Subseries contains images of the student exhibit titled <i>Show and Tell: The Story of the Big Mac Box</i> as well as negatives of the text panels for the exhibit. Students were part of the Anthropology 431 (Museum Principles and Methods) class.
File contains images of the text that was used as well as images of the exhibit <i>Show and Tell: The Story of the Big Mac Box</i>. In addition there are two images on the contact sheet that show a different exhibit titled <i>Blood from Stone</i>.
Subseries contains records related to the <i>Attributed to Edenshaw Exhibit</i> held at MOA from April 28, 1998 through May 30, 2003. This exhibit featured basketry as well as gold, silver, argillite and wood carvings by Haida artists Charles and Isabella Edenshaw. Records include photographs of artifacts identified as potentially on exhibit during the time frame as well as some correspondence and public relations regarding the exhibit.
File contains images of some of the artifacts in the Edenshaw exhibit, including argilite, carvings, hats, and metal works. The textual records in this record include photocopies of other artifacts in the exhibit, as well as photocopies of Northwest Coast artifacts housed in other museums.
File contains images and textual records related to the <i>Attributed to Edenshaw</i> exhibit. The images include pictures of some of the exhibit panels and artifacts. The textual records include media releases, business cards, photocopies of news articles related to the exhibit, and exhibit brochures.
File contains images of Northwest Coast artifacts, such as argilites, silver jewelry, hats, and carvings. Textual records include photocopies or inkjet print outs of photos of artifacts.
Subseries contains images of a serigraph print created in 1971 by Joe David. The print is titled Ka-Ka-Win-Chealth (Transformation of white wolf into killer whale).
Subseries contains records related to the <i>Where are the Children?</i> exhibit held by MOA. Curated by Jeff Thomas, and circulated by the Aboriginal Healing Foundation in Ottawa, this exhibition presented a series of historical photographs documenting the history of residential schools in Canada. The records include correspondence related to exhibit loans, temporary exhibit preliminary and finalized designs and a reference manual for setting up the exhibition.
File contains information pertaining to the <i>Where are the Children? Healing the Legacy of the Residential Schools</i> exhibit. This information includes background information about residential schools in Canada, a copy of the exhibit's preliminary design report, photocopies of images, and a copy of the exhibit's "Reference Manual: For Setting up Exhibition (floor plans, wall elevations, text, captions, etc."
