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archivistische beschrijving
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Derek Applegarth fonds

  • 128
  • Archief
  • Unknown

Slide of a photograph taken in the spring of 1962 or 1963 of Bill Reid as he was working on a carving at Totem Park, UBC.

Derek Applegarth

William Carr fonds

  • 86
  • Archief
  • [1949 or 1950]

The fonds consists of black and white photographs and negatives. Subjects depicted include villages, boats and ferries, landscapes, bridges, logging clearcuts, and totem poles. Some of the photos appear to be of the Lions Gate Bridge, Stanley Park, and the Capilano Suspension Bridge.

William Carr

Hakka Mountain songs and laments collection

  • 137
  • Collectie
  • 1976 - [200-]

Collection consists of six compact discs with recordings of Hakka Mountain songs and laments, sung by Mrs. Yau Chan Shek-ying in 1976, along with accompanying documentation. Documentation includes lists of recordings with song descriptions, song translations/transcriptions, a photograph and bio of the singer, and articles collected by Elizabeth Lominska Johnson. The songs were sung in an older dialect of Hakka. Song types include marriage laments, mountain songs, and funeral laments.

Hakka mountain, or Hakka hill songs, are rural songs sung in the Hakka language by the Hakka people of Southern China. The songs vary in theme/subject, and exist as a kind of oral literature and/or communication at a distance.

Elizabeth Lominska Johnson

Basil and Edythe Hartley fonds

  • 27
  • Archief
  • ca. 1941-1944, 1983

Fonds consists of audio, video, and visual materials created by Basil and Edythe Hartley. Materials include video footage of the Haisla people, which Hartley shot while working in Kitimaat from 1941-1944, a voiceover for the footage which Hartley’s widow, Edythe McClure, created in ca. 1983, a letter, and three photographs of Kitimaat people and landscapes. The three audio cassettes all contain the same 1983 recording.

Basil Hartley

MOA General Media collection

  • 132
  • Collectie
  • [1870] - [2000]

Collection consists of the media -including photographs, sound recordings, and video recordings - that is about, by, or related to the Museum of Anthropology (MOA) and its collections. Media can be found in many collections and fonds in the MOA Archives; the media in this General Media collection are those that do not belong to a more specific archival collection, usually because their provenance is not known.

The collection is divided into three series based on media type:

  1. Photographs
  2. Video recordings
  3. Sound recordings

X̄a’islak̓ala/X̌àh̓isl̩ak̓ala (Haisla language) collection

  • 135
  • Collectie
  • 1974 - 1980

Collection consists of Haisla cultural documentation and X̄a’islak̓ala/X̌àh̓isl̩ak̓ala (Haisla language) learning material, including sound recordings, stories, a dictionary, and lessons/workbooks. The collection has been divided into two series:

  1. Sound recordings
  2. Textual materials

Deirdre Lott collection

  • 88
  • Collectie
  • [ca. 1966-1967]

Collection consists of an Eaton's Promotion Brochure titled "Eaton's Salute to Indian Culture" circa 1966-1967. Highlights displays and activities undertaking traditional arts and cultural events.

Charles E. Borden fonds

  • 140
  • Archief
  • ca. 1954

The fonds consists of a file titled Tsimshian Totem Poles and contains 38 black and white photographs of Kitwancool totem poles.

Charles E. Borden

Collections Care, Management and Access fonds

  • 133
  • Archief
  • 1948 - 2014

Fonds consists of records generated by the Collections Care, Management (CCMA) department at the Museum of Anthropology. These records include administrative records and planning material that document the work of the three units within CCMA: Collections, Conservation, and the Audrey & Harry Hawthorn Library and Archives. Record types include policies, loan documentation, acquisition documentation, object evaluations and photographs, conservation notes, teaching and special project files, exhibit planning material, correspondence, budget reports, and meeting minutes.

The fonds is divided into four sous-fonds, one for each of the three units within CCMA, as well as a sous-fonds for general CCMA administrative records:

  1. Collections
  2. Conservation
  3. Audrey & Harry Hawthorn Library and Archives
  4. CCMA Administration

Because of changes to the organization of MOA over the years, there are some overlaps in these functions, especially with older material. For example, there are likely some records relevant to conservation in the Collections sous-fonds and vice-versa.

Collections Care, Management and Access department

Jonathan Griffin fonds

  • 60
  • Archief
  • 1974 - 1978

Fonds consists of a paper written for Anthropology 301 taught by Professor Dr. Michael Kew, entitled [Red Cod Island Village or Ninstints Village] - A Memorial, with accompanying colour slide images of the carved poles of Anthony Island, a permanent village of the Kunghit Haida, located on the southern shores of Haida Gwaii.

Jonathan Griffin

Penelope Connell collection

  • 70
  • Collectie
  • [ca. 1990]

Collection consists of 14 hand-tinted photographs of Japan. Geographic areas represented by these photographs include Kobe, Enosha Island, Tokyo, Nagasaki, Chuzenji Lake at Nikko, Inland Sea at Bingo, Kamakura, Yokohama and Honmoku.

Penelope Connell

Mary Tucker fonds

  • 68
  • Archief
  • [197-?]

Fonds consists of an album given to Mary Tucker by her grandfather who had received it in the early 1900s as a gift from the Japanese Diet. The album consists of a series of hand-tinted silk screen reproductions depicting a variety of Japanese scenes and landmarks. Each individual silk screen is labeled with the subject of the image. The covers of the album are black lacquer with a floral image in gold on the back cover and a scene in relief of a woman and a boy sweeping on the front cover.

Mary Tucker

David Cunningham fonds

  • 28
  • Archief
  • [19-?] - 2014, predominant 1990 - 2014

The fonds reflects Cunningham’s function as Manager, Design/Exhibits for MOA; his role in MOA facility planning and renovations; his position as an instructor in the Department of Anthropology at UBC; and involvement in other projects for MOA and external organizations. The records are arranged in the following series:

  1. Education records (1988 - [ca. 2004])
  2. Exhibit records (1987 - 2005)
  3. Renovation records ([19-?] - 2014)
  4. Miscellaneous project records (1987 - 2002)
  5. CFI Partnership of peoples project (1990 - [2012])
  6. Photographs (1990 - [2005])

The records include artists’ statements and artwork; banners; blueline prints; calligraphy; case lists; contact prints/proofs; contracts; correspondence; diagrams; exhibition catalogues; exhibition panels; exhibition proposals; exhibition text; guidelines; invitations; labels; lecture notes; loan agreements; manuals; measurements; memoranda; minutes; negatives; object lists; photographs; plans; policies; reports; syllabi; and tender drawings.

David Cunningham

Museum of Anthropology Student Exhibition and Research collection

  • 125
  • Collectie
  • 1973 - 2003

Collection consists of projects and reports written by students in Anthropology 302, 431, 432, 433, 449, 518 and other related courses and programs. The projects and reports include information about exhibits designed and displayed at the Museum of Anthropology
by the students; critiques on "current" museum exhibitions and programs; and proposal papers for student exhibit projects.

Blanca and Ricardo Muratorio fonds

  • 32
  • Archief
  • 1970 - 1990

The fonds consist of slides taken by Blanca and Ricardo Muratorio relating to fieldwork, folk arts and crafts of Ecuador and Peru taken by Blanca and Ricardo Muratorio. The colour photographs relate to the Corpus Christi [Ecuador] fiesta and dancers and the 1998 exhibit at the UBC Museum of Anthropology of works for sale by Andean artists, “Images of Andean Lives.”

Textual records consist of Ricardo Muratorio’s report on folk art, and materials relating to two exhibitions which took place at the Museum of Anthropology: the poster and Spanish text for “Images of Andean Lives” [1998] and an invitation for “Sewing Dissent: Patterns of Resistance in Chile” [1987].

Muratorio family

Ken Kuramoto fonds

  • 61
  • Archief
  • 1980 - 1981

This fonds consists of 39 16mm film reels of Celebration of the Raven. There are also five audio reels which are soundtracks for the film. Film reels include stills and test stills and camera originals. Most reels are labeled according to the scene.

Ken Kuramoto

Victor Othello dos Remedios fonds

  • 5
  • Archief
  • ca. 1930-1945

Fonds consists of photographs that mainly document bombings in Shanghai by military forces from Japan in 1937. It is likely that the photographs of two bombing incidents were taken when Victor was a member of the Shanghai Volunteer Corps. The images show the devastation caused by the bombings including streetscapes and details of blown out buildings and dismembered casualties. Other photographs at the beginning of the album are postcards of Shanghai in its heyday before the bombings. Textual documents are from the 1930s and 1940s and include registration cards, a birthday card, a passport as well as identification cards of Victor, Valentina and Elizabeth.

Victor Othello dos Remedios

Ena M. Montador fonds

  • 127
  • Archief
  • Unknown

Hand coloured sepia photograph of Gitskan village including structures, totems poles and small groupings of walking people taken by the father of Ena M. Montador. He was a salesman who traveled up and down the coast and may be one of the people in the photograph.Gitskan is a National Historic Site of Canada located at Kitwanga, British Columbia in the Skeena Country in the northwestern region of the province. It was an 18th century earthwork fortress also known as Battle Hill. Gitskan village features several wooden totem poles (featured in the photograph) that were originally erected by several clans on Battle Hill but were moved due to floods.

Ena M. Montador

Nuno Porto fonds

  • 120
  • Archief
  • 2012 - 2015

Includes material related to the Pigapicha! exhibition at the Museum of Anthropology. Nuno Porto curated this exhibition. Records include correspondence, research, and meeting notes.

Nuno Porto

E. Polly Hammer fonds

  • 134
  • Archief
  • 1969-1974

This fonds consists of 136 slides taken by E. Polly Hammer on various trips to British Columbia, Alaska, Manitoba, and Minnesota during the time she was based in Manitoba. The slides primarily depict totem poles from throughout the Northwest coast, including carvings by Mungo Martin and Henry Hunt. There are also depictions of petroglyphs and other works of art, as well as buildings (houses, museums, forts, and other dwelling places) and landscapes. There are also several photographs of events attended and photographed by E. Polly Hammer. The fonds also contains a booklet with information on and images of totem poles in Prince Rupert, British Columbia.

E. Polly Hammer

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