File consists of slides depicting First Nations chiefs and elders, Carter's wife Minn Sjolseth with August Jacks, Johnny Seaweed, miscellaneous images from Mount Currie/Lil'wat First Nation, and a photograph labeled "Potlatch Masset 60s".
File consists of image of Haida artist Rufus Moody, taken in what appears to be a home. A woman identified as Lucette is featured as well in a number of the images, possibly his wife. Also included is an image of some of his argillite carvings.
The pole was re-adzed and re-painted by Kwakwaka'wakw carver Mungo Martin before shipping to UBC in 1947. Repainted and repaired by Ellen Neel (1949) and by Mungo Martin (1950-51). It stood at Totem Pole Park, UBC Campus until it was re-located to the Museum's Great Hall ca. 1976.
Image of totem pole carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Portrait of Cornelius Sam, resident of the Mount Currie reserve. A similar portrait of him is printed on page 41 of Carter's book Abundant Rivers, with the caption: "Cornelius Sam, a cheerful humorous fellow."