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MOA Publications and Ephemera collection
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MOA Magazine, Issue 06, Fall 2018

This issue contains articles on current and upcoming exhibitions, Great Hall seismic upgrade renovations, Carol E. Mayer's trip to the island of Erub, volunteer Marcie Powell's work on textiles, contemporary art in the Multiversity Galleries, Debra Sparrow's weaving at the museum, the raising of a new Raven Pole at Wuikinuxv Village, the Volunteer Associates enrichment trip, the Native Youth Program, and an interview with Ann Stevenson, retiring Information Manager.

MOA Magazine, Issue 07, Spring 2019

This issue contains articles on current and upcoming exhibitions, the new Collections Access Grant program, the release of the book People Among the People: The Public Art of Susan Point, Shadows, Strings and Other Things: The Enchanting Theatre of Puppets and related programs, Javanese puppeteer Sutrisno Hartana, the Ninini (Earthquake) dance at the Frank Nelson Memorial Potlatch, MOA's conservators Miriam Clavir and Heidi Swierenga, highlights from the MOA archives, the book Divine Threads: The Visual and Material Culture of Cantonese Opera by April Liu, and how to leave a gift to MOA in your will.

MOA Magazine, Issue 08, Fall 2019

This issue contains articles on current and upcoming exhibitions, the Great Hall seismic upgrades, the UBC President's Staff Award for Community Engagement recipient Salma Mawani, the beginning of a project to decolonize MOA's Africa collections, funding from Canadian Heritage's Museum Assistance Program, Playing with Fire: Ceramics of the Extraordinary, the history of the museum and the Hawthorns, fast fashion and sustainable textiles, highlights from the Multiversity Galleries, the return of a Haida mortuary pole, the Native Youth Program, the MOA shop, artist-in-residence Sharon Reay, and the MOA Director's Advisory Council.

MOA Magazine, Issue 09, Spring 2020

This issue contains articles on current and upcoming exhibitions, Kent Monkman's Shame and Prejudice, decolonizing MOA's African collections and displays, contextualizing MOA's African collection, contemporary art in the Multiversity Galleries, MOA's public programs, the launch of the Indigenous Internship Program, the role of volunteers in safeguarding and conserving MOA's collections, and the Ceramics Artist-in-Residence Holly Ratcliffe.

MOA Magazine, Issue 10, Fall 2020

This issue contains articles on current and upcoming exhibitions, the Great Hall seismic upgrades, #MOAFromHome the COVID-19 campaign, graphic design during COVID-19, highlights from the MOA Archives, preservation technology interview with Senior Conservator Heidi Swierenga, the Islamic World Collection at MOA, ceramics Artist-in-Residence Denise Jeffrey, and an obituary for William "Bill" McLennan.

MOA Magazine, Issue 11, Spring 2021

This issue contains articles on current and upcoming exhibitions (including "A Future for Memory," on the Great East Japan Earthquake), identifying archival images, developing MOA's Multimedia Guide, highlights of the MOA Multiversity Galleries, interview with Reva Malkin on her creation of MOA's Aboriginal Cultural Program ("Prison Program"), photography of MOA catalogue and publications, signing memoranda of understanding (MOUs) with institutions and museums in the Pacific, and researching 19th-century British tiles.

MOA Magazine, Issue 12, Fall 2021

This issue contains articles on current and upcoming exhibitions (including "Sankofa: African Routes, Canadian Roots"), a farewell to Dr. Anthony Alan Shelton, contemporary art in the MOA collections, development of MOA's digital school programming, the Indigitization Program, tributes to Salma Mawani and volunteer Carol Givton, and reviews of "Under Different Moons: African Art in Conversation" by Anthony Alan Shelton and "Where the Power Is: Indigenous Perspectives on Northwest Coast Art" by Karen Duffek, Jordan Wilson, and Bill McLennan.

MOA News

File consists of eight newsletters produced by the museum that highlight recent events, people associated with the museum, new initiatives, programs, exhibitions, gift shop updates, publications, recent acquisitions, courses at MOA, the results of a membership survey, behind-the-scenes information, and other news about the museum. Articles are written by curators, administrators, and other staff members. The newsletters were published three times a year, in January, May, and September.

MOA News: The Newsletter of the UBC Museum of Anthropology, January-April, 1998

The newsletter contains 7 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the exhibition Recalling the Past: A Selection of Early Chinese Art from the Victor Shaw Collection and MOA's Asian collections, Stó:lō Chief Frank Malloway, events related to the Asia Pacific Economic Cooperation (APEC), MOA's new collections management system, an award of merit granted to the production team of From Under the Delta, the publication of The Potter's Art edited by Carol Mayer, and the launch of a multi-museum admission program called The Great Escapes. Also included is a Calendar of Events.

MOA News: The Newsletter of the UBC Museum of Anthropology, Vol 1. No 1, September, 1995

The newsletter contains 9 articles about the museum as well as photographs and general visitor information. Subjects include a memorial to Walter C. Koerner, the Native Youth Program, sourcebooks, digitization of images, a new course for volunteer and the general public (Introduction to the Museum of Anthropology), a new school program (My House, Big House with Kwakwaka'wakw elder Rita Barnes), Haisla artist-in-residence Lyle Wilson, an Anthropology Shop update, and conference papers to be published. Also included is a Calendar of Events.

MOA News: The Newsletter of the UBC Museum of Anthropology, Vol 1. No 2, January, 1996

The newsletter contains 10 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the exhibition Reclaiming History: Ledger Drawings by the Assiniboine Artist Hongeeyesa, MOA's financial endowments, a house post carved by Lyle Wilson, the residency of Dr. Beatrice Medicine, recent acquisitions to the Asian collection, a MOA membership survey, funding received from the Getty Grant Programme, a project involving a grade 12 art class and ceramics, a new version of the exhibition Cannery Days, and news from the Anthropology Shop. Also included is a Calendar of Events.

MOA News: The Newsletter of the UBC Museum of Anthropology, Vol 1. No 3, May 1996

The newsletter contains 6 articles about the museum as well as photographs, facsimiles of artworks, general visitor information, and a list of donors. Subjects include the exhibition From Under the Delta: Wet-Site Archaeology in the Lower Fraser Region of British Columbia, a course about ceramics taught by Carol Mayer at Emily Carr Institute of Art and Design, funding generated by the Anthropology Shop, repatriation of artifacts to the Jacks family of the Tseycum First Nation, funding for two new new multimedia projects by Dr. Marjorie Halpin, and an oral history workshop. Also included are a Calendar of Events and a memorial to Barbara Bethel, UBC/MOA security officer.

MOA News: The Newsletter of the UBC Museum of Anthropology, Vol 2 No 1, September 1996

The newsletter contains 6 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the launch of a campaign to restore the Haida House sculpture complex, a series of clinics and talk about preventive conservation, a memorial to Dr. May Smith, fall courses taught at MOA, the launch of a certificate in Museum Studies, and an update from the Anthropology Shop. Also included is a Calendar of Events.

MOA News: The Newsletter of the UBC Museum of Anthropology, Vol 2 No 2, January 1997

The newsletter contains 7 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the Hawaiian travelling exhibition Maui: Turning Back the Sky, the Volunteer Associates, the exhibition Vereinigung, a project involving a secondary school art class and ceramics, new Booking Coordinator Anna Nobile, a project to identify the fibres used in ceremonial blankets, and the book An Illustrated Guide to Totem Poles by Dr. Marjorie Halpin. Also included is a Calendar of Events.

MOA News: The Newsletter of the UBC Museum of Anthropology, Vol II No 3, May 1997

The newsletter contains 6 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the erection of new house posts and an ancestral figure by Susan Point, a new school programme co-developed with the Musqueam Nation, the retirement of MOA director Dr. Michael Ames, the launch of MOA's first website, the continuation of Dr. Marjoire Halpin's multimedia project, and the donation and display of Ainu objects. Also included are a Calendar of Events and list of donors.

MOA News: The Newsletter of the UBC Museum of Anthropology, Vol III No 1, September 1997

The newsletter contains 9 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the appointment of Dr. Ruth Phillips as MOA director, financial support from the federal government, the launch of a new certificate in Museum Studies, the repatriation of a sacred wooden image, Ahayu:da (War God), to the Zuni people, Dr. Marjorie Halpin's CD ROM-based project about the Mountain Eagle Totem Pole from Gitanyow, the Asia Pacific Economic Cooperation (APEC), carpet replacement, new staff member Darlene Chu, and a research grant awarded to Kersti Krug. Also included is a Calendar of Events.

MOA Publications and Ephemera collection

  • 124
  • Collection
  • [196-]-2021

Collection consists of published or printed materials produced by and about the Museum of Anthropology. These materials include records related to MOA’s exhibitions, collections, programs, events, membership, gift shop, and physical buildings/spaces. Record types include pamphlets, brochures, reports, books, magazines, newspaper articles, cards/postcards, educational handouts, and posters.

The collection has been divided into 12 series. Some series, such as the "Exhibitions and collections series" or the "Membership series," reflect the subject area or function of the records within them. Other series contain records grouped together by record type, such as the "Posters series" or the "Cards and postcards series."

Museum Notes

This collects all MOA Museum Notes. Museum Notes are produced by MOA staff and artists to accompany a particular exhibition or installation. Each Museum Note expands on the information provided to visitors in the exhibition, shining a light on individual works, processes, and artists. They provide supplementary content for museum visitors and serve as a documentation of research.

List of Museum Notes by #:
[0] Beginnings: An Exhibition of the silkscreen prints of Roy Henry Vickers
[1] Norman Tait Nishga Carver
[2] Joe David
[3] Totem Poles: An Illustrated Guide
[4] Pursuing the Past: A General Account of British Columbia Archaeology
[5] Image and Life: 50,000 years of Japanese Prehistory
[6] The Raven Rattle
[7] Cycles: The Graphic Art of Robert Davidson, Haida
[8] The Haida Legend of the Raven and the First Humans as retold by Bill Reid
[9] Sculpture and Engraving of the Central Coast Salish Indians
[10] A Guide to Buying Contemporary Northwest Coast Indian Arts
[11] Blood from Stone
[12] Ninstints: Haida World Heritage Site
[13] Changing Tides: the Development of Archaeology in B.C.’s Fraser Delta
[14] Ouroboros: A Major Work by Vancouver Artist Stephen Clark
[15] New Visions: Serigraphs by Susan A. Point, Coast Salish Artist
[16] Hands of Our Ancestors: The Revival of Salish Weaving at Musqueam
[17] Robes of Power: Totem Poles on Cloth
[18] Jack Shadbolt and the Coastal Indian Image
[19] Bill Reid: Beyond the Essential Form
[20] From the collections: UBC Museum of Anthropology cookbook
[21] Cowichan Indian Knitting
[22] The Third Eye: The Scientific Investigation of Museum Objects
[23] Bob Boyer: A Blanket Statement
[24] Translations of Tradition: Joanna Staniszkis’ Recent Work
[25] La Légende Haïda du Grand Corbeau et des Premiers Hommes Racontée par Bill Reid
[26] A Family Affair: Making cloth in Taquile, Peru
[27] The Leary Collection of Cypriot Antiquities
[28] Lyle Wilson: When Worlds Collide
[29] Our Chiefs and Elders: Photographs by David Neel, Kwagiutl
[30] The Koerner Ceramics Gallery
[31] Fragments: Reflections on Collecting
[32] Eulachon: A Fish to Cure Humanity
[33] Labour of Love: The Making of the Museum
[34] Recalling the Past: A Selection of Early Chinese Art from the Victor Shaw Collection
[35] Objects and Expressions: Celebrating the Collections of the Museum of Anthropology at the University of British Columbia
[36a] Nunavutmiutanik Elisasiniq: A Tribute to the Peoples of Nunavut
[36b] Raven’s Reprise: Contemporary Works by First Nations Artists
[37] From the Collections: UBC Museum of Anthropology Cookbook, 50th Anniversary Edition
[38] Robert Davidson: The Abstract Edge
[38F] Robert Davidson: le Bord Abstrait
[39] Peter Morin’s Museum: An Installation with Performances
[40] Hiroshima by Ishiuchi Miyako
[41] Pleased to Meet You: Introductions by Gwyn Hanssen Pigott
[42] Paradise Lost?: Contemporary Works from the Pacific
[43] (In)visible: The Spiritual World of Taiwan Through Contemporary Art
[44] In the Footprint of the Crocodile Man: Memories, Myths and contemporary art of the Sepik River, Papua New Guinea
[n/a] Layers of Influence
[45] In Her Words: Contemporary Women Artists from Aboriginal Australia
[46] Shadows, Strings & Other Things: Puppet Makers & Puppeteers
[47] Playing with Fire: Ceramics of the Extraordinary
[n/a] Kent Monkman: Shame and Prejudice
[48] A Future for Memory: Art and Life After the Great East Japan Earthquake

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