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Item Kwakwaka'wakw
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Staff wrapping a totem pole in padding

Workers stand on a scaffold to wrap a totem pole in padding to prepare it for being moved from its position in Totem Park to the new Museum of Anthropology building. This totem pole was originally carved by Charlie James and later restored by Mungo Martin.

Staff wrapping a totem pole in padding

Workers stand on a scaffold to wrap a totem pole in padding to prepare it for being moved from its position in Totem Park to the new Museum of Anthropology building. This totem pole was originally carved by Charlie James and later restored by Mungo Martin.

St. Michael's Indian Residential School, Alert Bay

Image of a St. Michael's Indian Residential School in Alert Bay. A similar image is printed on page 35 of Carter's book "From History's Locker," with the caption: "Two fine old carved columns stand guard in front of the school."

Anthony Carter

St. Michael's Indian Residential School, Alert Bay

Image of a St. Michael's Indian Residential School in Alert Bay. A similar image is printed on page 35 of Carter's book "From History's Locker," with the caption: "Two fine old carved columns stand guard in front of the school."

Anthony Carter

Smaller scale totem

Image depicts a small scale totem pole which seems to be situated in a cemetery. The bottom figure seems to be human and the top an eagle.

Small scale totem, top section closeup

Image depicts a top section closeup of a small-scale totem pole in front of a door. Visible are two beaked figures, with another seated figure. See items a034476 - a034482 for other views of this pole.

Small scale totem, side view

Image depicts a side view of a small-scale totem pole in front of a door. The top two figures have long beaks, a third figure has wings but no visible beak, and a human figure is seated at the bottom. See items a034476 - a034482 for other views of this pole.

Small scale totem, side and front view

Image depicts a side/front view of a small-scale totem pole in front of a door. The top two figures have long beaks, a third figure has a beak that is bent downward, and a human figure is seated at the bottom. Each winged figure is protecting a smaller figure. Two are possibly human and the third appears to be a frog. See items a034476 - a034482 for other views of this pole.

Small scale totem, midsection closeup

Image depicts a midsection closeup of a small-scale totem pole in front of a door. Visible are two figures, one possibly a seated human perched on top of what may be a Thunderbird. Each figure seems to be sitting in a corner. See items a034476 - a034482 for other views of this pole.

Sleeping face, front view

Image depicts a carved head. The eyes on the face are shut; the mouth is open in an o-shape. This view depicts the entire face.

Sleeping face

Image depicts a carved head. The eyes on the face are shut; the mouth is open in an o-shape.

Slave killers

Image depicts two carvings entitled Slave Killers. The photograph was taken outside and the two figures appear to be getting ready to throw a black object.

Sisiul print

Image depicts the mythical serpent Sisiul, painted in black on white paper. Additional notes say, "Shutter 50 Ap. 2.8__4"

Signing the Bella Coola Treaty

Image of one person signing a paper. More people on the background.
Handwritten annotation on back "Signing the Bella Coola Treaty Jun. 1987"
Item was originally numbered by creator with number 114.

Martine J. Reid

Side view of totem in front of door

Image depicts a side view of a small-scale totem pole in front of a door. The pole depicts several figures--possibly three Thunderbirds with a seated human figure at the base. See items a034476 - a034482 for other views of this pole.

Sea gull mask, side view

Image depicts a side view of a sea gull mask. The bottom section of a totem pole is visible on the right side of the photo.

Sea gull mask

Image depicts a sea gull mask, painted in brown, tan, white and gray. The mask is photographed outdoors on top of a mat.

Sea eagle in ovoid form

Image depicts a painting of a sea eagle inside an ovoid form. Additional notes indicate this painting was made by Douglas Cranmer in 1964 or 1965.

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