Luminescence: the Silver of Peru
- 28-02-OO
- Sub-séries
- 2012
Parte de David Cunningham fonds
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Luminescence: the Silver of Peru
Parte de David Cunningham fonds
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Parte de William McLennan (MOA Curator) fonds
Subseries contains images of exhibit titled <i>Popology</i>.
Parte de Elizabeth Johnson fonds
Subseries consists of a newsletter pertaining to the exhibit “Nunavutmiutanik Elisasiniq.” This exhibit was installed at the MOA from April - September 1999. This exhibition honours the people of Nunavut, and features more than one hundred examples of contemporary and historic sculptures, prints, and drawings.
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From Under the Delta: Wet-Site Archaeology in British Columbia’s Lower Mainland
Parte de Darrin Morrison fonds
This exhibition features rare preserved wood and bark objects dating from the past 4,600 years.
Parte de William McLennan (MOA Curator) fonds
Subseries contains images of people working in the Museum of Anthropology collections installing the exhibit On Stony Ground.
Speaking to Memory: Images and Voices from St. Michael's Residential School
Parte de Skooker Broome fonds
Subseries consists of records relating to the graphic design for the Speaking to Memory exhibit, on display at the Museum of Anthropology September 19, 2013 - May 11, 2014. This exhibit was curated by William McLennan (MOA) and Sarah Holland and Juanita Johnston (both from the U’mista Cultural Centre).
Inuit Prints and Drawings: Selections from the Permanent Collection
Parte de David Cunningham fonds
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McDonald’s exhibit (Big Mac box)
Parte de William McLennan (MOA Curator) fonds
Subseries contains images of the student exhibit titled <i>Show and Tell: The Story of the Big Mac Box</i> as well as negatives of the text panels for the exhibit. Students were part of the Anthropology 431 (Museum Principles and Methods) class.
Parte de William McLennan (MOA Curator) fonds
Subseries contains records related to the <i>Attributed to Edenshaw Exhibit</i> held at MOA from April 28, 1998 through May 30, 2003. This exhibit featured basketry as well as gold, silver, argillite and wood carvings by Haida artists Charles and Isabella Edenshaw. Records include photographs of artifacts identified as potentially on exhibit during the time frame as well as some correspondence and public relations regarding the exhibit.
Parte de Carol Mayer fonds
My Ancestors are Still Dancing
Parte de Darrin Morrison fonds
This was a living exhibition in which the artist, a Tsimshian Weaver from Lax Kw’alaams, publicly weaved a child-size Chilkat robe, alongside a display of his own weavings, and some historical weavings in MOA’s collection, and historical and contemporary photographs of people weaving.
Prints exhibition: Roy Hanuse, Joe David, and Art Thompson
Parte de William McLennan (MOA Curator) fonds
Subseries contains images of a serigraph print created in 1971 by Joe David. The print is titled Ka-Ka-Win-Chealth (Transformation of white wolf into killer whale).
Our Chiefs and Elders: Photographs by David Neel, Kwagiutl
Parte de David Cunningham fonds
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The Marvellous Real: Art from Mexico, 1926 - 2011
Parte de Skooker Broome fonds
Subseries consists of records related to the graphic design for the Marvellous Real exhibit, on display at the Museum of Anthropology October 25, 2013 - March 30, 2014. The exhibit was curated by UBC Anthropology professor Nicola Levell.
The copper that came down from heaven
Parte de William McLennan (MOA Curator) fonds
Subseries contains images of objects in the exhibit <i>The Copper That Came Down From Heaven</i>. Objects include masks and sculptures,
Parte de Carol Mayer fonds
Parte de William McLennan (MOA Curator) fonds
Subseries contains records related to the <i>Where are the Children?</i> exhibit held by MOA. Curated by Jeff Thomas, and circulated by the Aboriginal Healing Foundation in Ottawa, this exhibition presented a series of historical photographs documenting the history of residential schools in Canada. The records include correspondence related to exhibit loans, temporary exhibit preliminary and finalized designs and a reference manual for setting up the exhibition.
Parte de Elizabeth Johnson fonds
Subseries consists of notes pertaining to the exhibit “Wearing Politics, Fashioning Commemoration: Factory Printed Cloths of Ghana”. This was a student exhibit by Michelle Willard. The exhibit was coordinated by Elizabeth Johnson. This exhibit was installed at MOA in February 2004.
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