Image of two totem poles at Alert Bay. In the foreground is a memorial pole for Chief Wakas. It was raised in 1924 and carved by Arthur Shaughnessy. In the background is a memorial pole for Amos Dawson's uncle. Carved by Charlie James.
Image of a memorial pole at Alert Bay. Inscription at the bottom held by the figure reads "In loving memory of Tlaowa Latle of the Qiowasudinuk (Kwakwaka'wakw: Kwikwasut'inuxw) Tribe. Died Nov. 9 [rest of inscription illegible].
Image of a memorial pole for Abraham at Alert Bay. Carving of pole attributed to Charlie James for Abraham who hailed from Village Island and Fort Rupert.
Image of two totem poles at Alert Bay. In the foreground is a memorial pole for Chief Wakas. It was raised in 1924 and carved by Arthur Shaughnessy. In the background is a memorial pole for Amos Dawson's uncle. Carved by Charlie James.
Image of a memorial pole at Alert Bay. Inscription at the bottom held by the figure reads "In loving memory of Tlaowa Latle of the Qiowasudinuk (Kwakwaka'wakw: Kwikwasut'inuxw) Tribe. Died Nov. 9 [rest of inscription illegible].
Image of two totem poles at Alert Bay. In the foreground is the Thunderbird (top) and Dzunukwa(bottom) totem pole in Alert Bay. Pole was carved in 1931 at Blunden Harbour by Willie Seaweed, assisted by Joe Seaweed. Totem pole was a memorial for Billie Moon. In the background is a memorial pole for Wa'osta'as, wife of Sam Charlie. Carved in the 1800's by an unknown carver.
Subseries consists of records collected or created by Don Bain during the course of his Massive Carvings Documentation Project. This project took place in the early to mid 1990s. The Massive Carvings Documentation Project was intended to compile information directly related to the poles and massive carvings in the Museum of Anthropology (MOA) collection into a set of Totem Pole Files. The Totem Pole Files were intended to be accessible to MOA staff, volunteers, students, and the general public. The subseries is divided into two sub subseries:
Fonds consists of negative images of petroglyphs largely from the Pacific west coast of North America. Most of the images are from sites located in British Columbia, but there are also images from sites in Washington State, New Mexico, and other areas of the United States and Mexico. There are also images of artifacts, masks, totem poles, wood carvings, and graveyards. Images of family travels, landscapes, wild animals, and house cats are interspersed within the collection.