- 4-02-a033624
- Item
- [192-?]
Parte deEric Parker fonds
Item is a negative showing Gyanste Jong from a distance. Gyantse is also visible at the bottom lefthand side of the image.
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Parte deEric Parker fonds
Item is a negative showing Gyanste Jong from a distance. Gyantse is also visible at the bottom lefthand side of the image.
Parte deEric Parker fonds
Item is a negative showing Gyanste Jong located at the top of a spur from a distance. There are several buildings at the bottom of the spur.
Parte deEric Parker fonds
Item is a negative showing a Gyantse Fort, located on the top of a rocky spur. There are smaller buildings at the bottom of the spur.
Parte deEric Parker fonds
Item is a negative showing a head on look of the small village of Gyantse. There is a road in the forefront of the image where three 90th Punjabi soldiers walk ahead of a Tibetan solider on the right bank of the road. There are mountains in the background.
Parte deEric Parker fonds
Item is a negative showing a group of people standing in front of several buildings with windows. Gyantse city walls are visible in the background.
Parte deEric Parker fonds
Item is a negative showing a large stone building with walls. There is a mountain in the background.
Parte deEric Parker fonds
Item is a negative showing a head on look of the small village of Gyantse. There is a road in the forefront of the image where three 90th Punjabi soldiers walk ahead of a Tibetan solider on the right bank of the road. There are mountains in the background.
Gyantse, New Changlo (OC's quarters on right)
Parte deEric Parker fonds
Item is a negative showing a head on look of the village of Gyantse. Gompa monastery can be seen in the background. There are mountains in the distance.
Parte deEric Parker fonds
Item is a negative showing Gyantse village from above. The town's monastery is visible in the centre of the image.
Parte deEric Parker fonds
Item is a negative showing Gyantse village. Gyanste Jong can be seen in the background. There are mountains in the distance.
Parte deEric Parker fonds
Item is a negative showing a busy marketplace in Gyantse. There are mountains in the background.
People gathered around a market stall
Parte deEric Parker fonds
Item is a negative showing several people walking in front of a market stall. Two people are carrying large baskets on their backs.
Parte deEric Parker fonds
Item is a negative showing a small village in the distance. There are also mountains in the background.
My [Lieutenant/Colonel Parker's] quarters at Gyantse
Parte deEric Parker fonds
Item is a negative showing a large building with several windows, a wide verandah, and two sets of staircases. There are two small field pieces at the foot of the staircase on the right left by the Younghusband expedition in 1906.
Parte deEric Parker fonds
Item is a negative showing a close up of a busy marketplace in Gyantse.
Parte deEric Parker fonds
Item is a negative showing Gyanste Jong from a distance.
Parte deEric Parker fonds
Item is a negative showing Gyanste Jong located at the top of a spur from a distance.
Parte deEric Parker fonds
Item is a negative showing Gyanste Jong located at the top of a spur from a distance.
Item is an album of photographs from China.
Langmann Family Photograph collection
Collection consists of five albums of photos from Meiji period Japan including a few photos from Scotland, one album of photos from China, and two lacquer-framed photographs. It consists mostly of albumen hand-coloured Japanese photographs. These Japanese photographs belong to the genre known as souvenir photography or Yokohama photography. The subject of these photographs in this collection echoed those found in the Japanese ukiyo-e prints of the so-called “floating-world” of the late Edo Period, from around 1780 until the 1860s. The delicate hand colouring of the albumen silver prints is one of the characteristics of photographs of Japan from this period.
There were mainly two media to disseminate souvenir photos from Yokohama during Meiji period (1868 –1912): photo prints and lantern slides (see the James Davidson collection), but other materials were also used. These hand tinted photo prints were usually bound in albums with lacquer covers lavishly decorated in makie (蒔絵), a technique of applying adhesive metal such as gold and silver or colour powder in soft lacquer to create designs.