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Haida
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Haida Singing Reel No. 6

Item is a sound recording of singing in Haida along to drum accompaniment. There is also some speaking in between songs using the Haida language.

Haida history spoken by Chief William Matthews of Masset Part 2

[rr_0024t1a] Item is a sound recording of Chief William Matthews of Masset, Haida Gwaii, British Columbia discussing Haida history. Topics include: the history of Haida villages, particularly the village of Masset; carver Robert Davidson who lived in Masset during his infancy; and traditional forms of fishing and agriculture.

[rr_0024t2a] Item is a sound recording of William Matthews discussing Haida history. Topics include: stories about fishing and hunting expeditions as a child; how he became involved in Council work in Masset; impact of the work done by Council on the village and improvements made; specific individuals involved in Council; differences in the approach between Council now and during his tenure; observations about life in Masset now and then.

MOA Magazine, Issue 08, Fall 2019

This issue contains articles on current and upcoming exhibitions, the Great Hall seismic upgrades, the UBC President's Staff Award for Community Engagement recipient Salma Mawani, the beginning of a project to decolonize MOA's Africa collections, funding from Canadian Heritage's Museum Assistance Program, Playing with Fire: Ceramics of the Extraordinary, the history of the museum and the Hawthorns, fast fashion and sustainable textiles, highlights from the Multiversity Galleries, the return of a Haida mortuary pole, the Native Youth Program, the MOA shop, artist-in-residence Sharon Reay, and the MOA Director's Advisory Council.

George Szanto fonds

  • 138
  • Fundo
  • May 1962

Fonds consists of eight slides of totem poles being raised in the Haida Village at the University of British Columbia (UBC). The slides are dated May, 1962. The photographs were taken by George Szanto, the son-in-law of Geoffrey Andrew who was the Dean and Deputy President of UBC from 1947 to 1962.

The totem poles represented in the images were carved by Haida artist Bill Reid and 'Namgis artist Doug Cranmer. They were originally situated at UBC's Totem Park. They are now located on the grounds behind the Museum of Anthropology, and modelled on a 19th century Haida village.

Sem título

(Replicas)?, mortuary poles (Haida), dwelling house and sea wolf, Totem Park, UBC, Vancouver

MOA Object ID numbers correspond to poles in the image from left to right.

A50030 carved by Bill Reid and Doug Cranmer (1961-62) as the frontal pole for the front of the Haida house, at the University of British Columbia, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002.

Final lecture of Anthropology 301, April 3, 1974, “Resurgence of Indian Culture”

Item is an audio recording of a lecture given by Wilson Duff on the “Resurgence of Indian Culture.” On side A, Duff speaks on the failings of colonialist education systems, First Nations traditional knowledge, and his interpretations of Haida art. Works discussed include a Raven rattle and a chest carved by Charles Edenshaw. Side B continues with Duff’s observations on government interest in, and appropriation of, First Nations art and culture as symbols of Canadian identity, and cultural repatriation.

Haida

File mainly contains historical images of Haida and Tlingit villages and totem poles located on the Northwest Coast of British Columbia and Alaska. There are also images of Haida and Tlingit peoples dressed in regalia. Other photos include images of Haida and Tlingit artifacts, such as bentwood boxes and carvings, housed in various museums around the world. There are also images of a modern day ceremony in front of some totem poles and long houses. The textual records include photocopies of images of totem poles and Haida and Tlingit villages.

Haida

File consists of photographic prints depicting Haida cultural objects from other institutions. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for MOA Object ID A50000 a, b, c, & d; A50001; A50002 a, b, & c; A50012; A50013; A50014 a & b; A50015 a & b; A50017; A50018; A50021; and A50045 in MOA's Great Hall.

Bentwood box

A bentwood box by Charles Edenshaw. The museum catalogue number on the slide label is incorrect and should read A9416. This photograph may be from an exhibit at the old Museum of Anthropology dealing with Northwest coast technology.

Haida chest view A

Image of a bentwood box by Charles Edenshaw. This photograph may be from an exhibit at the old Museum of Anthropology dealing with Northwest coast technology.

Bentwood box

Image of a bentwood box by Charles Edenshaw. This photograph may be from an exhibit at the old Museum of Anthropology dealing with Northwest coast technology.

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