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archivistische beschrijving
Museum of Anthropology
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Rounding the log

Rounding the log

Item is a colour negative of a photograph of the crew studying and measuring poles at the UBC Museum of Anthropology. Corresponds to info in text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING. Photo shot for Douglas & McIntyre book

Geographic location: The UBC Museum of Anthropology

Rounding the log

Rounding the log

Item is a colour negative of a photograph of the crew studying and measuring poles at the UBC Museum of Anthropology. Corresponds to info in text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING. Photo shot for Douglas & McIntyre book

Geographic location: The UBC Museum of Anthropology

Michael Ames with guests in Great Hall

Michael Ames with guests in Great Hall

Image in the Museum of Anthropology's Great Hall. Michael Ames (MOA Director) is on the left. Prime Minister Pierre Elliot Trudeau in on the right. The third individual is unidentified.

Raven and the First Men installation and unveiling

Three photographs donated by carpenter who worked on the installation of The Raven and First Men at MOA. One photo shows him (Ernie Forsyth) next to the sculpture. The other two photos are from the sculpture unveiling with Prince Charles speaking. Photos have additional notes from donor on the back, and in the envelope that photos were donated in (saved with the photos).

Rod Paterson, Aug. '75

Rod Paterson, Aug. '75

Image of a totem pole lying on its back on a truck, being transported to the Museum of Anthropology. The museum building is behind the pole.

Translations of Traditions: Joanna Staniszkis’ Recent Work

Subseries consists records relating to the exhibit "Translations of Traditions: Joanna Staniszkis’ Recent Work". The exhibit was co-curated by Louise Jackson and Elizabeth Johnson of MOA, with Johnson acting as exhibit coordinator. It was installed in Gallery 5 at MOA from Feb 18 to May 24, 1992. Joanna Staniszkis is an internationally known Canadian textile artist. Records include: agreements, articles from newspapers and professional journals, brochures, budget, CHIN artifact list printout, conference speaking notes, correspondence, drafts of text for the didactic panels, exhibit diagram, flyer, final report, funding application, memos, notes, permission forms, phone message, a student paper, slides and a timeline.

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The Unity Quilt

Subseries consists of records relating to the exhibit, The Unity Quilt. Elizabeth Johnson was coordinator and co-curator with Ellen Antoine of the Indian Homemakers of BC. This exhibit focused on work made by participants in the Traditional Parenting Skills Program of the Indian Homemakers’ Association of B.C. Records include: correspondence, MOA exhibit proposal form (blank), exhibit labels, memos, notes, press release, photographs, negatives, slides, and participant statements.

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My Ancestors are still Dancing

Subseries consists of records relating to the exhibit “My Ancestors are Still Dancing” at MOA. As part of a “living” exhibition, Tsimshian weaver William White from Lax Kw’alaams was commissioned to publicly weave a child-size robe in Gallery 8. The exhibit displayed William White’s weavings, historical weavings from MOA’s collection, and historical and contemporary photographs of people wearing Chilkat regalia. The exhibit was installed in 2001 and ran through until September 28, 2002. Records include acquisition/artifact lists, artist biography, budget, correspondence, exhibit labels, exhibit proposals, exhibit panel layouts, exhibit resource binders, grant applications, internal forms (consent forms), installation diagrams, map, meeting agendas memoranda, notes, object records, photographs and slides, photocopies of photographs, professional guidelines, reports, schedules, recorded audio research interviews, transcripts of research interviews, travelling exhibit, and visitor comments.

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