tunisia, as well as scenery and people in Algeria.

Nadia Abu-Zahra

Virginia Small fonds

  • 19
  • Fundo
  • 1920-1922

Fonds consists of photographs taken by Virginia Small’s husband, Harry M. Small during a trip to Japan between 1920 and 1922. Photos depict a variety of scenes from rural and urban life including craft and silk production, farming, fishing and ceremonial activities. In addition, the fonds includes photos, both posed and candid, of various individuals including members of the traveling party, as well as photos of landscapes and architecture.
Some photos are marked with the subject, date and location on the back with pencil.

Eric Parker fonds

  • 4
  • Fundo
  • ca. 1910-11 - 198?

The fonds consists primarily of material accumulated and/or created by Lt. Col. Parker during the period of his military duties in Tibet and time spent there after his release from the military (1921-1924). This material includes textual records such as correspondence relating to military matters with Sir Charles Bell, and those written to, and received from, Tibetan officers and the 13th Dalai Lama. A few letters written in Tibetan have been recently translated into English and are included in the fonds. Other textual materials includes handwritten speech and other notes, published documents such as an Almanac (written in Tibetan), newspaper clippings, and miscellaneous items such as philatelic materials and handwritten children's rhymes and songs.

The fonds also contains a collection of black and white photographs and negatives, the majority of which were images taken by Lt. Col. Parker, while others, predate Parker’s time in Tibet. The photographs are housed in two albums (Photograph Collections A and B), and show Tibet primarily in the 1920s. The images depict military and domestic scenes in Tibet including photographs of individuals from all social strata, as well as local architecture and landscapes. Some of the places (e.g., monasteries) no longer exist. The albums also contain more recent colour prints of the many Tibetan objects acquired by the Parkers (and now housed in the Ethnology Collection at the Museum of Anthropology). Some duplicates occur within and between albums. The negatives correspond to prints in one album (Photograph Collection A). Only a small number of negatives have not been printed.
The fonds is arranged in the following 3 series:

  1. Correspondence
  2. Photographs
  3. Miscellaneous Materials

Eric Parker

Beverley Brown fonds

  • 17
  • Fundo
  • [ca. 1937 - ca.1949]

The fonds consists of 478 photographs, predominantly of students at the St. Michael’s Residential School in Alert Bay. Beverley Brown and her friends took the photographs between ca. 1937 and ca. 1945 using Brown’s camera. Photographs from this period include shots of the students with their friends and of social events, as well as posed class photographs. These class photographs were taken by school supervisors who subsequently sold the prints to other students. Other photographs were taken in Brown’s hometown, Bella Bella, and in the area of the Namu cannery. These show weddings, fishing boats, landscapes, and buildings. Peter Mason Sr., Brown’s father, had the photographs developed in Vancouver.

The fonds has been arranged into three series:

  1. St. Michael’s Residential School photographs
  2. Bella Bella photographs
  3. Langley High School photographs

Beverley Brown

Wilson Duff fonds

  • 29
  • Fundo
  • 1919-1977, predominantly 1948-1977

The Wilson Duff papers consist of textual records, photographs, negatives, slides, maps, audio recordings, compact disks and one video tape that relate to Duff's activities, correspondences, and publications as one of the foremost researchers in Northwest coast Indian history, culture and traditions. Also included in the fonds are records relating to Duff’s work as an Anthropology professor at the University of British Columbia, his advisory and curatorial consultancy work, committee membership and the exhibit Images: Stone: B.C.

Records in the Wilson Duff fonds have been organized into the following seventeen series:

Series 1: Wilson Duff’s student papers (1949-1950)
Series 2: Correspondence (195?-1975)
Series 3: Published and unpublished articles (195?-1972)
Series 4: Site visits (195-)
Series 5: Northwest Coast research (195?-197?)
Series 6: Teaching materials (1965-1976)
Series 7: Committee and consultancy records (1966-1976)
Series 8: Personal records (1965-1976)
Series 9: Photographic records (195?-1976)
Series 10: Maps (1955-1976)
Series 11: Images: Stone: B.C. (1975-1977)
Series 12: Research notes and materials (196?-1976)
Series 13: Tsimshian files (1915-1976, predominant 1957-1971)
Series 14: Recordings (1962-1976)
Series 15: Creative writing (195? - 197?)
Series 16: Posthumous writings on Duff (197? – 199?)
Series 17: Ephemera (195? – 197?)

Wilson Duff

John Webber fonds

  • 58
  • Fundo
  • [17-]

Fonds consists of matted prints of engravings made from sketches created by John Webber as official artist on Captain James Cook’s third voyage. Prints depict landscapes, animals, people, clothing styles, architecture, and events that were encountered on the voyage in places such as New Zealand, the Friendly Islands (Tonga), the Sandwich Islands (the Hawaiian Islands), Nootka Sound (Vancouver Island, BC), and Van Dieman’s Land (Tasmania).

John Webber

Jonathan Griffin fonds

  • 60
  • Fundo
  • 1974 - 1978

Fonds consists of a paper written for Anthropology 301 taught by Professor Dr. Michael Kew, entitled [Red Cod Island Village or Ninstints Village] - A Memorial, with accompanying colour slide images of the carved poles of Anthony Island, a permanent village of the Kunghit Haida, located on the southern shores of Haida Gwaii.

Jonathan Griffin

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