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archivistische beschrijving
China
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Catalogue page

Image of a page, likely from a catalogue in visible storage that was available for visitors to gain further information on the items on display. This page deals with "Shekwan Ware"; a distinct type of Chinese pottery, and was written by Audrey Shane.

Tibetian Buddhist monks

Image depicts several men wearing robes that suggest they are Tibetian Buddhist monks. They are standing in a courtyard outside a large building and may be dancing.

Tibetian Buddhist monks dancing

Image depicts several men, dressed in what appear to be Buddhist robes, dancing in a courtyard outside a large building. They carry scarves, which appear to be a part of this dance.

Tibetian dancing, side view

Image depicts several individuals dressed in regalia dancing what may be the Black Hat dance. Also visible on the left side of the print are several seated men wearing what may be Buddhist monk's robes. This dance is taking place outside a large building that may be a monastery or temple.

Tibetian dancing

Image depicts a distant view of several individuals dancing what may be the Black Hat Dance in front of a building that may be a Tibetian Buddhist monastery or temple.

Seated Buddhist monks

Image depicts four seated men wearing regalia that indicates they are probably Tibetian Buddist monks. They sit on the ground outside a building that may be a monastery or temple.

Tibetian dancing

Image depicts another view of dancing what may be the Black Hat Dance in front of a building that may be a Buddhist monastery or temple. Also visible are some large drums, which may be played for this dance.

Tibetian dance, distant view

Image depicts individuals dancing next to a large building that may be a Tibetian monastery or temple. The dancers wear regalia and carry scarves and may be performing the Black Hat dance.

Traditional Tibetian dancing

Image depicts several individuals dressed in regalia and performing what may be the Black Hat Dance. This dance is taking place in front of the building depicted in images a033048-a033049 and a033054-a033060.

Women wearing pendants and belt

Image depicts several women, some wearing large pendants and one wearing a decorative belt. This is a fuller image of item a033050, which offers a close up view of the jewelry.

Tibetian women

Image depicts several Tibetian women seated, probably on the ground or a hillside. The women wear traditional chubas, and one woman, seated center right, wears a striped apron signifying that she is married.

Tibetan building

Image depicts a large Tibetan building, possibly a temple or a monastery. Traditional Tibetan architectural features visible here include a structure with multiple windows to let in sunlight and a flat roof to preserve heat. These dwellings are often constructed with a combination of wood, rocks, cement, and earth. Several figures are seated in front of this dwelling near a row of drums.

Young person in chuba

Image depicts a young person seated in front of a building and wearing a chuba, a loose fitting robe.

Zonder titel

Tibetan building from a distance

Image depicts another view of the possibly religious structure depicted in item a033049. In addition to the architectural details noted earlier (many windows, flat roof, structure comprised of wood, earth, stone, and cement) this view depicts a prayer wheel, a cylindrical wheel on a spindle), visible on the roof, centre left of the image. The four sided walls indicate that this building may be located in the Ladakh region. A collection of drums and many seated individuals are visible in front of the building and one person appears to be dancing.

Langmann Family Photograph collection

  • 151
  • Collectie
  • [186-?]-[191-?]

Collection consists of five albums of photos from Meiji period Japan including a few photos from Scotland, one album of photos from China, and two lacquer-framed photographs. It consists mostly of albumen hand-coloured Japanese photographs. These Japanese photographs belong to the genre known as souvenir photography or Yokohama photography. The subject of these photographs in this collection echoed those found in the Japanese ukiyo-e prints of the so-called “floating-world” of the late Edo Period, from around 1780 until the 1860s. The delicate hand colouring of the albumen silver prints is one of the characteristics of photographs of Japan from this period.

There were mainly two media to disseminate souvenir photos from Yokohama during Meiji period (1868 –1912): photo prints and lantern slides (see the James Davidson collection), but other materials were also used. These hand tinted photo prints were usually bound in albums with lacquer covers lavishly decorated in makie (蒔絵), a technique of applying adhesive metal such as gold and silver or colour powder in soft lacquer to create designs.

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