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Parte de Anthony Carter fonds
Image of a close-up of a totem pole mid carved
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Parte de Anthony Carter fonds
Image of a person standing by part of a totem pole with tools. Another person is standing on the side
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Parte de Anthony Carter fonds
Image of a totem pole mid carved
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Totem poles, etc at Museum of Anthropology
Parte de Anthony Carter fonds
Image of baskets in a storage area
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Fin of shark pole fragments, beginning of restoration by Anthony Carter and Carol Mclaren, U.B.C.
Parte de Anthony Carter fonds
Image of the early stages of restoration of totem pole fragments by Anthony Carter and Carol Mclaren, U.B.C.
Totem poles and installations at MOA & UBC
Parte de Anthony Carter fonds
File consists of images of totem pole and other display installations at the Museum of Anthropology at UBC.
Parte de Anthony Carter fonds
Image of a person carving a totem pole
Parte de Anthony Carter fonds
Image of a person carving a totem pole
Parte de Anthony Carter fonds
This historic image appears to be show a box front in Ottawa that is felt to be the same box front as the original one on MOA pole A50020.
Parte de Anthony Carter fonds
Image of totem poles on display at the Museum of Anthropology at UBC.
Parte de Anthony Carter fonds
Image of totem poles on display at the Museum of Anthropology at UBC.
Fin of shark pole fragments, beginning of restoration by Anthony Carter and Carol Mclaren, U.B.C.
Parte de Anthony Carter fonds
Image of the early stages of restoration of totem pole fragments by Anthony Carter and Carol Mclaren, U.B.C.
Totem pole installation, Museum of Anthropology
Parte de Anthony Carter fonds
Image of MOA Director Michael Ames with pole A50020 as it was being installed in MOA's Great Hall.
Totem pole installation, Museum of Anthropology
Parte de Anthony Carter fonds
Image of workers installing totem poles at the Museum of Anthropology at the University of British Columbia. MOA Director Michael Ames is on the left.
Parte de Anthony Carter fonds
Image of totem poles at the Museum of Anthropology at UBC
Parte de Anthony Carter fonds
Image of restoration work on a totem pole at the Museum of Anthropology at UBC.
The fonds consists of photographs, transparencies, negatives, prints, slides, textual records and objects. Contents of the fonds primarily reflect First Nations cultures in British Columbia between 1960 and 1980, including the Haida, Coast Salish (formerly Burrard Reserve), Kwakiutl (Kwakwaka'wakw), Gitsegukla and Ans'pa yaxw (Kispiox) nations. Notable First Nations personalities and artists documented include Chief Dan George, Gerry Marks, Henry Hunt and Norman Tait. Contents also include: B.C. landscapes such as Gwayasdums (Gilford Island), Klemtu, Mamalilikulla and Uchucklesaht; First Nations children; First Nations exhibits, totem poles and installations at the University of British Columbia in Vancouver and for the National Museum of Ethnology in Osaka, Japan. The original accession was arranged in series according to Carter's published works which focus on specific localities, communities, individuals and subject matter, with additional series related to Carter's photojournalistic work and personal recordkeeping added in 2019 when an accrual was made to the fonds.
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