Affichage de 238 résultats

Photograph of a woman identified as Mrs. Sewid and four younger women identified as her daughters. All five of them are in ceremonial dress. They are standing outside, with a group of spectators behind them. It is not clear what type of event they are at. A stamp on the verso of the print indicates that it was printed in 1958.

Photograph of a totem pole in Alert Bay, BC. This pole has been called the world's tallest totem pole, though this is a disputed fact since it is actually comprised of two pieces. The pole is not specific to a particular family, but represents multiple tribes of the Kwakwaka'wakw. The pole was completed in the late 1960's and raised in 1973. It is located near the Big House.

Photograph of two men carving a set of house posts that will become part of the bighouse in Alert Bay, BC. These posts were carved and raised before the rest of the structure.

Image of a memorial pole at Alert Bay. Inscription at the bottom held by the figure reads "In loving memory of Tlaowa Latle of the Qiowasudinuk (Kwakwaka'wakw: Kwikwasut'inuxw) Tribe. Died Nov. 9 [rest of inscription illegible].

Originally carved by Mungo Martin in 1902 (Alert Bay). Refurbished by Mungo Martin in 1949. Erected in UBC Totem Park and moved to MOA Great Hall c. 1976.

Item is a hand-tinted glass lantern slide of twenty children and one adult holding house pennants with the names "Robins" and "Ravens" and shields in front of a building. Item is a duplicated of item no. S7-60, fonds 008 Missionary Society of the Church of England in Canada (MSCC) fonds, from the Anglican Church of Canada General Synod Archives. According to description from the Anglican Church of Canada General Synod Archives, Ravens (senior girls) and Robins (junior girls) pose with the shields won in intramural competition. The Anglican Church established a day school at its mission in Alert Bay, British Columbia in 1878. It opened a small boarding school there in 1882 and an industrial school in 1894. In 1929, a new building was constructed. The school was known for the arts and crafts produced by the students and the two large totem poles in front of the school building. In 1947, two-dozen children ran away from the school. The subsequent investigation into conditions at the school led to the resignation of both the principal and the vice-principal. By 1969, when the federal government assumed administration of the school, all residents were attending local schools. The residence closed in 1974. (National Centre for Truth and Reconciliation)

Item is a hand-tinted glass lantern slide of nine children in costumes in front of a building. Based on the original order of the collection, photograph might have been taken in Alert Bay.

Item is a hand-tinted glass lantern slide of the inside of a building with two house posts. Based on the original order of the collection, photograph might have been taken in Alert Bay.

The Mungo Martin memorial pole about to be raised in Alert Bay.

Elders perform the ceremony for the raising of the Mungo Martin memorial pole in Alert Bay.

Image of a bear shaped interior house post. This appears to be a house post that was transferred from Hope Island to the Museum of Anthropology in 1956.

Image of two old house posts on Hope Island, BC. The post on the right appears to be the same as a post now housed at the Museum of Anthropology, that was collected from Hope Island in 1956. Both posts feature a human figure with large eyes. On one post, the figure is holding a small face near its waist. On the other post, the figure is holding what appears to be an animal of some kind. The Museum of Anthropology's website provides the following description of the posts: "The posts of the unfinished house of Ha'm'cit were carved by a man from Smith Inlet called Si.wit who moved to Xu'mtaspi and married Tom Omhyid's mother. Ha'm'cit died before the house was finished. (Information provided to Prof. Wilson Duff by Mungo Martin). The artist's potlatch name was P'aczsmaxw. Wayne Suttles places the Xu'mtaspi village as Nahwitti, in historic times, however it was occupied jointly by the Nahwitti, the Yalhinuxw, and the Noqemqilisala (of Hanson Lagoon)."

Fonds consists of records relating to the numerous culture and language projects that Powell and Jensen worked on since 1976. The communities with which they worked include:
• The Quileute of La Push
• The Kwakwaka’wakw of Alert Bay
• The Gitxsan of Kispiox, Gitanyow, and surrounding villages
• The Nuu-chah-nulth of Vancouver Island
• The Musqueam of Vancouver
• The Seton Lake St'at'imc (Lillooet) of Shalalth
• The Shuswap of Alkali Lake, Soda Creek, Dog Creek, Canim Lake, and Sugar Cane
• The Haisla of Kitamaat
• The Nisga’a of Gingolx (Kincolith) and New Aiyansh

Most of the projects had an end goal to produce a book, language education materials, or teacher training materials. Often the education materials incorporated cultural lessons throughout. The records created in the production of the books are varied and reflect the intrinsic connection between language, culture, and daily activities in the communities. Powell and Jensen were co-editors for nearly all of the language books and materials produced. Although some of the projects reflected in the records were done primarily by Powell or primarily by Jensen, the vast majority of the work involves collaboration between the two in some aspect. As Jensen and Powell immersed themselves in the communities they worked for, often their personal photographs and records are interspersed with those relating to their work. This community involvement enhanced their relationships with the people with whom they were working and allowed them to experience and participate in cultural activities as part of those communities. This close relationship is reflected in and is integral to their work. Jensen and Powell have two sons: Nels, born in 1978, and Luke, born in 1981. Their sons travelled with them to the communities in which they worked and lived, and on their work trips and sabbaticals. Nels and Luke are also present in many of the photographic records.

The records contain a mixture of research, field notes, administrative records, and publications at various stages, in addition to audio and visual records. Field notes, for the most part handwritten, and archival research into language and culture groups was undertaken by Powell, whilst the majority of the photography, found in a variety of formats, was done by Jensen. Manuscripts and final publications were a combined effort and are included at various stages. Administrative records, including grant proposals, are found throughout.

Fonds consists of 13 series of records. Series are arranged according to community and/or project, and include:

1. Quileute
2. Chinook Jargon
3. Kwak’wala (U’Mista)
4. Gitxsan
5. Nuu-chah-nulth
6. Salishan
7. Shuswap
8. Haisla
9. Tait
10. Northwest Coast artists
11. Northwest Coast groups
12. UBC totems/events
13. Publications