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Doug Cranmer Totem poles
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Carving a pole, early stages

Image depicts Godfrey Hunt carving a totem pole. The pole is outside. He is using a knife to cut a pre-marked design on the pole.

Finishing touches on the pole

Image depicts a nearly completed totem pole with a man, possibly Douglas Cranmer, working on it. Vintage cars are visible in the distance.

Partially carved totem pole

Image depicts a partially carved totem pole lying on the ground. One end of the pole has had rough cuts made; the other end still has bark.

Young girl and totem pole

Image depicts a young girl sitting next to a partially carved pole. Painting has begun on what may be bear claws.

Carving a pole

Image depicts Doug Cranmer in the early stages of carving a totem pole.

Carving a pole

Image depicts a carver, possibly Godfrey Hunt, carving on a totem pole. He is possibly using a file.

Carving the Saint Catherine totem pole

Image depicts a man, probably Douglas Cranmer, in the early stages of carving the St. Catherines, Ontario totem pole. The pole is outside. He is preparing to use a chain saw to make the early cuts to a pole. Markings are visible, showing where he will cut.

Smaller scale totem

Image depicts a small scale totem pole which seems to be situated in a cemetery. The bottom figure seems to be human and the top an eagle.

George Szanto fonds

  • 138
  • Fundo
  • May 1962

Fonds consists of eight slides of totem poles being raised in the Haida Village at the University of British Columbia (UBC). The slides are dated May, 1962. The photographs were taken by George Szanto, the son-in-law of Geoffrey Andrew who was the Dean and Deputy President of UBC from 1947 to 1962.

The totem poles represented in the images were carved by Haida artist Bill Reid and 'Namgis artist Doug Cranmer. They were originally situated at UBC's Totem Park. They are now located on the grounds behind the Museum of Anthropology, and modelled on a 19th century Haida village.

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