Image depicts a painting of D'zonoqua, done in red and black on white. Additional notes indicate this work was painted by Douglas Cranmer in 1964 or 1965.
Image depicts a Haida man identified as Chief Gold dressed in what appears to be a ceremonial Chilkat robe and woven hat standing in front of a house with a housepost at centre. Photograph was taken at Moresby Island in Haida Gwaii, B. C. Printed around the border of the image is the photographer information "PHOTOGRAPHED BY R. MAYNARD, VICTORIA, . . . B. C." Handwritten inscription on the border reads "Gold Harbour Chief Q. Ch. Is.". Printed on the verso is the photographer information with the inscription "R. Maynard, Photographic Artist, AND DEALER IN ALL KINDS OF PHOTOGRAPHIC MATERIALS, COR. OF DOUGLAS AND JOHNSON STS., VICTORIA, B. C. -- Views of British Columbia and Vancouver Island for Sale." A handwritten inscription reads "Gold Harbour Chief".
Image depicts a display of artifacts that appear to be predominately from the Northwest Coast cultural groups, including a mask, argillite totem poles, and mauls. Printed underneath the image is the photographer information: "Thos. E. Perkins, Toronto".
Photograph depicts two Zuni (A:shiwi) men identified as Dick and his brother-in-law making shell necklaces. A note on the back of the photograph describes how Dick is using a Zuni drill and his brother-in-law is rubbing down the rough edges of the shell beads on a flat stone.
Image depicts a human face, probably carved in wood. The image is cropped, but it appears that trees are growing behind this sculpture. This carving may be from Kitwanga, BC, as described by Read in his journal.
Image depicts a close up of a carving of a creature that resembles a grizzly bear with fins on its back. This carving is similar to the one depicted in item a034843.
Image depicts a carving (possibly concrete) of a fish-like creature with a dorsal fin, mounted on stone. The inscription reads CHIEF WIEAHAKYSOU (?) Died Mar 1912 Aged 70 years.
Item is the first of a three part sound recording of an interview with Bill Reid about the origins of his carving The Raven and the First Men, located at MOA. The interviewer is unknown. During the interview Bill Reid discusses how the sculpture was the result of a highly collaborative process involving other artists, his impression of the location of the carving in MOA, and his working relationship with Walter C. Koerner who commissioned the sculpture. He lastly discusses his representation and interpretation of the Haida legend that the carving is based on. This recording is part of Celebration of the Raven which documented the creation of the Raven and the First Men Sculpture, its relocation to the Museum of Anthropology, and the unveiling by the Prince of Wales in 1982.
