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Archival description
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Gordon Miller collection

  • 36
  • Colección
  • [1979?]-1993

The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit "The Four Seasons: Food Getting in British Columbia Prehistory," which ran from April to November 1979. The other watercolour is from an unidentified exhibit or sourcebook.

The collection also contains one painting that was commissioned by the museum for a publication (Museum Note, no.12, "Ninstints: World Heritage Site"), as well as a blueprint reproduction of a related drawing. These are renderings of how the houses and poles on a beach at the Ninstints village site might have looked when they were in use. The rendering is based on George MacDonald's map.

Collection consists of the following items:

001: The Four Seasons – Spring – Interior [1979?]
002: The Four Seasons – Spring – Coast [1979?]
003: The Four Seasons – Summer – Interior [1979?]
004: The Four Seasons – Summer – Coast [1979?]
005: The Four Seasons – Autumn – Interior [1979?]
006: The Four Seasons – Autumn – Coast [1979?]
007: The Four Seasons – Winter – Interior [1979?]
008: The Four Seasons – Winter – Coast [1979?]
009: Haida six beam house 1993
010: [Ninstints village painting] 1983
011: [Ninstints village, drawing for Museum Note] 1983

Gordon Miller

Jonathan Griffin fonds

  • 60
  • Fundo
  • 1974 - 1978

Fonds consists of a paper written for Anthropology 301 taught by Professor Dr. Michael Kew, entitled [Red Cod Island Village or Ninstints Village] - A Memorial, with accompanying colour slide images of the carved poles of Anthony Island, a permanent village of the Kunghit Haida, located on the southern shores of Haida Gwaii.

Jonathan Griffin

Robert Keziere fonds

  • 76
  • Fundo
  • 1982

The fonds consists of 7 photographs taken by Robert Keziere on October 20, 1982 of artist Bill Reid working in his Kerrisdale (Vancouver) studio. The film remained unprocessed until 2009, when it was developed and the prints, contact sheet, and DVD were created. The DVD contains image files in multiple resolutions.

Robert Keziere

Sharon Fortney fonds

  • 78
  • Fundo
  • 2006 - 2008

The fonds consists of one file titled Interview Transcripts, which contains recorded interviews, transcripts, and printed copies of transcribed interviews of research done by Sharon Fortney towards her PhD thesis titled Forging New Partnerships: Coast Salish Communities and Museums. Forney's thesis explores what motivates Coast Salish communities to participate in museum representations; considers the legal implications of such representations with respect to aboriginal rights; and analyzes of the diverse experiences of Coast Salish individuals in specific museum projects and partnerships with the goal of progressing museum and community interactions along a path to equal partnership.

The audiotapes in the fonds contain interviews with Coast Salish community members and artists regarding museums. The CD-R contains transcripts of interviews and is located in the temporary CD storage box. Sharon Fortney's curriculam vitae, thesis abstract, and 10 interviewee consent forms are located in the case file.

Sharon Fortney

Basil and Edythe Hartley fonds

  • 27
  • Fundo
  • ca. 1941-1944, 1983

Fonds consists of audio, video, and visual materials created by Basil and Edythe Hartley. Materials include video footage of the Haisla people, which Hartley shot while working in Kitimaat from 1941-1944, a voiceover for the footage which Hartley’s widow, Edythe McClure, created in ca. 1983, a letter, and three photographs of Kitimaat people and landscapes. The three audio cassettes all contain the same 1983 recording.

Basil Hartley

Charles E. Borden fonds

  • 140
  • Fundo
  • ca. 1954

The fonds consists of a file titled Tsimshian Totem Poles and contains 38 black and white photographs of Kitwancool totem poles.

Charles E. Borden

A.F.R. Wollaston fonds

  • 10
  • Fundo
  • ca. 1915-1919

The fonds consists of photographs likely taken by A.F.R. Wollaston in Uganda, the Congo, New Guinea, and Fiji. Also included are the envelope in which the photos were posted, and a note from M (Marjorie Halpin) to Audrey (Shane? Hawthorn?) regarding the donation of the photos to MoA.

A.F.R. Wollaston

Joan Goodall collection

  • 57
  • Colección
  • 1926 - 1978

This collection consists of postcards and photographs collected by Joan Goodall. Areas depicted include Old Massett, Hazelton, Kitwangar, Port Simpson and other areas. Most images have totem poles or other massive carvings depicted.

ITEMS IN COLLECTION:
“The Museum of Northern British Columbia with the wolf totem and two Haida poles”
– 1960 – 1 postcard : colour ; 8.5 x 14 cm.

“From Joan Goodall Aug/78 – Fertility symbol used on island of [Tan] during yearly festival on island of [Tanna]” – 1978 - 1 photograph : colour ; 12 x 9 cm.

“623” [people in front of cemetery] – [19-] –1 photograph : b&w ; 14 x 9 cm.

“623” [totem pole and dead tree] – [19-] – 1 photograph : b&w ; 14 x 9 cm.

“713” [wooden sidewalk with totem poles] – [19-] - 1 photograph : b&w ; 9 x 14 cm.

“713” [view of a wooden fence with a tree flanked by matching totem poles] – [19-] – 1 photograph : b&w ; 9 x 14 cm.

“The Lion Totem of Kitwangar, BC” – [19-] – 1 postcard : b&w ; 14 x 9 cm.

“Port Simpson, Totems” – [19-] – 1 postcard : b&w ; 14 x 9 cm.

“Alaska Indian Carvings” – [19-] – 1 postcard: b&w ; 9 x 14 cm.

“Indian Totem, Hazleton, BC” – [19-] – 1 postcard : b&w ; 9 x 14 cm.

“Indian Totems, Old Massett, BC” – [19-] – 1 postcard : b&w ; 9 x 14 cm.

“1926” [two totem poles in front of a wooden house] - 1926- 1 photograph : b&w ; 11 x 7 cm.

Joan Goodall

R.A. Brooks collection

  • 72
  • Colección
  • [ca. 1940 - 1950]

Collection consists of 81 b&w photographic prints of the Brooks heads and one of the Vancouver airport.

Victoria Yip fonds

  • 82
  • Fundo
  • 1923 - 1936

Fonds consists of theatre programs from Victoria, opera clippings, photographs of the Chinese Carnival in 1936, a copy of the Chinese Times, and Yip’s reminiscences of the establishment of The Chinese Canadian Times in Vancouver and the Chinese Opera in Victoria.

FILE LIST:
MAN 1997-007-001 : Chinese Times, 1936, article on Chinese Times, Willie Le[-]o n.d.

MAN 1997-007-002 : Cantonese Opera clippings, n.d.

MAN 1997-007-003 : Six photographs of Chinese Carnival, Vancouver, 1936

MAN 1997-007-004 : Theatre program from Victoria, B.C., 1923

MAN 1997-007-005 : Theatre program from Victoria, B.C., with poetry on back written by Yip’s father, 1930

Victoria Yip

Stanley E. Read fonds

  • 94
  • Fundo
  • [1946?] - 1948

Fonds consists of scans of two albums of photographs and one enlarged photograph captured by Stanley Read during two separate vacations through interior British Columbia with his wife, Ruth. Also included in the fonds is a journal which Stanley Read used to document the daily events of one of these trips, during which Stanley and Ruth travelled through Gitksan territory/Skeena Country. The photographs capture Gitksan totem poles, people, and wilderness encountered on their travels.

Stanley E. Read

Bob Kingsmill fonds

  • 33
  • Fundo
  • 1977 - 1979

The fonds consists of correspondence, questionnaires, and photographs relating to Bob Kingsmill’s research for his book A Catalogue of British Columbia Potters (1978). In order to gather material for his book, Kingsmill created a questionnaire requesting information and photographs, which he sent to about 70 potters throughout British Columbia. The fonds consists mainly of the responses Kingsmill received, which include the completed questionnaires containing short biographical and artistic statements by each potter, together with black and white or colour photographs of the artists and their pottery.

Bob Kingsmill

Diane Elizabeth Barwick fonds

  • 41
  • Fundo
  • 1950 - 1958

The fonds consists of 7 photographs from a June 1958 centennial celebration in Alert Bay that Barwick described as having been ordered from a local cameraman. There are also 7 postcards that contain images of Alert Bay ca. 1949 or 1950 that were purchased by Barwick in the summer of 1958. Sixteen negatives were taken by Barwick at an excavation at Beach Grove in the Fraser River delta in June of 1957, likely done under the guidance of Charles Borden, a Lecturer and later Professor of Archaeology at UBC who studied the Beach Grove site from ca. 1955 to 1958. Notes on the envelope indicate these include images of D. N. Abbott, Colin McCafferty, and Nansi Swayze.

Diane Elizabeth Barwick

Edward F. Meade fonds

  • 44
  • Fundo
  • 1955 - 1994

The fonds consists predominantly of slides of various petroglyphs and pictographs, primarily from locations on the Northwest Coast of British Columbia. The fonds also contains location charts of petroglyphs and the creator’s typed notes about various sites.

Edward F. Meade

Ewen MacLeod collection

  • 46
  • Colección
  • Digitized 2011 (originally created June 1927)

The collection consists of three photographs of St. George’s Residential School in Lytton, BC.

Ewen MacLeod

Hilary Stewart fonds

  • 122
  • Fundo
  • 1962 - 2005

Fonds consists of material related to the art, research, and writing of Hilary Stewart. The bulk of the material is related to the production of her books on the culture and art of the First Nations peoples of the Pacific Northwest. The remaining material relates to illustrations that she did for publications by other authors, a small amount of material done for personal use, and collected research and ephemera that does not appear to be related to one specific publication. Material includes original illustrations, collected research and notes, book drafts and pre-press materials, photographs, correspondence, and collected memorabilia.

The material has been arranged into three series:
1 - Books
2 - Illustrations and other artwork
3 - Collected research and ephemera

Hilary M. Stewart

Jean Telfer fonds

  • 2
  • Fundo
  • [between 1931 and 1940]

The fonds consists of records Telfer created or received during the time that she spent as a teacher at residential schools. The materials donated by Telfer include correspondence, essays, schedules, programmes, ephemera notes and a significant number of photographs. These records are primarily related to the the Morley Residential School, the Coqualeetza Residential School and the Port Alberni Residential School, as well as the Nakoda (Stoney) Nation.

Jean Telfer

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