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New museum water stains

File consists of images of water stains on the walls and floor of the Museum of Anthropology at UBC.

Anthony Carter

New museum water stains

Image of water stains on the walls at the Museum of Anthropology at the University of British Columbia.

Anthony Carter

New museum water stains

Image of water stains on the walls at the Museum of Anthropology at the University of British Columbia.

Anthony Carter

New museum water stains

Image of water stains on the walls at the Museum of Anthropology at the University of British Columbia.

Anthony Carter

[Copper, UBC]

Image of a piece of painted and shaped copper at the University of British Columbia.

Anthony Carter

Harry B. Hawthorn fonds

  • 51
  • Fundo
  • [189-] - [200-], predominant [193-] - [197-]

The fonds consists of records created and collected by Harry B. Hawthorn in a number of different capacities: as researcher, professor, Dean of Anthropology and Director of the Museum of Anthropology. Textual records in the fonds include correspondence, transcripts, research notes and clippings from publications. Much of the graphic materials relate to Harry Hawthorn’s interactions with aboriginal communities as an anthropologist, a professor, and as the Director of MOA. Other images relate to his personal life, documenting his youth in New Zealand, his life as a father and anthropologist, and his later established professional roles.

Harry Bertram Hawthorn

George Szanto fonds

  • 138
  • Fundo
  • May 1962

Fonds consists of eight slides of totem poles being raised in the Haida Village at the University of British Columbia (UBC). The slides are dated May, 1962. The photographs were taken by George Szanto, the son-in-law of Geoffrey Andrew who was the Dean and Deputy President of UBC from 1947 to 1962.

The totem poles represented in the images were carved by Haida artist Bill Reid and 'Namgis artist Doug Cranmer. They were originally situated at UBC's Totem Park. They are now located on the grounds behind the Museum of Anthropology, and modelled on a 19th century Haida village.

George Szanto

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