Carving and installation at MOA
- 1-2-L-4 (10.4-7)
- Dossiê
- 2000
File contains images showing the final touches being done on the pole as well as ceremony and raising the pole at the Museum of Anthropology.
24 resultados con objetos digitales Muestra los resultados con objetos digitales
Carving and installation at MOA
File contains images showing the final touches being done on the pole as well as ceremony and raising the pole at the Museum of Anthropology.
File contains images showing the ceremony and pole raising at the Museum of Anthropology.
File contains images showing the Respect to Bill Reid Pole being unloaded from the flat bed truck.
Respect to Bill Reid pole slides
File contains a slides of work being done on the Respect to Bill Reid Pole.
This file contains images of totem poles taken by Edward Malin and used in the Quatsino source book.
Photographs at Freda Diesing school
File contains images of people, events, and/or artwork associated with and/or produced at the Freda Diesing School. There are also images of longhouses and totem poles.
Jacquie Gijssen’s slides of R. Davidson’s Pepsi-Co Commission
File contains slides of Davidson working on and carving his totem poles for the Pepsi-Co commission project.
File contains images of totem poles and other Northwest Coast artifacts, such as weavings and carvings, housed at the Peabody Museum in Boston.
File contains images of Stan Green carving outside his workshop as well as close up images of his masks. In addition is coresspondence between Stan Green and Darrin Morrison inviting Green to speak at an event.
File consists of images of Walter Harris standing in front of a totem pole.
Jim Hart, Haida carver, working on a copy of an Old Masset pole
Item is a photograph showing a man, artist Jim Hart, putting some finishing touches on a totem pole. The pole was raised at the Museum of Anthropology on October 2, 1982.
File includes one drawing and three photographs of MOA Object ID A50043 which is a speaker's post. The photograph is annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
File contains photographs of a pole raising ceremony. Included are images of drummers, and community members in regalia, and transporting and raising the totem pole.
Subseries contains images mostly taken by McLennan that show the Bill Reid pole which sat outside the Museum of Anthropology at UBC being taken down and moved inside the museum because it was no longer stable due to weathering. This spurred a project funded with a Canada Council grant to then create a new pole to put up in its place. This pole was carved by Jim Hart and called the Respect to Bill Reid pole.
Totem poles, an illustrated guide
Subseries contain the images used in the Museum Notes booklet titled Totem Poles: An illustrated Guide by Marjorie M. Halpin, as well as a copy of the booklet.
ref # 1-1-A
Robes of power: Totem poles on cloth
Subseries contain the images used in the booklet Robes of Power: Totem Poles on Cloth written by Doreen Jensen and Polly Sargent, as well as a copy of the booklet. In addition, there are images of a children's workshop that took place during the exhibit at the Museum of Anthropology.
The majority of this file contains historical images of the Tlingit and Tahltan First Nations and their respective villages. The other images are of Tlingit or Tahltan artifacts housed in various museums in Canada and the United States. The historic images are of Tlingit or Tahltan villages which include images of Northwest Coast architecture, houses posts and totem poles, canoes, and other household items such as bowls, weavings, and bentwood boxes. There are also some images of the Tlingit people in regalia. The textual records contained in this file is a paper titled "The History of the Babine Carriers," written by Wilfred Adam for the class Education 479, Cross Cultural Education.