Affichage de 1161 résultats

description archivistique
Canada Cultural groups
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Douglas & McIntyre fonds

  • 42
  • Fonds
  • 1954 - 1985

The fonds consists of 83 images associated with two books published by Douglas & McIntyre: Bill Reid by Doris Shadbolt and The Raven Steals the Light by Bill Reid. The photographers responsible for these images are R. Dereth, R. Keziere, R. Lum and B. McLemore.

Sans titre

Helen Frances Codere fonds

  • 52
  • Fonds
  • 1955

The fonds consists of 28 black and white photographs taken by Codere in 1955 during her second field work expedition to B.C. 19 of the photos were taken in and around Alert Bay, while the remaining 9 were taken on Hope Island.

Sans titre

Helen Moore fonds

  • 53
  • Fonds
  • 1964 - 1974

The fonds consists of printed ephemera relating to First Nations art, correspondence, and photographs of Gitksan totem poles.

Sans titre

Joan Goodall collection

  • 57
  • Collection
  • 1926 - 1978

This collection consists of postcards and photographs collected by Joan Goodall. Areas depicted include Old Massett, Hazelton, Kitwangar, Port Simpson and other areas. Most images have totem poles or other massive carvings depicted.

ITEMS IN COLLECTION:
“The Museum of Northern British Columbia with the wolf totem and two Haida poles”
– 1960 – 1 postcard : colour ; 8.5 x 14 cm.

“From Joan Goodall Aug/78 – Fertility symbol used on island of [Tan] during yearly festival on island of [Tanna]” – 1978 - 1 photograph : colour ; 12 x 9 cm.

“623” [people in front of cemetery] – [19-] –1 photograph : b&w ; 14 x 9 cm.

“623” [totem pole and dead tree] – [19-] – 1 photograph : b&w ; 14 x 9 cm.

“713” [wooden sidewalk with totem poles] – [19-] - 1 photograph : b&w ; 9 x 14 cm.

“713” [view of a wooden fence with a tree flanked by matching totem poles] – [19-] – 1 photograph : b&w ; 9 x 14 cm.

“The Lion Totem of Kitwangar, BC” – [19-] – 1 postcard : b&w ; 14 x 9 cm.

“Port Simpson, Totems” – [19-] – 1 postcard : b&w ; 14 x 9 cm.

“Alaska Indian Carvings” – [19-] – 1 postcard: b&w ; 9 x 14 cm.

“Indian Totem, Hazleton, BC” – [19-] – 1 postcard : b&w ; 9 x 14 cm.

“Indian Totems, Old Massett, BC” – [19-] – 1 postcard : b&w ; 9 x 14 cm.

“1926” [two totem poles in front of a wooden house] - 1926- 1 photograph : b&w ; 11 x 7 cm.

Sans titre

Lyle Wilson fonds

  • 63
  • Fonds
  • 1991

Fonds consists of a copy of Wilson’s “Kitlope Report: Various Haisla Artifacts.”

Sans titre

R.A. Brooks collection

  • 72
  • Collection
  • [ca. 1940 - 1950]

Collection consists of 81 b&w photographic prints of the Brooks heads and one of the Vancouver airport.

Richard Cotton fonds

  • 75
  • Fonds
  • [ca. 1960 - 1969]

The fonds consists of four photographs taken by Richard Cotton of mortuary poles on an island in the Skeena River near Kitsilas, BC.

Sans titre

Totem Park, UBC, Vancouver, Kwakiutl (#2 + 5 carved by Mungo Martin), Alert Bay sea lion pole #2, new Mungo Martin pole #5, frontal pole #6, eagle crest pole #7

This pole was on display at UBC in Totem Park in the 1960’s and 1970’s and moved to the Museum in the late 1970’s. It was carved in 1914 in Tsaxis (Fort Rupert) by George Hunt Sr. for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was collected by Marius Barbeau and Arthur Price in 1947. The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Iconography: Kolus is a young thunderbird. Thunderbird is a supernatural bird identifiable by the presence of ear-like projections or horns on the head, and a re-curved beak. The pole alludes to the story of Tongas people in south Alaska, who migrated south.

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