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description archivistique
Gitanyow
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Totem pole at Kitwancool

Totem pole standing in situ at Kitwancool. It was later removed and taken to the University of British Columbia. It currently stands in the Great Hall at the Museum of Anthropology.

Western Gitxsan school photographs

File consists of photographs of school children, activities, and classroom scenes in the Western Gitxsan villages of Kitwancool (Gitanyow), Kitwanga (Gitwangak) and Gitsegukla (formerly Kitsegukla).

Western Gitxsan general

File consists of photographs of people, places, and events in the Western Gitxsan villages of Kitwancool (Gitanyow), Kitwanga (Gitwangak) and Gitsegukla (formerly Kitsegukla) during the time that Jensen and Powell lived there.

Learning Gitksan

Includes copy of the publication Learning Gitksan, by Vickie Jensen and J.V. Powell.
Kitwancool, Kitsegukla, and Kitwanga Indian Bands, 1980
Learning Gitksan : book 3, Western dialect

Learning Gitksan

Includes copy of the publication Learning Gitksan, by Vickie Jensen and J.V. Powell.
Kitwancool, Kitsegukla, and Kitwanga Indian Bands, 1980
Learning Gitksan : book 4, Western dialect

Learning Gitksan

Includes copy of the publication Learning Gitksan, by Vickie Jensen and J.V. Powell.
Kitwancool, Kitsegukla, and Kitwanga Indian Bands, 1979
Learning Gitksan : book 1, Western dialect

Learning Gitksan

Includes copy of the publication Learning Gitksan, by Vickie Jensen and J.V. Powell.
Kitwancool, Kitsegukla, and Kitwanga Indian Bands, 1980
Learning Gitksan : book 2, Western dialect

Pole of Skim-sim and Will-a-daugh. Massive carving in Gitanyow.

Totem pole in Kitwancool / Gitanyow outside the house of Wii Xá, a chief of the Lax Gibuu clan of the Gitanyow. Features a carved bird on top, two other larger figures below, and two rows with bands of much smaller carved figures. Known as the pole of Skim-sim and Will-a-daugh. Pole is now at MOA - object ID: A50019.

Totem poles

Sub-series consists of textual records including correspondence regarding and general research notes on totem poles, and specific research on the poles of Stanley Park and the artisans who worked on them. Records also include biographies on the artisans who carved the museum totem poles and correspondence and the agreement between the Museum of Anthropology and the Royal British Columbia Museum to remove totem poles from Kitwancool in 1958. Sub-series also contains slides of totem poles, three video tapes, one photograph and one cassette tape.

Ketchikan and Kitwancool Totems and Views

File consists of slides depicting totems and views labeled as in Kispiox, Kitwancool, Ketchikan, Haida, Kitseguckla, Skedans, and Kingcome. File also consists of slides documenting two of Minn Sjolseth's paintings entitled "En av de Siste" (sp?) and "Peace."

Photos of Elders

File consists of slides labeled "Andy," "Mr and Mrs Williams, Friendly Cove, Nootka," "Anthony Island Queen Charlotte Island 1967," "Minn Sketching at Yan QCI, Haida," "Kitwancool 1969," "Kasper," "Mary Ann 1967 Squamish," and "Kingcome."

Personal Records

Series consists of records (primarily photographic slides) documenting Minn Sjolseth's travels with her husband Anthony Carter to visit events and communities at locations including Haida Gwaii, Ketchikan, Kitwancool, Kingcome Inlet, Kispiox, Gitsegukla, Kitwanga and Skidegate among others. The contents of the series reflect First Nations cultures in British Columbia throughout the 1960s and 1970s, including Haida, Nuu-Chah-Nulth, Skwxwú7mesh, Nisga'a, Kwakwaka'wakw. The photographs document potlatches, totem poles, villages, landscapes, as well as portraits of individuals. The series also contains files with a small number of photographs documenting Sjolseth's paintings on these subjects, as well as Sjolseth at work on her art on location in these communities and locations.

Early MOA activities and curatorial research

Subseries consists mainly of photographs collected by MOA for curatorial research, as well as some photographs documenting MOA activities and/or people. Photographs in this subseries were collected in 1976 or earlier. Subject matter of the photographs includes Northwest Coast material culture, people, and geography; MOA history; MOA events; UBC Totem Park; and, a smaller number of non-Northwest Coast cultures.

See attached pdf document for photograph list.

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