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Eric Parker fonds

  • 4
  • Fundo
  • ca. 1910-11 - 198?

The fonds consists primarily of material accumulated and/or created by Lt. Col. Parker during the period of his military duties in Tibet and time spent there after his release from the military (1921-1924). This material includes textual records such as correspondence relating to military matters with Sir Charles Bell, and those written to, and received from, Tibetan officers and the 13th Dalai Lama. A few letters written in Tibetan have been recently translated into English and are included in the fonds. Other textual materials includes handwritten speech and other notes, published documents such as an Almanac (written in Tibetan), newspaper clippings, and miscellaneous items such as philatelic materials and handwritten children's rhymes and songs.

The fonds also contains a collection of black and white photographs and negatives, the majority of which were images taken by Lt. Col. Parker, while others, predate Parker’s time in Tibet. The photographs are housed in two albums (Photograph Collections A and B), and show Tibet primarily in the 1920s. The images depict military and domestic scenes in Tibet including photographs of individuals from all social strata, as well as local architecture and landscapes. Some of the places (e.g., monasteries) no longer exist. The albums also contain more recent colour prints of the many Tibetan objects acquired by the Parkers (and now housed in the Ethnology Collection at the Museum of Anthropology). Some duplicates occur within and between albums. The negatives correspond to prints in one album (Photograph Collection A). Only a small number of negatives have not been printed.
The fonds is arranged in the following 3 series:

  1. Correspondence
  2. Photographs
  3. Miscellaneous Materials

Eric Parker

Deborah Taylor fonds

  • 40
  • Fundo
  • 1969 - 1972

The fonds consists of records relating to African culture and craftsmanship. It includes photographs and slides of Ivory Coast and Nigerian crafts and cultural events, correspondence, research notes about African handicrafts, typed anthropological portraits of craftspeople and related drawings, postcards and magazine clippings.

Deborah Taylor

Diane Elizabeth Barwick fonds

  • 41
  • Fundo
  • 1950 - 1958

The fonds consists of 7 photographs from a June 1958 centennial celebration in Alert Bay that Barwick described as having been ordered from a local cameraman. There are also 7 postcards that contain images of Alert Bay ca. 1949 or 1950 that were purchased by Barwick in the summer of 1958. Sixteen negatives were taken by Barwick at an excavation at Beach Grove in the Fraser River delta in June of 1957, likely done under the guidance of Charles Borden, a Lecturer and later Professor of Archaeology at UBC who studied the Beach Grove site from ca. 1955 to 1958. Notes on the envelope indicate these include images of D. N. Abbott, Colin McCafferty, and Nansi Swayze.

Diane Elizabeth Barwick

Douglas & McIntyre fonds

  • 42
  • Fundo
  • 1954 - 1985

The fonds consists of 83 images associated with two books published by Douglas & McIntyre: Bill Reid by Doris Shadbolt and The Raven Steals the Light by Bill Reid. The photographers responsible for these images are R. Dereth, R. Keziere, R. Lum and B. McLemore.

Douglas & McIntyre

Edward Dunn fonds

  • 43
  • Fundo
  • 1958

Fonds consists of 17 coloured photographic prints and 14 corresponding negatives. Photographs contain images of individuals in an arctic environment, but the exact location is unknown.

Edward C. Dunn

Edward F. Meade fonds

  • 44
  • Fundo
  • 1955 - 1994

The fonds consists predominantly of slides of various petroglyphs and pictographs, primarily from locations on the Northwest Coast of British Columbia. The fonds also contains location charts of petroglyphs and the creator’s typed notes about various sites.

Edward F. Meade

Edward Sheriff Curtis collection

  • 45
  • Coleção
  • Copied [ca. 197-?] (originally created 1897 - 1930)

The collection consists of slides, photographs and negatives, all copies of Curtis’s most extensive work, “The North American Indian.”

Ewen MacLeod collection

  • 46
  • Coleção
  • Digitized 2011 (originally created June 1927)

The collection consists of three photographs of St. George’s Residential School in Lytton, BC.

Ewen MacLeod

Frederich H. Maude fonds

  • 47
  • Fundo
  • [189-?], 1977

Fonds consists of 71 black and white photographs of the Hopi, the Zuni, and Inscription Rock. The fonds is divided into threes series: Donation Letter (1977), Hopi Images [189-?], and Zuni and Inscription Rock Images [189-?].

Frederich H. Maude

Genni Hennessy fonds

  • 48
  • Fundo
  • 2002 - 2003

The fonds consists of records relating to Hennessy’s 2003 MA thesis titled The Spirit of Collaboration: Exploring Critical Pedagogical Principles in Transforming the Museum Through Space and Time. Hennessy was interested in the relationships that developed between community members and museum staff during the process of putting together the Museum of Anthropology’s exhibit The Spirit of Islam, which ran from October 2001 to May 2002. Her purpose was to document the kinds of collaborative processes that occurred as the exhibit planning progressed in order to identify a model from which other museums working with communities might benefit.

Genni Hennessy

Gillian Darling Kovanic fonds

  • 49
  • Fundo
  • 1973 - 2010

This fonds consists of textual records, photographs, negatives, slides, audio recordings, compact discs and video on DVD that relate to Kovanic’s academic and film career. The fonds relates especially to her work in Pakistan, India and Afghanistan, but also captures her work with First Nations on the Northwest coast of British Columbia.

Gillian Darling Kovanic

Victor Othello dos Remedios fonds

  • 5
  • Fundo
  • ca. 1930-1945

Fonds consists of photographs that mainly document bombings in Shanghai by military forces from Japan in 1937. It is likely that the photographs of two bombing incidents were taken when Victor was a member of the Shanghai Volunteer Corps. The images show the devastation caused by the bombings including streetscapes and details of blown out buildings and dismembered casualties. Other photographs at the beginning of the album are postcards of Shanghai in its heyday before the bombings. Textual documents are from the 1930s and 1940s and include registration cards, a birthday card, a passport as well as identification cards of Victor, Valentina and Elizabeth.

Victor Othello dos Remedios

Gordon and Louanne Houston fonds

  • 50
  • Fundo
  • 1985 - 1987

During their time living in Bella Bella, the Houstons took many photographs of the lives of the Heiltsuk First Nation community documenting the day-to-day lives of the Heiltsuk First Nation as well as ceremonial activities. The colour slides document the construction, painting, and launching of the Gi’wa, a Heiltsuk canoe which sailed with the Lootaas, the Haida canoe built by Bill Reid for Expo 86. Some of the slides document the welcome feast at Bella Bella in honour of the Haida crew of the Lootaas. The colour slides also document several potlatches and wedding feasts held in the community hall, and the local Sports Day parade. Slides also depict the role of the fishing in the community, such as smoking salmon and processing roe. Other photos document gravestones on a nearby cemetery island, derelict canneries, petroglyphs and pictographs, totem poles and house posts, all in or near Bella Bella.

Houston (family)

Harry B. Hawthorn fonds

  • 51
  • Fundo
  • [189-] - [200-], predominant [193-] - [197-]

The fonds consists of records created and collected by Harry B. Hawthorn in a number of different capacities: as researcher, professor, Dean of Anthropology and Director of the Museum of Anthropology. Textual records in the fonds include correspondence, transcripts, research notes and clippings from publications. Much of the graphic materials relate to Harry Hawthorn’s interactions with aboriginal communities as an anthropologist, a professor, and as the Director of MOA. Other images relate to his personal life, documenting his youth in New Zealand, his life as a father and anthropologist, and his later established professional roles.

Harry Bertram Hawthorn

Helen Frances Codere fonds

  • 52
  • Fundo
  • 1955

The fonds consists of 28 black and white photographs taken by Codere in 1955 during her second field work expedition to B.C. 19 of the photos were taken in and around Alert Bay, while the remaining 9 were taken on Hope Island.

Helen Frances Codere

Helen Moore fonds

  • 53
  • Fundo
  • 1964 - 1974

The fonds consists of printed ephemera relating to First Nations art, correspondence, and photographs of Gitksan totem poles.

Helen Moore

Henry Delmonese collection

  • 54
  • Coleção
  • ca. 1920

Collection consists of textual records that tell of a Kispiox legend and its manifestation on a traditional pole; an accompanying photograph of the pole complements the narrative.

Hugh Campbell-Brown fonds

  • 55
  • Fundo
  • 19--

Fonds consists of papers that appear to be the beginning of a catalogue of Chinese charms and coins that were hand drawn. It is not clear whether they are specific to the Campbell-Brown collection of Chinese coins that were acquired by the Museum of Anthropology. However, they were acquired in the same trunk as the Campbell-Brown collection of Chinese coins.

Hugh Campbell-Brown

James and Mary G. Fyfe Smith fonds

  • 56
  • Fundo
  • 1911 - 1914

The fonds consists of two albums containing images accumulated by James and Mary Fyfe Smith during visits to Japan between 1911 and 1914.

James Fyfe Smith

Joan Goodall collection

  • 57
  • Coleção
  • 1926 - 1978

This collection consists of postcards and photographs collected by Joan Goodall. Areas depicted include Old Massett, Hazelton, Kitwangar, Port Simpson and other areas. Most images have totem poles or other massive carvings depicted.

ITEMS IN COLLECTION:
“The Museum of Northern British Columbia with the wolf totem and two Haida poles”
– 1960 – 1 postcard : colour ; 8.5 x 14 cm.

“From Joan Goodall Aug/78 – Fertility symbol used on island of [Tan] during yearly festival on island of [Tanna]” – 1978 - 1 photograph : colour ; 12 x 9 cm.

“623” [people in front of cemetery] – [19-] –1 photograph : b&w ; 14 x 9 cm.

“623” [totem pole and dead tree] – [19-] – 1 photograph : b&w ; 14 x 9 cm.

“713” [wooden sidewalk with totem poles] – [19-] - 1 photograph : b&w ; 9 x 14 cm.

“713” [view of a wooden fence with a tree flanked by matching totem poles] – [19-] – 1 photograph : b&w ; 9 x 14 cm.

“The Lion Totem of Kitwangar, BC” – [19-] – 1 postcard : b&w ; 14 x 9 cm.

“Port Simpson, Totems” – [19-] – 1 postcard : b&w ; 14 x 9 cm.

“Alaska Indian Carvings” – [19-] – 1 postcard: b&w ; 9 x 14 cm.

“Indian Totem, Hazleton, BC” – [19-] – 1 postcard : b&w ; 9 x 14 cm.

“Indian Totems, Old Massett, BC” – [19-] – 1 postcard : b&w ; 9 x 14 cm.

“1926” [two totem poles in front of a wooden house] - 1926- 1 photograph : b&w ; 11 x 7 cm.

Joan Goodall

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