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Abaya Martin weaving a Kwakwaka'wakw version of a Chilkat blanket. The loom was made by Mungo Martin.

A painting of Dzunuk'wa by Mungo Martin with annotations in the top-left corner. Mungo Martin produced this image while convalescing in St. Paul's Hospital in Vancouver as he had fallen ill while restoring totem poles at UBC.

A painting of a double headed serpent by Roy J. Hanuse.

Mungo Martin and Charles Docherty painting a totem pole. Docherty, a carpenter, was hired as Martin's assistant for restoring totem poles at UBC.

Roy Hanuse Painting a panel in what appears to be the old Museum of Anthropology location in the basement of the library.

A detail of a Dzunuk'wa feast dish on display in Montréal for the Northwest Coast exhibit of "Man and His World".

Feast dish by Charlie James on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".

A wider view of some displays from the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".

A totem pole hanging horizontal from a crane as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole being positioned in the Museum of Anthropology while it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole being positioned in the Museum of Anthropology while it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole being lifted by a crane to move it from its position in Totem Park to the new Museum of Anthropology building. This totem pole was originally carved by Charlie James and later restored by Mungo Martin.

A totem pole being lifted by a crane to move it from its position in Totem Park to the new Museum of Anthropology building. This totem pole was originally carved by Charlie James and later restored by Mungo Martin.

Workers gather around as a totem pole is about to be lifted from its position as part of its being moved from its position in Totem Park to the new Museum of Anthropology building. This totem pole was originally carved by Charlie James and later restored by Mungo Martin.

View of the Great Hall from the O'Brian Gallery in the Museum of Anthropology. A carving of an ancestor figure is visible on the viewer's right and a model totem pole on the viewer's left.

Image of a sewn corner of a bentwood box. This image may have been from an exhibit at the old Museum of Anthropology dealing with Northwest coast technology.

Totem poles laid out on the ground for the construction of the Haida and mortuary houses. Two totem poles stand in the background.

View of the Great Hall from Gallery 3 (now known as the O'Brian Gallery).

Whistles on display in visible storage at the Museum of Anthropology.

Workers prepare to move a totem pole from Totem Park to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.