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archivistische beschrijving
Reeks
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Guides and brochures

Series consists of informational guides, pamphlets, and brochures printed by, and about, the Museum of Anthropology from the 1970s to the 2010s. Guides and brochures cover general Museum of Anthropology information, such as opening hours, exhibitions, maps, and contact information.

Gift shop

Series consists of materials pertaining to the Museum of Anthropology's gift shop. These materials include communications about the shop's opening, advertisements for gift shop products, information about sales and special events, and the online store. Record types include press releases, informational pamphlets and hand-outs, product order forms, and bookmarks.

Programs, events, and milestones

Series contains materials related to programs, events, and particular milestone ceremonies/celebrations at the Museum of Anthropology. Materials are primarily publicity, such as press releases, newspaper clippings, flyers, and invitations. Other record types include informational booklets, programmes, and registration forms. The series is divided into 15 files:

  1. Field trips and day tours
  2. Talks and workshops
  3. Performances and screenings
  4. Ceremonies and celebrations
  5. Totem pole raisings
  6. Youth and children's programs
  7. School programs
  8. Native Youth Program
  9. Sunday programs
  10. MOA construction and opening
  11. Bill Reid tribute
  12. MOA open house
  13. 50th anniversary
  14. Partnership of Peoples
  15. Miscellaneous programs

Some files group together materials related to specific types of programming or events ("Talks and lectures," or "Youth and children's programs," for example). Other files are focused on a specific program, event, or ceremony. The "Miscellaneous programs" file groups together materials related to more than one type of program or event.

Building and spaces

Series consists of materials related to the Museum of Anthropology's physical building and spaces. Record types include newspaper clippings, press releases, pamphlets, flyers, invitations, and programmes. The series is divided into 4 files, grouping together materials related to specific features of MOA's building and spaces:

  1. Koerner Ceramics Gallery
  2. Outdoor Sculpture Complex
  3. The Raven and the First Men
  4. The K'san Doors

Prints

Series consists of 13 art prints, related to the collections or exhibitions of the Museum of Anthropology. The series includes works by Arthur Amiotte (Oglala Lakota), Clifford Beck Jr. (Navajo), Doug Cranmer (Kwakwaka'wakw), Robert Davidson (Haida), Jim Hart, (Haida), Richard Hunt (Kwakwaka'wakw), Gordon Miller, and Ken Mowatt (Gitxsan).

Administrative files

Series consists of correspondence, interdepartmental memoranda, loan requests and commissions, exhibit receipts, exhibit proposals and forms including blank forms, policy drafts, news releases, pamphlets, minutes of committee meetings, budgets, agendas, exhibition and gallery schedules, exhibition lists, facility reports, expense claims, installation invoice, handwritten notations, photographs, and slides. These records relate to the administrative duties carried out by Carol Mayer either in relation to exhibitions or other miscellaneous events such as courses taught at Emily Carr College of Art and Design, conference planning and participation on a provincial Task Force on Museum and First Nations.

The Records are divided into the following sub-series:

A   Administration files    1987-2001

B Miscellaneous files 1988-2012

C Committee files 1987-2014

Exhibition files

Series consists of records relating to museum exhibits that were In House (MOA based exhibit displayed at MOA), Traveling In (exhibits from outside institutions), and/or Traveling Out (a MOA based exhibit that travels for exhibition outside of MOA). The records include correspondence, interdepartmental memoranda, loan agreements, exhibit receipts, exhibit proposals and forms, news releases, pamphlets, newspaper clippings, colour photocopies, display labels, negatives, slides, and photographs.

The records are divided into the following sub-series:

A Trapline Lifeline 1987-1992
B Beyond Revival 1988
C I Have Seen the Other Side of the World

  • Masks of the Northwest Coast 1988
    D Gifts & Giving 1988
    E Lyle Wilson: When Worlds Collide 1988-1989
    F Images from the Inside Passage 1985-1989
    G Everything Politics – Australian Aboriginal Political
    Art in Print & Poster 1988-1989
    H Ghosts in the Machine, Phase II 1988-1989
    I A Coat of Many Colours 1988-1991
    J From Classical to Modern: Javanese Shadow Play Figures 1988-1991
    K Sacred Objects & Holy Presence 1989-1990
    L Fieldnotes 1989-1991
    M Transforming Image 1988-1995
    N Proud to be Musqueam 1988-1996
    O The Inside Passage – 1792 1989-1995
    P Great Canada Exhibit 1990-1991
    Q World Aids Day 1990
    R Fragments: The E. Sonner Donation of African Sculpture 1990-1991
    S Asia Pacific Foundation 1990-1993
    T David Neel 1990-1993
    U British Columbia Contemporary Ceramics 1991
    V Denendeh 1991
    W Savage Graces: “After Image” by Gerald McMaster 1992
    X Thunderbird & Whale 1992
    Y Cantonese Opera 1991-1996
    Z Eulachon – A Fish to Cure Humanity, The Grease Trails 1977-1995
    AA Saltglazed Stoneware 1992
    BB Dragon Jars 1992-1993
    CC Maiolica/Majolica 1992-1993
    DD Echoes 1992-1996
    EE Ron Hamilton 1994
    FF Cannery Days 1994-1995
    GG Sally Michener 1994-1996
    HH Maui: Turning Back the Sky 1995-1997
    II Written in the Earth 1992-1998
    JJ Ancient Lives: The Maya of Guatemala 1998
    KK Exhibit “A” – Objects of Intrigue 1998-1999
    LL Chinese Trade Ceramics 1998-2000
    MM Celadon 1991-2002
    NN Looking at Labels 1994
    OO La Force de la Tradition (virtual exhibit) 1995-1997
    PP T’ang Horses [ca. 1992]
    QQ Of Other Spaces 2001
    RR A Break in the Ice: Prints and Drawings from the
    Linda J. Lemmens Collection 1999
    SS Viewpoints: A student exhibition 2002
    TT A Guide to Visible Storage 2001
    UU Man Ray 2010-2011
    VV Tatau 2008-2009
    WW Ways of Knowing 2008
    XX The Village is Tilting 2008-2009
    YY Pleased to Meet You: Introductions 2012
    ZZ Paradise Lost? 2013
    AAA A Green Dress: Objects, Memory and the Museum 2011
    BBB Koerner European Ceramics Gallery [ca. 1990-20--]
    CCC Spirit of Islam: Experiencing Islam through Calligraphy 1999-2003
    DDD Pasifika: Island Journeys 1999-2003
    EEE Visions of Enlightenment: Buddhist Art at MOA 2011-2012

Student Project files

Series consists of records relating to display units and museum exhibits that were done by students of Anthropology 431 and Anthropology 432 (course titles included Museum Practice and Curatorship, Anthropology of Public Presentation, and Museum Studies and Principles). The records are group assignments that include journals, correspondence, permissions for use, exhibit receipts, exhibit proposals, agreement forms, interview transcripts, research notes, design sketches, invitations, colour samples, samples of mounting materials, colour printouts, negatives, slides and photographs.

The records are divided into the following sub-series:

A Visible Storage 1994
B Gallery Design Concepts 1994
C What Are You Looking At? 1998
D A Break in the Ice 1998-1999
E Who is This Benetton Anyway? 2001
F Koerner Gallery 2001
G Viewpoints 2002
H Celadon: Beyond the Glaze 2003
I Site to Sight: Imaging the Sacred 2004
J The Multiverse Gallery rotational project 2013
K Syllabi and Teaching Files 1999-2013

Publications series

Series consists of books created by or contributed to by Powell and Jensen. Many of the publications are final versions of the language education materials made for community use. A small number are publications on indigenous culture of the Northwest Coast for which Powell and Jensen were consulted, or in which Jensen’s photographs were used.

Series also contains a small number of magazine articles authored by Powell or Jensen.

Somewhere Between records

Series consists of images found in or related to Carter's 1966 published work. Focus is on photographic representations of First Nations communities along B.C.'s North coast, including the Xwemelch'stn (Coast Salish), Kynoc, Kitisug, Klemtu and Tsleil-Waututh nations. Files are generally arranged chronologically according to locality and/or subject matter. Except where noted with square brackets, the titles for files and items in this series were taken from annotations on the original material.

Anthony Carter

This is Haida records

Series consists of images found in or related to Carter's 1969 published work. Focus is on photographic representations of First Nations communities and individuals throughout Haida Gwaii. Geographic locations include Anthony Island (Ninstins), Masset, Skedans, Skidegate, Tanu and Yan. Series also contains images related to the 1969 Masset pole raising ceremony in honor of Robert Davidson, Jr. Files are generally arranged chronologically according to subject matter and/or locality. Except where noted with square brackets, the titles for files and items in this series were taken from annotations on the original material.

Anthony Carter

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