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archivistische beschrijving
First Nations
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Photographs from album

File contains images of the First Nation artists involved with the <i>Through My Eyes</i> exhibit. The images show them looking at objects in the Vancouver Museum's collection. The artists shown in the photographs are Cyril Carpenter, Ben Davidson, Robert Davidson, Norman Tait, Isabel Rorick, Doreen Jensen, Judge Alfred Scow, Lyle Wilson, Dolly Watts, Bill Reid, Glen Tallio, Richard Hunt, Terry Starr, Tim Paul, Richard Summer, Dempsey Bob, Jim Hart, and William White.

Nuu-chah-nulth

File contains historical images of Nuu-chah-nulth villages and peoples. There is a focus on totem poles and canoes. There are also photographs of a pole raising ceremony to commemorate the visit of Governor General Willingdon who came to Tofino/Ucluelet in the 1920s. There are images of James Rush, Chief Miste Laabats Hamtsiid, and Chief Joseph John, dressed in Nuu-chah-nulth regalia.

Book 7, tape 1: Learning Kwak'wala Series, This One, That One

Item consists of a recording of the Learning Kwak’wala book 7: This One, That One, and it features Agnes Cranmer, Margaret Cook, and Jay Powell engaging in vocabulary and grammar exercises in the workbook, Jay Powell asks the questions in English and Agnes Cranmer and Margaret Cook give the response in Kwak’wala; Side A: pages 4-12. covers sentences with objects and pointer words, using these forms with different verb tenses, plural subjects, referring to people who are present or absent, stops just before the English translation for the last sentence on page 12.; Side B: pages 13-26, continues with the exercises on page 13 and covers the we "including you" and we "not including you" forms, other verbs that take objects an their present, past, and future forms, and other pointer words, stops midway through the examples on page 26. Recorded on both sides.

Hilary Stewart fonds

  • 122
  • Archief
  • 1962 - 2005

Fonds consists of material related to the art, research, and writing of Hilary Stewart. The bulk of the material is related to the production of her books on the culture and art of the First Nations peoples of the Pacific Northwest. The remaining material relates to illustrations that she did for publications by other authors, a small amount of material done for personal use, and collected research and ephemera that does not appear to be related to one specific publication. Material includes original illustrations, collected research and notes, book drafts and pre-press materials, photographs, correspondence, and collected memorabilia.

The material has been arranged into three series:
1 - Books
2 - Illustrations and other artwork
3 - Collected research and ephemera

Hilary M. Stewart

Axuw's Birthday

Image of four people sitting by a long table. There is a birthday cake on the table and a poster in the back that reads "Happy Birthday Granny Axu."
Handwritten annotation on back "(L) Arthur, Alvin, Axuw, Elizabeth (Libby)"
Item was originally numbered by creator with number 119.

Martine J. Reid

Salish

File contains a combination of historical photographs depicting village life of the Coast Salish people, and modern day photographs of Salish artifacts housed in various museums around the world. The historical photographs contain images of Coast Salish peoples, totem poles, house posts, canoes, and petroglyphs. The modern day photographs contain images of Coast Salish artifacts such as blankets, spindle whorls, masks, carvings, house posts and totem poles, and household items such as combs and bowls. The textual records contained in this file are photocopies of images of Coast Salish artifacts housed in various museums around the world.

Tsimshian songs recorded by Dr. Viola Garfield

Item is a recording of Tsimshian songs recorded by the American anthropologist Dr. Viola Garfield (1899-1983) of the University of Washington. The songs in this recording were sung by Matthew Johnson (ca. 1867 - ?) who was one of the leading lineage heads of the G-spaxlo-‘ts tribe, and a great admirer of the lineage of the Tsimshian chief, Legaic” (Legaik, Legex). The title Legaic was carried by at least four chiefs of the Tsimshian Eage Clan. The last-known individual to carry the title took it in 1938.The cylinder numbers referenced during the recording are #14561, #14562, #14563, #14564 .

The Dr. Viola Garfield fonds is housed at the University of Washington Special Collections. She carried out field work in the summer of 1932, 1935 and 1937 at the Tsimshian village of Port Simpson, British Columbia. An Ediphone machine provided by the University of Washington Anthropology Department was used to record and store the songs on wax cylinders, which were deposited at the University. The recordings were transferred to the open reel format in 1971. More information is available in Dr. Viola Garfield's book Tsimshian Clan and Society (1939), available in the MOA Reading Room, call number 12.7 TSI GAR.

A document that accompanied this recording contains the following text:
Document text:
Cylinder 14561
000 - Song # 1 - Matthew Johnson - marriage song composed for the wedding of Legaik’s sister to ni•s nawa•
030 - Song # 2 - Matthew Johnson - entertainment and potlaching song, a song belonging to Legaik
080 - Song #3 - Matthew Johnson - supernatural power song ni•s nawa, Sky Spirit
137 - Song #4 - Matthew Johnson - a winant secret society power song belonging to ni•s nawa• Kilutsan chief
168 - Song #5 - Matthew Johnson – a secret society song or ludzista•l song
Cylinder 14562
190 - Song #6 - Matthew Johnson, a dog eater society song. nute•m, ni•s nawa, giluska’u
255 - Song #7 - Matthew Johnson –
300 - Song #8 - Matthew Johnson - boasting song for potlatch of Legaic’s tribe
Cylinder 14563
385 - Song #10 - Matthew Johnson - supernatural power song. Legaik, wiskani•st
475 - Song #11 - Matthew Johnson - dirge ni•s nawa• limkoi
530 - Song #12 - Matthew Johnson - dirge gispaxbts, gilutsa’u
588 - Song #13 - Matthew Johnson - dirge
Cylinder 14564
614 - Song #14 - Mrs. Marsden (sp.?) – wolf clan song of kitsees
665 - Song #15 - Mrs. Marsden - song belonging to the supernatural power name lugaxli’bam laxha belonging to ni•syagane•t
774 - Song #16 - Mrs. Marsden - ni•sgune (gitsecs) supernatural power song
825 - Song #17 - Mrs. Marsden – supernatural (naxnog) power song, house of welk

Book 9, tape 1: Learning Kwak'wala Series

Item consists of a recording of the Learning Kwak’wala Book 9: Workbook and accompanies Book 6: Saying Everyday Things, and it features Agnes Cranmer, Margaret Cook, and Jay Powell engaging in vocabulary and grammar exercises in the workbook, Jay Powell asks the questions in English and Agnes Cranmer and Margaret Cook give the response in Kwak’wala; Side A: pages 4-15; Side B: pages 16-27, 32-33. Recorded on both sides, : Side A stops early near the end of the exercise on page 15; skips game portions of the workbook; Side B stops early halfway through the exercise on page 33. Recorded on both sides.

X̄a’islak̓ala/X̌àh̓isl̩ak̓ala (Haisla language) collection

  • 135
  • Collectie
  • 1974 - 1980

Collection consists of Haisla cultural documentation and X̄a’islak̓ala/X̌àh̓isl̩ak̓ala (Haisla language) learning material, including sound recordings, stories, a dictionary, and lessons/workbooks. The collection has been divided into two series:

  1. Sound recordings
  2. Textual materials

George Szanto fonds

  • 138
  • Archief
  • May 1962

Fonds consists of eight slides of totem poles being raised in the Haida Village at the University of British Columbia (UBC). The slides are dated May, 1962. The photographs were taken by George Szanto, the son-in-law of Geoffrey Andrew who was the Dean and Deputy President of UBC from 1947 to 1962.

The totem poles represented in the images were carved by Haida artist Bill Reid and 'Namgis artist Doug Cranmer. They were originally situated at UBC's Totem Park. They are now located on the grounds behind the Museum of Anthropology, and modelled on a 19th century Haida village.

George Szanto

Paddling to Where I Stand collection

  • 138
  • Collectie
  • 1979 - 2003

Collection illustrates the gathering of information and writing of the book “Paddling to Where I Stand.” Collection includes interviews to Agnes Alfred conducted by Martine J. Reid and Daisy Sewid-Smith between 1979 and 1985. Interviews are documented as audio and video recordings and their written transcriptions. Collection includes other materials gathered by Martine J. Reid and Daisy Sewid-Smith for the edition and publication of the book. Collection also contains the manuscripts and draft for the book; correspondence between Martine J. Reid, Daisy Sewid-Smith and other people; eulogies and funeral pamphlets; Agnes Alfred’s family information; historical notes; and miscellanea. Collection includes photographic materials with photographs included in the book and additional photographs gathered by Martine J. Reid and Daisy Sewid-Smith during their research. Collection includes portraits of Agnes Alfred’s parents.

Martine J. Reid

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