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Canada Item First Nations With digital objects English
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21 June 1958 Alert Bay Centennial Celebrations

Item is a photograph of two men performing a dance while a crowd watches. The man on the right in ceremonial dress (button blanket, cedar bark headdress) is Willie Seewid [Seaweed; Sewid?], who carved the crooked beak mask with cedar strips that is worn by the other dancer on the left.

21 June 1958 Alert Bay Centennial Celebrations

Item is a photograph of a crowd of people in ceremonial dress and regular clothes watching two people performing a mask dance. One person wears a crooked beak [four-faced?] mask while the other is wearing a button blanket and headdress. Willie Seewid [Seaweed; Sewid?] is the man on the left looking at the dancer - noted by William Wasden Jr., 2005/02/22.

21 June 1958 Alert Bay Centennial Celebrations

Item is a photograph of a procession of people (men, women, children) in ceremonial dress (button blankets, headdresses) walking away from the ferry terminal dock [?] in Alert Bay. The procession is led by Mungo Martin and Daisy Neel. A man dressed in regular clothes, smoking a pipe looks on from the left.

21 June 1958 Alert Bay Centennial Celebrations

Item is a photograph of four men dancing in ceremonial dress (button blankets, carved [eagle?] mask with cedar strips) performing a ceremonial dance in front of a crowd of on-lookers. The man second from the left is Willie Sewid [Seaweed; Seewid?].

21 June 1958 Alert Bay Centennial Celebrations

Item is a photograph of three young women, and two young girls standing in ceremonial dress (button blankets; carved and painted [wolf?] mask; and headdresses made of woven cedar, weasel(?), abalone, and eagle feathers). They are gathered for an event celebrating British Columbia's centennial in Alert Bay in 1958. Daisy Neel is in the centre wearing the frontlet and her twin sisters are the young girls in front of her. Emma Sewid [Seewid; Seaweed?] and Mabel Sewid [Seewid; Seaweed?] are on either sides of them.

21 June 1958 Alert Bay Centennial Celebrations

Item is a photograph of men gathered together for an event celebrating British Columbia's centennial in Alert Bay in 1958. They are sitting down in front of a painted wall and some are wearing ceremonial dress, such as button blankets and woven cedar headbands. A drum and a painted dance screen [thunderbird?] on fabric are also visible. Men in the photograph include: Charles Nowell, Billy Assu, and George Scow.

Interior house posts

Image of interior house posts in an abandoned settlement. These appear to be the house posts that were transported from Hope Island to the Museum of Anthropology in 1956.

House frontal totem poles

Image of several house frontal totem poles at Ninstints on Anthony Island. The totem pole in the foreground is recognizable as one that was transferred to the Museum of Anthropology in 1954. While the others likely were as well, they are more difficult to identify.

Interior house post

Image of a bear shaped interior house post. This appears to be a house post that was transferred from Hope Island to the Museum of Anthropology in 1956.

House frontal totem pole

A house frontal totem pole said to be from Oweekeno. This appears to be the totem pole that was taken from Rivers Inlet to the Museum of Anthropology in 1956, as part of the B.C. Totem Pole Preservation Committee.

Interior house post

Image of a bear shaped interior house post. This appears to be a house post that was transferred from Hope Island to the Museum of Anthropology in 1956.

Interior house posts

Image of interior house posts in an abandoned settlement. These appear to be the house posts that were transported from Hope Island to the Museum of Anthropology in 1956.

House posts and beam, Quatsino, BC

Image of the houseposts and beam of what once was a longhouse in Quatsino, BC, on the north end of Vancouver Island. These posts appear to be the same as posts now houses at the Museum of Anthropology (museum item number A50009 a-c). The poles are described on the museum's catalogue: "Two upright posts and crossbeam that were part of a large interior house frame (also see records d-f and g-h). The uprights depict sea lions carved in high relief and painted (parts a-b). Their heads are equal size to their bodies. Both part a and b have an eagle in profile within the sea lions front flippers. Part a has a top portion of a face painted on the back of its head that is part of a sisiutl that runs down the seal lions back and into its hind flipper with a serpent's head in each. The cross-beam (part c) is painted and carved as a supernatural double-headed sea lion. All parts are painted black and white with Northwest Coast stylized forms... The Klix'ken (sea lion) House was commissioned by Tza'kyius around 1906, and was the last old style house erected in Xwatis. The beams and figures stood as part of a house frame, and acted as structural supports. Figures represented on house frames were supernatural beings which the family living in the house had the right, through their history and origins, to represent."

Broken totem pole

Image depicts a part of a fallen totem pole, surrounded by foliage. The animal may be a wolf; it depicts teeth in an open mouth.

Town at the head of the inlet

Item is a series of two photographs showing the rooftops of houses and a totem pole in the foreground. The pole is known as the Nispiq Pole. It belonged to Chief Simon Walkus, Sr. and tells of the origins of the Wuikinuxv people.

C. MacKay

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