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House frontal totem pole, Anthony Island

Image of an old house post on Anthony Island, Haida Gwaii. This appears to the same as a post now housed at the Museum of Anthropology. This museum item is decried as follows: "The lower section of a totem, crescent shaped in cross section, carved in shallow and deep relief. From top to bottom: bear with protruding tongue and raven on body, kneeling on head of unknown creature... Figures probably from historical narratives owned by lineages of house owner and wife. Grizzly bear was a crest of the lineages of the 'Striped Town People' and 'Sand Town People' of the Raven Moiety, to one of which the husband may have belonged. The supernatural Snag was also a crest of the 'Striped Town People'. Human arms of the raven or cormorant may indicate ability to transform from animal to human."

House of Chief Wiah, Massett

Image depicts the interior of Chief Wiah's Monster House at Masset, Haida Gwaii, B. C., including two house pits and central fireplace. Printed around the border of the image is the photographer information "PHOTOGRAPHED BY R. MAYNARD, VICTORIA, . . . B. C." Handwritten inscription on the border reads "Interior Indian house" Printed on the verso is the photographer information with the inscription "R. Maynard, Photographic Artist, AND DEALER IN ALL KINDS OF PHOTOGRAPHIC MATERIALS, COR. OF DOUGLAS AND JOHNSON STS., VICTORIA, B. C. -- Views of British Columbia and Vancouver Island for Sale." A handwritten inscription reads "House of Chief Wiah, Massett [sic]."

House post, Anthony Island

Image of a house post on Anthony Island, Haida Gwaii. This appears to be a post now housed at the Museum of Anthropology (museum item #A50016). This museum item is described as follows: "Totem, crescent shaped in cross section, carved in shallow and deep relief. From top to bottom: human with hands at right angles and fingertips touching. The arms are folded with the elbows resting on squared ears of figure below. Enclosed within this frame is a small human/hawk face with beak, surmounting the head, shoulders, and forepaws of an emerging bear cub. At the base is a bear from whose ears frogs look downward. The bear has curled nostrils; upturned mouth, raised forearms with five fingers folded over each palm, small human face between forearms... Stood at centre of back wall inside house called 'Raven House', belonging to the lineage of the'Sand Town People' of Raven moiety of Kunghit Haida. MacDonald lists it as house number 17... Pole standing when collected...Figures are crests belonging to the lineage of the owners of the house, the 'Sand Town People' of the Raven moiety. They may also refer to the Bear Mother myth."

House post, Anthony Island

Image of a house post on Anthony Island, Haida Gwaii. This appears to be a post now housed at the Museum of Anthropology (museum item #A50016). This museum item is described as follows: "Totem, crescent shaped in cross section, carved in shallow and deep relief. From top to bottom: human with hands at right angles and fingertips touching. The arms are folded with the elbows resting on squared ears of figure below. Enclosed within this frame is a small human/hawk face with beak, surmounting the head, shoulders, and forepaws of an emerging bear cub. At the base is a bear from whose ears frogs look downward. The bear has curled nostrils; upturned mouth, raised forearms with five fingers folded over each palm, small human face between forearms... Stood at centre of back wall inside house called 'Raven House', belonging to the lineage of the'Sand Town People' of Raven moiety of Kunghit Haida. MacDonald lists it as house number 17... Pole standing when collected...Figures are crests belonging to the lineage of the owners of the house, the 'Sand Town People' of the Raven moiety. They may also refer to the Bear Mother myth."

House posts and poles, B. C.

Image depicts exterior view of the Mountain House, frontal pole, house post with ceremonial entrance, and mortuary pole located on Moresby Island in Haida Gwaii, B. C. In the foreground is a canoe. Image appears to be reproduction of a039349.

Interview with Bill Reid about Celebration of the Raven Part 1

Item is the first of a three part sound recording of an interview with Bill Reid about the origins of his carving The Raven and the First Men, located at MOA. The interviewer is unknown. During the interview Bill Reid discusses how the sculpture was the result of a highly collaborative process involving other artists, his impression of the location of the carving in MOA, and his working relationship with Walter C. Koerner who commissioned the sculpture. He lastly discusses his representation and interpretation of the Haida legend that the carving is based on. This recording is part of Celebration of the Raven which documented the creation of the Raven and the First Men Sculpture, its relocation to the Museum of Anthropology, and the unveiling by the Prince of Wales in 1982.

Interview with Haida Elder Percy Brown

Item is an audio recording of an interview with Percy Brown, a Haida Elder and well-known singer, about birds, animals, fish, whaling and trapping terminology on Haida Gwaii, British Columbia. He is interviewed by two unidentified women. In the first half of the recording, he is asked questions about local birds, for example, partridges, puffins and sea gull, in order to determine Haida names for the birds and to determine if the birds are native to Haida Gwaii. He is asked similar questions about various types of vegetation, for example, plant roots. He also provides information about historic uses of trading and trapping in Haida Gwaii. Percy Brown is featured in the 1979 LP Songs from Masset, referenced in the publication Northern Haida Songs by John Enrico and Wendy Bross Stuart which is available in the MOA Reading Room, call number 12.7c HAI ENR.

Lecture by Dr. Peter Macnair Part 1

Item is an audio recording of the first of a two-part lecture by Canadian anthropologist Dr. Peter Macnair about Haida and Kwakiutl art. The recording is Lecture #3 in the University of British Columbia's Center for Continuing Education Lecture Series on Traditions of North West Coast Indian Culture.

Lecture by Dr. Peter Macnair Part 2

Item is an audio recording of the second of a two-part lecture by Canadian anthropologist Dr. Peter Macnair about Haida and Kwakiutl art. The recording is Lecture #6 in the University of British Columbia's Center for Continuing Education Lecture Series on Traditions of North West Coast Indian Culture.

Lecture by Haida artist Bill Reid

Item is an audio recording of a lecture by Haida artist Bill Reid, who discusses the transition in Northwest West Coast art from its primarily ceremonial function within First Nations society to the present day when, in his words, art is made almost exclusively for sale to the non-Indian community. The recording is Lecture #8 in the University of British Columbia's Center for Continuing Education Lecture Series on Traditions of North West Coast Indian Culture.

Lecture on Women and bears, February 26, 1974

Item is an audio recording of a lecture given by Wilson Duff on “Women and Bears.” Duff uses the story of the woman who married a bear, represented in a Haida sculpture, to frame a discussion of the disenfranchisement of First Nations women under the Indian Act, the Lavell case (AG v. Lavell, 1971) and the Bedard case (R v. Bedard, 1973), and Haida and Nisga’a art. Lecture is recorded on both Side A and Side B.

Masset Village

Image depicts canoes, house, house posts, and totem poles on a shoreline in Masset, Haida Gwaii, B. C. Handwritten inscription on the verso reads "This is a Indian Village in Masset B. C. at the turn of the century. As you can see there are a lot of wooden shacks, totem poles and canoes. it is a very wild and remote area [redacted]. grandfather Crosby used to travel to these remoat [sic] villages by canoe." Image appears to be reproduction of a039351.

Massett Village

Image depicts canoes, house, house posts, and totem poles on a shoreline in Masset, Haida Gwaii, B. C. Printed around the border of the image is the photographer information "PHOTOGRAPHED BY R. MAYNARD, VICTORIA, . . . B. C." Handwritten inscription on the border reads "Massett [sic] Village Q. Ch. Is." Printed on the verso is the photographer information with the inscription "R. Maynard, Photographic Artist, AND DEALER IN ALL KINDS OF PHOTOGRAPHIC MATERIALS, COR. OF DOUGLAS AND JOHNSON STS., VICTORIA, B. C. -- Views of British Columbia and Vancouver Island for Sale." A handwritten inscription reads "Indian Totems Queen Charlotte's Island".

Mountain House, Moresby Island

Image depicts exterior view of the Mountain House, frontal pole, house post, and mortuary pole located on Moresby Island in Haida Gwaii, B. C. In the foreground is a canoe. Printed around the border of the image is the photographer information "PHOTOGRAPHED BY R. MAYNARD, VICTORIA, . . . B. C." Handwritten inscription on the border reads "Gold Harbour Q. Ch. Is.". Printed on the verso is the photographer information with the inscription "R. Maynard, Photographic Artist, AND DEALER IN ALL KINDS OF PHOTOGRAPHIC MATERIALS, COR. OF DOUGLAS AND JOHNSON STS., VICTORIA, B. C. -- Views of British Columbia and Vancouver Island for Sale." A handwritten inscription reads "Indian Village".

Old woman at Gold Harbour

Image depicts an elderly woman seated on the ground with a number of metal vessels. In the background is a seated man wrapped in a blanket. Photograph was taken at Moresby Island in Haida Gwaii, B. C. Printed around the border of the image is the photographer information "PHOTOGRAPHED BY R. MAYNARD, VICTORIA, . . . B. C." Handwritten inscription on the border reads "Old Woman at Gold Harbour". Printed on the verso is the photographer information with the inscription "R. Maynard, Photographic Artist, AND DEALER IN ALL KINDS OF PHOTOGRAPHIC MATERIALS, COR. OF DOUGLAS AND JOHNSON STS., VICTORIA, B. C. -- Views of British Columbia and Vancouver Island for Sale." A handwritten inscription reads "Natives - Gold Harbour".

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