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Portrait of Chief Dan George.

Image of a totem pole in Gitsegukla owned by Gary Hill Sr. of the house of Wiiseks/Wiigyet. The pole was cut down and as of March 2019 there are plans to make another one.

Additional images of this pole are printed on page 122 of Carter's book Abundant Rivers.

Image of a boardwalk through the old Nisga'a village of Aiyansh, in the Nass River valley of BC.

Portrait of Able Derek, Nisga'a. A similar portrait of him is printed on page 136 of Carter's book Abundant Rivers, with the caption: Abel Derek at Gitlakdamix, now called Old Aiyanch 'I am just a common man.'"

Image of Bessie Haizinqua in the old village of Aiyanch. A colour version of this image is printed on page 138 of Carter's book Abundant Rivers, with the caption: "Bessie Haizinqua - a proud young Nishga woman. Walking along the pathway through the old village of Aiyanch. She carried a bowl of bear meat; the scene was primitive and beautiful."

Portrait of an older Stl'al'lmx woman on the Mount Currie Reserve near Pemberton, BC.

Portrait of Theresa Gabriel, Stl'al'lmx of Pemberton Valley. A similar image is printed on page 39 of Carter's book Abundant Rivers, with the caption: "Theresa Gabriel 86 years old. An old timer in the valley, she has watched history unfold around her."

Portrait of Matilda Jim, resident of the Stl'al'lmx Mount Currie Reserve. She is seen here weaving a basket. A portrait of her is printed on page 43 of Carter's book Abundant Rivers, with the caption: Matilda Jim, 106 years old. One of the village's most active basket makers. She spends her days weaving to meet a constant demand for her wares."

Image depicts two poles standing in an open area. The front pole features a human-like creature on visible portion. The back pole also includes a human figure at the bottom with an owl on top. The figures on the bottom may be crest figures (Leading In or Halfway Out) or a Man of the Wild. Read's note suggests that one of these may be a Pole of Hrkyadet at Kispiox.

Image depicts three totem poles, standing in an open area. Read's note under this photo indicates that the pole on the left may by a Snag-of-the-Sand-Bar pole from the House of Chief Skogum Laxhe. The pole on the right may be Chief Laxhe`s Hat-of-Tsagyem-hanak Pole. See also item a034837 for a closeup of the Snag-of-the-Sand-Bar pole.

Image depicts a carving of a creature that resembles a bear--with fins. The carving sits on a wooden structure, possibly a carver's bench. Several buildings can be seen behind the carving platform.

Image depicts canoes, house, house posts, and totem poles on a shoreline in Masset, Haida Gwaii, B. C. Handwritten inscription on the verso reads "This is a Indian Village in Masset B. C. at the turn of the century. As you can see there are a lot of wooden shacks, totem poles and canoes. it is a very wild and remote area [redacted]. grandfather Crosby used to travel to these remoat [sic] villages by canoe." Image appears to be reproduction of a039351.

Image depicts canoes, house, house posts, and totem poles on a shoreline in Masset, Haida Gwaii, B. C. Printed around the border of the image is the photographer information "PHOTOGRAPHED BY R. MAYNARD, VICTORIA, . . . B. C." Handwritten inscription on the border reads "Massett [sic] Village Q. Ch. Is." Printed on the verso is the photographer information with the inscription "R. Maynard, Photographic Artist, AND DEALER IN ALL KINDS OF PHOTOGRAPHIC MATERIALS, COR. OF DOUGLAS AND JOHNSON STS., VICTORIA, B. C. -- Views of British Columbia and Vancouver Island for Sale." A handwritten inscription reads "Indian Totems Queen Charlotte's Island".

Photograph of three men carving totem poles that would become part of the bighouse in Alert Bay, BC.

Image depicts a totem pole erected in a farming area. It stands behind a rail fence and in front of a wooden barn. Read's notes state: "The Owl, or Grave-of-Gurhsan, form representation of the mythic owl. The pole dates from about 1913, was carved by Arthur Wilson, of Larksail phratry."

Image depicts a close up of a totem pole, depicting the face of a human-like figure at its base. Read's note indicates this is the Pole of Mawlarhen at Gitsegyukla. "Raven at top; half pole uncarved; then large eagle, with folded wings; sitting frog; frog hanging with head down; bottom, the Man of the Comb whose hands, raised with palms forward are like native combs. Pole c1925, was about 40 years old. Erected to commemorate Mawlarhen and his sister Poking Bullhead. Carver local artist, Jimmy Good of the Fireweed phratry." See also item a034838 for another view of this pole.

Image of a memorial pole at Alert Bay. Inscription at the bottom held by the figure reads "In loving memory of Tlaowa Latle of the Qiowasudinuk (Kwakwaka'wakw: Kwikwasut'inuxw) Tribe. Died Nov. 9 [rest of inscription illegible].

Item is a hand-tinted glass lantern slide of a street with five totems. According to annotations, photograph was taken in Alert Bay.

Item is a hand-tinted glass lantern slide of a totem with a building in the background and a boat in the foreground with low tide. Based on the original order of the collection, photograph might have been taken in Alert Bay.

An image of an aerial view of the Kyuquot village. According to the documentation included with the filmstrip, the description of the image states "Kyuquot from the air. You can see Walter's Island and out into the Pacific Ocean. The next Island to the right is Aktis Island, the ancestral home of the Kyuquot Band. In the early 1800's the Kyuquot Band was the largest on the West Coast of Vancouver Island. However one night in 1855 the Clayoquots, enemies to the Kyoquots, surprised the Kyuquot Village on Atkis Isl., cut off the heads of the Kyuquot warriers, took the women as slaves, and set fire to the village. Most of the village was destroyed during this, the last tribal war fought on the West Coast of Vancouver Island. A few years ago most of the Kyuquot Band left Atkis Island and moved into Walter's Cove."