Affichage de 36 résultats

description archivistique
British Columbia Tsimshian
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Able Derek, Old Aiyansh, Nass River, Nisga'a

Portrait of Able Derek, Nisga'a. A similar portrait of him is printed on page 136 of Carter's book Abundant Rivers, with the caption: Abel Derek at Gitlakdamix, now called Old Aiyanch 'I am just a common man.'"

Sans titre

Bessie Haizinqua, Nisga'a

Image of Bessie Haizinqua in the old village of Aiyanch. A colour version of this image is printed on page 138 of Carter's book Abundant Rivers, with the caption: "Bessie Haizinqua - a proud young Nishga woman. Walking along the pathway through the old village of Aiyanch. She carried a bowl of bear meat; the scene was primitive and beautiful."

Sans titre

Reverend Smith Stanley Osterhout fonds

  • 89
  • Fonds
  • [1870-1911]

Fonds consists of 45 glass-plate lantern slides featuring scenes from Osterhout's work with B.C. First Nations, including Haida, Tsimshian and Kwakwaka'wakw. Images document First Nations individuals, communities, totem poles and landscapes of British Columbia.

Sans titre

Tsimshian

File contains images of Tsimshian artifacts housed in museums in British Columbia and in what is now known as the Canadian Museum of History. The file also contains images of Tsimshian villages along the Nass River, and historical photos of Tsimshian peoples.

Nass River

Image of totem poles, canoes, and longhouses(?) in the Nass River valley of BC.

Sans titre

Ketchikan and Kitwancool Totems and Views

File consists of slides depicting totems and views labeled as in Kispiox, Kitwancool, Ketchikan, Haida, Kitseguckla, Skedans, and Kingcome. File also consists of slides documenting two of Minn Sjolseth's paintings entitled "En av de Siste" (sp?) and "Peace."

Nisga'a

File mainly contains historical images of the Nisga'a villages, peoples, and of Nisga'a totem poles. Other images are of modern day Nisga'a totem poles housed in museums in Canada and the United States. The textual records contained in this file are catalogue cards which provide some of the photograph's context, providing information such as the location of the photograph, the people in the photographs, which museum and/or archive collection the image belongs to, and/or the image's catalogue number.

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