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Fonds consists of photographic material created by Dr. Stephen Inglis and a series of twenty-four black and white prints depicting potters in a small community in India or images of fertility statues photographed by colleague Walter Huber. The colour negatives show local artisans and their works. The black and white photos mounted on cards were created between 1974 and 1977 and show Indian craftspeople, particularly Bengalis and Tamils. The images may have been created for the purpose of Dr. Inglis’s PhD research.

CAPTION LIST FOR PRINTS:
AC 2002-48-001 Siva murthi, Bastarnar
AC 2002-48-002 Siva Murthi, Bastarnar
AC 2002-48-003 Danteshwari Mandir Murthi, Dantewara
AC 2002-48-004 Amarkantak (source of Narbada River)
AC 2002-48-005 Danteshwari Mandir Murthi
AC 2002-48-006 Gharwa Cire-perdue Caster, Jagdalpur
AC 2002-48-007 Kumar, Nagarnar
AC 2002-48-008 Nagarnar Kumar family Terracotta mata murthis and guardian figures
AC 2002-48-009 Maria pillar, old form no longer made, near Gidam
AC 2002-48-010 The Eyes Have It
AC 2002-48-011 Kumar, Nagarnar
AC 2002-48-012 Danteshwari Mandir Murthi
AC 2002-48-013 L’Eternelle Idole, Rodin
AC 2002-48-014 Siva murthi, Bastarnar
AC 2002-48-015 Maria commemorative pillar, Bastarnar (“Bison-Horn”)
AC 2002-48-016 Kumar (demonstrating pottery wheel) Nagarnar village nr, Jagdalpur
AC 2002-48-017 Sonmura (source of Son River near Amarkantak Baba)
AC 2002-48-018 Assi Ghat, Benares Summer ‘76
AC 2002-48-019 Kumar, Nagarnar
AC 2002-48-020 Waiting for the bus near Jagdalpur
AC 2002-48-021 Kumar, Nagarnar
AC 2002-48-022 “Bison-Horn” Maria commemorative pillar, detail, Bastarnar
AC 2002-48-023 Gharwa, Jagdalpur
AC 2002-48-024 From Sonmura looking northwest
*Please note that AC 2002-48-01 through AC 2002-48-024 are attributed to Walter Huber

AC2002-48-025  48-76 are 51 colour negatives that depict local craftspeople and shrines in India.

AC2002-22-001 22-160 are black and white photographic prints mounted on white card. The images depict local Indian craftspeople, particularly Bengalis and Tamils. Some are identified with location and what is happening in the photo, while some are unidentified.

Series relates to public programming activities associated with museum exhibits, including the museum exhibits committee, organizing of traveling exhibits and public programming related to exhibits and participation in other exhibit related activities.
Series consists of memoranda, correspondence, proposals, news releases, clippings, inventories, publications, photographs, circulars, budgets, programme descriptions, schedules, staff guidelines and other textual material.
This series is arranged into 3 sub-series:
A. Exhibits Committee (1982-1985): Sub-Series relates to Ratner’s participation in the museums exhibits committee.
B. Coordinating (1974-1986): Sub-series reflects the organizing of traveling
exhibits, and participation in other exhibit related activities other than public
programming.
C. Programming (1977-1987): Sub-series reflects activities related to public
programming associated with museum exhibits.

This subseries relates to various tasks Ruus carried out for the museum. Records touch on such subjects as documentation of the transfer of the museums collection to its current facility, inventory information, some preservation/conservation tasks and design issues. Records in this series consist of slides, notes, memoranda, and correspondence.

Series consists of books and catalogues pertaining to exhibitions and collections at the Museum of Anthropology. The following exhibitions and collection are covered by publications within the series:

• Bodies of Enchantment: Puppets from Asia, Europe, Africa, and the Americas
• Charles Edenshaw
• Chinese Art
• Divine Threads: The Visual and Material Culture of Cantonese Opera
• Discerning Eye: The Walter C. Koerner Collection of European Ceramics
• Gawa Gyani
• Heaven, Hell, and Somewhere In Between: Portuguese Popular Art
• ひろしま Hiroshima
• Knowledge Within
• Lawrence Paul Yuxweluptun: Unceded Territories
• Layers of Influence: Unfolding Cloth Across Cultures
• Luminescence: The Silver of Peru (English)
• Luminiscencia: La Plata del Perú (Spanish)
• People Among the People: The Public Art of Susan Point
• Safar/Voyage: Contemporary Works by Arab, Iranian, and Turkish Artists
• Savage Graces
• The H.R. MacMillan Collection
• The Marvellous Real: Art from Mexico, 1926 - 2011
• The Museum of Anthropology at the University of British Columbia
• The Potter's Art: Contributions to the Study of the Koerner Collection of European Ceramics
• The Transforming Image
• The Walter and Marianne Koerner Collection
• Theatrum Mundi: Masks and Masquerades in Mexico and the Andes
• Traces of Words: Art and Calligraphy from Asia
• Under Different Moons: African Art in Conversation
• Where the Power Is: Indigenous Perspectives on Northwest Coast Art

Fonds consists of records generated by Watson while working as an exhibit designer at the Museum of Anthropology. Material includes records gernated during the preparation and documentation of exhibitions at the Museum, as well as records generated for two additional design projects undertaken by Watson during his tenure at MOA: the design of textile storage and display unit, 1980-1984; and the design of an extension to the west wing of MOA, 1988-1990.

Fonds is organized into two series:
1 - Museum design
2 - Exhibition design

See attached pdf document for series descriptions and file list.

Series reflects activities related to producing the MOA calendar of events, including coordinating shared programming with the Centre for Continuing Education, as well as planning and organizing particular programming. Series consists of calendars, circulars, memoranda, correspondence and other textual material.

File contains 4 comment books from the Museum of Anthropology Opening exhibition, 1976-1980

Dates of comment books:
May 25, 1976 – Feb. 12, 1977
Feb. 13, 1977 – Jan. 18, 1978
Jan. 20, 1978 – Jan. 2, 1979
Jan. 2, 1979 – Jan. 1, 1980

Series consists of records generated during the preparation and documentation of exhibitions at the Museum.

The fonds consists of records created by Ratner in the process of conceptualizing, developing and running public programming and extension services. Initially, the duties of the Extension Curator were coordinating the development of in-house exhibits, non-credit educational programming, extension activities and publicity. Programming included performances, workshops, lectures, non-credit courses, museum tours, identification clinics
and audio-visual presentations, often in conjunction with the Center for Continuing Education. Ratner organized local and international cultural excursions, including acting as a tour escort. Ratner was responsible for coordinating special events and lectures in conjunction with exhibits, and from 1980 was responsible for administering travelling exhibitions. Other extension activities included print exhibits in Vancouver office spaces, installations in off-campus locations such as the Vancouver Airport, and the Special Prison Extension Project.
Communications duties included production of the calendar of events and publicity circulars. Other duties included preparation of grant applications, managing staff, including student interns, budgeting, preparing reports, and assisting film and video production use of museum space and collections.
Public relations activities included establishing contacts with media representatives, promoting exhibits and other special events, producing news releases, distributing calendars of events and brochures, arranging staff interviews with media and soliciting publicity.
Communications duties included production of the calendar of events and publicity circulars. Other duties included preparation of grant applications, managing staff, including student interns, budgeting, preparing reports, and assisting film and video production use of museum space and collections.
Public relations activities included establishing contacts with media representatives, promoting exhibits and other special events, producing news releases, distributing calendars of events and brochures, arranging staff interviews with media and soliciting publicity.

The fonds has been organized into the following series:

1. Administrative and other records
2. Calendar of events
   3. Correspondence
   4. Excursions
   5. Exhibits
   6. Open-House
   7. Outreach
   8. Publicity
   9. Reporting
   10. Special events
   11. Strategic planning
   12. Weekly programming
   13. Youth programming

Sub-series consists of textual records for the exhibit titled “NMM: Children of the Raven” based on the beliefs and culture of British Columbia First Nations, with an emphasis on ceremonial objects and their iconographic meanings. Records include memos; exhibit floor plans, text blocks for exhibit, and colour drawings of items in the exhibit.