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Doug Cranmer First Nations
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Working on a canoe

Working on a canoe

Image depicts Douglas Cranmer working on a canoe. The canoe is partially filled with water.

Red Border Eye Design

Red Border Eye Design

Image depicts a painting with five crests--four resemble bird heads and surround a centre figure that resembles some kind of mammal. The black on white painting is matted with a red border. Slide notes say, "Sh 60 Ap 5-6"

Carving a pole

Carving a pole

Image depicts Doug Cranmer in the early stages of carving a totem pole.

D'zonoqua painting

D'zonoqua painting

Image depicts a painting of D'zonoqua, done in red and black on white. Additional notes indicate this work was painted by Douglas Cranmer in 1964 or 1965.

Sea eagle in ovoid form

Sea eagle in ovoid form

Image depicts a painting of a sea eagle inside an ovoid form. Additional notes indicate this painting was made by Douglas Cranmer in 1964 or 1965.

Mink and clouds

Mink and clouds

Image depicts a painting of a mink and clouds, created by Douglas Cranmer in 1965. Additional notes say, "Sh 50 Ap. 2.8"

George Szanto fonds

  • 138
  • Fundo
  • May 1962

Fonds consists of eight slides of totem poles being raised in the Haida Village at the University of British Columbia (UBC). The slides are dated May, 1962. The photographs were taken by George Szanto, the son-in-law of Geoffrey Andrew who was the Dean and Deputy President of UBC from 1947 to 1962.

The totem poles represented in the images were carved by Haida artist Bill Reid and 'Namgis artist Doug Cranmer. They were originally situated at UBC's Totem Park. They are now located on the grounds behind the Museum of Anthropology, and modelled on a 19th century Haida village.

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