Daisy Describes to Martine Reid her Wedding Preparations
- 138-02-01-16 (MAN 233)
- Pièce
- June 1993
Fait partie de Paddling to Where I Stand collection
Daisy Sewid-Smith describes her wedding preparations to Martine Reid, in English.
Sans titre
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Daisy Describes to Martine Reid her Wedding Preparations
Fait partie de Paddling to Where I Stand collection
Daisy Sewid-Smith describes her wedding preparations to Martine Reid, in English.
Sans titre
Port Simpson Band - Laxkw'alaams band council
Fait partie de William McLennan (MOA Curator) fonds
File contains correspondence between McLennan and the Lax Kw'alaams Band Office.
Fait partie de Carol Mayer fonds
File includes audio and one video of interviews for the eulachon exhibition.
Haisla Photos Eulachon [Negatives and Contact Sheets]
Fait partie de Carol Mayer fonds
Fonds consists of a copy of Wilson’s “Kitlope Report: Various Haisla Artifacts.”
Sans titre
Fait partie de William McLennan (MOA Curator) fonds
File contains a project report on the conservation and restoration project of a Nuu-chah-nulth canoe at the UBC Museum of Anthropology.
E.W. Merrill Alaska photography
Fait partie de William McLennan (MOA Curator) fonds
File contains correspondence and two articles regarding the Tlingit.
Fait partie de Carol Mayer fonds
File includes photos taken at a Eulachon camp along the Kemano River. Subjects include: the process of building the camp, making the eulachon oil, seagulls and sea lions feeding on eulachons, and boats fishing for eulachon.
Fait partie de Vickie Jensen and Jay Powell fonds
Series is made up of records relating to the creation of a Chinook Jargon dictionary, a Big Book created for the Quileute on Chinook Jargon, and lessons for a Chinook Jargon class at Langara College. Powell documented the use of Chinook Jargon in LaPush during research on the Quileute language. His informants used Chinook Jargon regularly, and he began to research the history of its use on the Northwest Coast with the intention of writing a book about it. The manuscript for his book was accepted by the publishing company Douglas and McIntyre, but as Powell was not satisfied with his work, publication did not take place. However, he did produce a number of works that have been used for education purposes in LaPush as well as in British Columbia.
Series comprises six sub-series:
A. Research materials
B. Field notes and correspondence
C. Unpublished manuscript and lessons
D. Chinook Jargon dictionary files
Haisla Materials [Eulachon Exhibit Photos]
Fait partie de Carol Mayer fonds
Our Chiefs and Elders: Photographs by David Neel, Kwagiutl
Fait partie de MOA Publications and Ephemera collection
Fait partie de William McLennan (MOA Curator) fonds
This subseries contains records relating to an exhibit built at the Canadian Museum of Civilization. McLennan was the project manager and design developer for this project. He oversaw the completion and installation of six west coast First Nation house designs: Coast Salish, Haida, Tsimshian, Bella Coola, Oweekeno, and Kwakwaka'wakw. The records include newspaper clippings, correspondence, photographs, and notes.
Fait partie de William McLennan (MOA Curator) fonds
File contains images of a painting titled "Carrier of the Sweat Lodge" by John Laford. This painting was shown in the exhibit titled <i>Spirits in the Rock</i>.
The fonds consists of photographs created by Ronnie Tessler between 1986 and 1987 documenting a canoe project by Nisga’a carver Norman Tait. The project was abandoned in the summer of 1987, and the canoe was left uncompleted. The photographs depict models for the canoe, transportation of the log for the canoe to the Museum of Anthropology, ceremonies performed throughout the project, and various stages of work on the canoe and model. Additional photographs from this period depict a totem pole-raising ceremony at Capilano Mall in North Vancouver, as well as portraits of Les Baker, a model Tait wanted to use for a “white man” mask. The fonds is arranged into a single series: Norman Tait canoe project and related materials.
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Fait partie de Paddling to Where I Stand collection
Image of five people stading by a table with records on it. One of them is holding a microphone. More people on the background.
Handwritten annotation on back "Bella Coola Treaty. Paul Willie, Al Speck, Alvin Alfred, George Speck, Alec Smith"
Item was originally numbered by creator with number 112.
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Fait partie de Paddling to Where I Stand collection
Image of four women sitting in a kitchen.One of them is knitting, one of them is speaking on a telephone. In close up the hands and arms of a fifth person are visible.
Handwritten annotation on back "(L) Daisy Smith, Axuw, Flora Sewid, Emma Beans, Jun. 1987"
Item was originally numbered by creator with number 115.
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Fait partie de Paddling to Where I Stand collection
Image of six people standing around a table with records on it. One of them is holding a microphone. More people on the background.
Handwritten annotation on back "Bella Coola Treaty. Ernest Willie, Peter Smith, Al Speck, Alvin Alfred, George Speck, Alec Smith"
Item was originally numbered by creator with number 109.
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Gordon and Louanne Houston fonds
During their time living in Bella Bella, the Houstons took many photographs of the lives of the Heiltsuk First Nation community documenting the day-to-day lives of the Heiltsuk First Nation as well as ceremonial activities. The colour slides document the construction, painting, and launching of the Gi’wa, a Heiltsuk canoe which sailed with the Lootaas, the Haida canoe built by Bill Reid for Expo 86. Some of the slides document the welcome feast at Bella Bella in honour of the Haida crew of the Lootaas. The colour slides also document several potlatches and wedding feasts held in the community hall, and the local Sports Day parade. Slides also depict the role of the fishing in the community, such as smoking salmon and processing roe. Other photos document gravestones on a nearby cemetery island, derelict canneries, petroglyphs and pictographs, totem poles and house posts, all in or near Bella Bella.
Sans titre
Fait partie de William McLennan (MOA Curator) fonds
File contains correspondence and art packages. The two art packages consists of Northwest Coast Art and The Whale House of the Chilkat. These packages contain historic photographs with full explanations, as well as high lighting the design elements. They were published by the Alaska State Museum.
Fait partie de Paddling to Where I Stand collection
Image of six people standing around a table with records on it. One of them is holding a microphone. More people on the background.
Handwritten annotation on back "Bella Coola Treaty 1987"
Item was originally numbered by creator with number 110.
Sans titre