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description archivistique
British Columbia Kwakwaka'wakw Anglais
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Kwakwaka'wakw

File contains a combination of images of Kwakwaka'wakw artifacts housed in various museums and images of historical Kwakwaka'wakw villages on Vancouver Island and along the Northwest Coast of British Columbia. Artifacts include totem poles, bentwood boxes, carvings, masks, and Kwakwaka'wakw artwork such as paintings and drawings. There are historical photographs of the following villages: Gwat'sinuxw (Quatsino), Kwikwasutinuxw (Gilford Island), A'wa'etlala Village (Knight's Inlet), Mamalikala (Village Island), Wiwekalu Village of T'la'mataxw (Campbell River), Kwixa Village (Salmon River), Dunaxda'xw Village (New Vancouver), and Gwa'sala Village (Smith Inlet). The textual records include information about some of the photographs, identifying items such as the people, the villages, and/or the artifacts depicted in the photographs.

General Salish

This file contains images of Coast Salish and Kwakwaka'wakw artifacts. Many of the photos are official photographs taken by various museums in Canada and the United States, but others are historical photos. These artifacts include masks, rattles, carvings, fishing equipment and fish processing, canoes, and North Coast architecture, such as long houses and house posts.

Canoes

File contains a combination of historical and modern day images of canoes used by First Nation groups living on the Northwest Coast. The historical images contain images of village life and uses of the canoe in a historical context. The modern day images show canoes housed in various museums in Canada and the United States. The textual records contained in this file are photocopies of images of canoes, both from historical photographs and of modern day photographs.

Reverend Smith Stanley Osterhout fonds

  • 89
  • Fonds
  • [1870-1911]

Fonds consists of 45 glass-plate lantern slides featuring scenes from Osterhout's work with B.C. First Nations, including Haida, Tsimshian and Kwakwaka'wakw. Images document First Nations individuals, communities, totem poles and landscapes of British Columbia.

Sans titre

History of Copper (20 coppers from Alert Bay), GW(?) Hunt, 1924

Photocopy of a manuscript about coppers from Alert Bay, BC. Front page notes that it was "sent by GW(?) Hunt, Port Hardy, BC." It also has a stamp from the "Department of Mines geological Survey, received Mar 26, 1924. Division of Anthropology."

Original manuscript might be at UBC's Rare Books and Special Collections library.

Alert Bay memorial pole

Image of a memorial pole at Alert Bay. Inscription at the bottom held by the figure reads "In loving memory of Tlaowa Latle of the Qiowasudinuk (Kwakwaka'wakw: Kwikwasut'inuxw) Tribe. Died Nov. 9 [rest of inscription illegible].

Sans titre

Alert Bay memorial pole

Image of a memorial pole at Alert Bay. Inscription at the bottom held by the figure reads "In loving memory of Tlaowa Latle of the Qiowasudinuk (Kwakwaka'wakw: Kwikwasut'inuxw) Tribe. Died Nov. 9 [rest of inscription illegible].

Sans titre

Alert Bay memorial pole

Image of a memorial pole at Alert Bay. Inscription at the bottom held by the figure reads "In loving memory of Tlaowa Latle of the Qiowasudinuk (Kwakwaka'wakw: Kwikwasut'inuxw) Tribe. Died Nov. 9 [rest of inscription illegible].

Sans titre

Alert Bay memorial pole

Image of a memorial pole at Alert Bay. Inscription at the bottom held by the figure reads "In loving memory of Tlaowa Latle of the Qiowasudinuk (Kwakwaka'wakw: Kwikwasut'inuxw) Tribe. Died Nov. 9 [rest of inscription illegible].

Sans titre

Old house posts, Hope Island

Image of two old house posts on Hope Island, BC. The post on the right appears to be the same as a post now housed at the Museum of Anthropology, that was collected from Hope Island in 1956. Both posts feature a human figure with large eyes. On one post, the figure is holding a small face near its waist. On the other post, the figure is holding what appears to be an animal of some kind. The Museum of Anthropology's website provides the following description of the posts: "The posts of the unfinished house of Ha'm'cit were carved by a man from Smith Inlet called Si.wit who moved to Xu'mtaspi and married Tom Omhyid's mother. Ha'm'cit died before the house was finished. (Information provided to Prof. Wilson Duff by Mungo Martin). The artist's potlatch name was P'aczsmaxw. Wayne Suttles places the Xu'mtaspi village as Nahwitti, in historic times, however it was occupied jointly by the Nahwitti, the Yalhinuxw, and the Noqemqilisala (of Hanson Lagoon)."

House posts and beam, Quatsino, BC

Image of the houseposts and beam of what once was a longhouse in Quatsino, BC, on the north end of Vancouver Island. These posts appear to be the same as posts now houses at the Museum of Anthropology (museum item number A50009 a-c). The poles are described on the museum's catalogue: "Two upright posts and crossbeam that were part of a large interior house frame (also see records d-f and g-h). The uprights depict sea lions carved in high relief and painted (parts a-b). Their heads are equal size to their bodies. Both part a and b have an eagle in profile within the sea lions front flippers. Part a has a top portion of a face painted on the back of its head that is part of a sisiutl that runs down the seal lions back and into its hind flipper with a serpent's head in each. The cross-beam (part c) is painted and carved as a supernatural double-headed sea lion. All parts are painted black and white with Northwest Coast stylized forms... The Klix'ken (sea lion) House was commissioned by Tza'kyius around 1906, and was the last old style house erected in Xwatis. The beams and figures stood as part of a house frame, and acted as structural supports. Figures represented on house frames were supernatural beings which the family living in the house had the right, through their history and origins, to represent."

Hope Island, Humchitt posts rear

Image of two old house posts on Hope Island, BC. The post on the right appears to be the same as a post now housed at the Museum of Anthropology, that was collected from Hope Island in 1956. Both posts feature a human figure with large eyes. On one post, the figure is holding a small face near its waist. On the other post, the figure is holding what appears to be an animal of some kind. The Museum of Anthropology's website provides the following description of the posts: "The posts of the unfinished house of Ha'm'cit were carved by a man from Smith Inlet called Si.wit who moved to Xu'mtaspi and married Tom Omhyid's mother. Ha'm'cit died before the house was finished. (Information provided to Prof. Wilson Duff by Mungo Martin). The artist's potlatch name was P'aczsmaxw. Wayne Suttles places the Xu'mtaspi village as Nahwitti, in historic times, however it was occupied jointly by the Nahwitti, the Yalhinuxw, and the Noqemqilisala (of Hanson Lagoon)."

21 June 1958 Alert Bay Centennial Celebrations

Item is a photograph of a procession of people (men, women, children) in ceremonial dress (button blankets, headdresses) walking away from the ferry terminal dock [?] in Alert Bay. The procession is led by Mungo Martin and Daisy Neel. A man dressed in regular clothes, smoking a pipe looks on from the left.

21 June 1958 Alert Bay Centennial Celebrations

Item is a photograph of three young women, and two young girls standing in ceremonial dress (button blankets; carved and painted [wolf?] mask; and headdresses made of woven cedar, weasel(?), abalone, and eagle feathers). They are gathered for an event celebrating British Columbia's centennial in Alert Bay in 1958. Daisy Neel is in the centre wearing the frontlet and her twin sisters are the young girls in front of her. Emma Sewid [Seewid; Seaweed?] and Mabel Sewid [Seewid; Seaweed?] are on either sides of them.

21 June 1958 Alert Bay Centennial Celebrations

Item is a photograph of four men dancing in ceremonial dress (button blankets, carved [eagle?] mask with cedar strips) performing a ceremonial dance in front of a crowd of on-lookers. The man second from the left is Willie Sewid [Seaweed; Seewid?].

21 June 1958 Alert Bay Centennial Celebrations

Item is a photograph of a crowd of people in ceremonial dress and regular clothes watching two people performing a mask dance. One person wears a crooked beak [four-faced?] mask while the other is wearing a button blanket and headdress. Willie Seewid [Seaweed; Sewid?] is the man on the left looking at the dancer - noted by William Wasden Jr., 2005/02/22.

21 June 1958 Alert Bay Centennial Celebrations

Item is a photograph of two men performing a dance while a crowd watches. The man on the right in ceremonial dress (button blanket, cedar bark headdress) is Willie Seewid [Seaweed; Sewid?], who carved the crooked beak mask with cedar strips that is worn by the other dancer on the left.

Mrs. Sewid and daughters

Photograph of a woman identified as Mrs. Sewid and four younger women identified as her daughters. All five of them are in ceremonial dress. They are standing outside, with a group of spectators behind them. It is not clear what type of event they are at. A stamp on the verso of the print indicates that it was printed in 1958.

Sans titre

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