- 25-04-12-a038509
- Stuk
- [197?]
Part of Anthony Carter fonds
Image from a pole raising in Haida Gwaii. The pole was carved by Robert Davidson. In this image, the pole is in the process of being raised.
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Part of Anthony Carter fonds
Image from a pole raising in Haida Gwaii. The pole was carved by Robert Davidson. In this image, the pole is in the process of being raised.
Zonder titel
Unidentified man, pole raising, Haida Gwaii
Part of Anthony Carter fonds
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. Image shows a man speaking at the pole raising. He is not identified, but it is likely Chief Weah (Willie Matthews).
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R. Davidson [Jr.] pole raising, Masset Q.C.I.
Part of Anthony Carter fonds
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows a man speaking into a microphone. He is unidentified but appears to be Chief Weah (Willie Matthews).
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R. Davidson [Jr.] pole raising, Masset Q.C.I.
Part of Anthony Carter fonds
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is a portrait of an unidentified man, likely Chief Weah (Willie Matthews).
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Part of Anthony Carter fonds
File consists of slides depicting First Nations chiefs and elders, Carter's wife Minn Sjolseth with August Jacks, Johnny Seaweed, miscellaneous images from Mount Currie/Lil'wat First Nation, and a photograph labeled "Potlatch Masset 60s".
Part of Anthony Carter fonds
File consists of slides depicting a plaque, and various portraits, poles, and landscapes.
Village Island QCI 1973 Totems (Mamalilikulla)
Part of Anthony Carter fonds
File consists of one slide labeled Village Island 1973, and several other unlabeled slides depicting totem poles. The slides seem to have been taken at the same time as those used in "From History's Locker."
Part of Anthony Carter fonds
Image of Haida carvings on display at the Museum of Anthropology at the University of British Columbia.
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Part of Anthony Carter fonds
Image of Haida carvings on display at the Museum of Anthropology at the University of British Columbia.
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Part of Anthony Carter fonds
Image of Haida carvings on display at the Museum of Anthropology at the University of British Columbia.
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Part of Anthony Carter fonds
Image of Haida carvings on display at the Museum of Anthropology at the University of British Columbia.
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Part of Anthony Carter fonds
Image of Haida carvings on display at the Museum of Anthropology at the University of British Columbia.
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Part of Anthony Carter fonds
House post, Sgang Gwaay, Haida Gwaii
Part of Anthony Carter fonds
Image of a pole from House 17 at Sgang Gwaay (Skunggwai). This is an interior pole from the Raven House. It was removed on a BC Totem Pole Preservation Committee trip in 1957. The pole is now part of the Museum of Anthropology's object collection (A50016).
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House post, Sgang Gwaay, Haida Gwaii
Part of Anthony Carter fonds
Image of a pole from House 17 at Sgang Gwaay (Skunggwai). This is an interior pole from the Raven House. It was removed on a BC Totem Pole Preservation Committee trip in 1957. The pole is now part of the Museum of Anthropology's object collection (A50016).
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Part of Anthony Carter fonds
File contains an photograph of two young girls holding hands, likely in Haida Gwaii.
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Part of Anthony Carter fonds
Image of two young girls holding hands, likely in Haida Gwaii.
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Part of Anthony Carter fonds
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows Davidson and a woman, with a crowd behind them. They appear to be looking up at the pole.
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Part of Anthony Carter fonds
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows part of the crowd, including a number of individuals wearing ceremonial dress.
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R. Davidson [Jr.] pole raising, Masset Q.C.I.
Part of Anthony Carter fonds
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole while it is still lying on the ground. A crowd is gathered around it, and a few children are sitting on or leaning against the pole.
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