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William McLennan (MOA Curator) fonds Museum exhibitions Inglês
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Robes of power: Totem poles on cloth

Subseries contain the images used in the booklet Robes of Power: Totem Poles on Cloth written by Doreen Jensen and Polly Sargent, as well as a copy of the booklet. In addition, there are images of a children's workshop that took place during the exhibit at the Museum of Anthropology.

Robes of power print materials

File contains book and exhibit pamphlet for exhibit Robes of Power: Totem Poles on Cloth. The book published from this exhibit is No. 17 of the Museum Notes Series In addition are two letters of correspondence.

Exhibit photographs

File consists of images from the exhibition <i>When World Collide.</i>. Including those of Lyle Wilson holding a flag on which his designs are printed.

Commonwealth [conference installation]

Subseries consists of records related to the 1987 Commonwealth Conference which brought together heads of government, delegates and media from every commonwealth country in the world. The MOA contributed examples of Northwest Coast art to the conference.

Changing tides

Subseries consists of images of artifacts and of the exhibit. Artifacts in this exhibit are part of the Laboratory of Archaeology (LOA) collection at UBC. For more information on the objects contact the LOA.

Speaking to memory

Subseries consists of records relating to research on residential schools that led to the production of the exhibit Speaking to Memory: Images and Voices from St. Michael's Residential School, held at the Museum of Anthropology, UBC.

Annotated photographs

File contains photo-copies of images of First Nation community members in Alert Bay and at St. Mike's Residential School. The photographs were taken to community elders who had been at the residential school so that they could annotate the photographs.

Working set [photographs]

File contains photo-copies of images of First Nation community members in Alert Bay and at St. Mike's Residential School. The photographs were taken to community elders who had been at the residential school so that they could annotate the photographs. Not all of the images in the file were used in the exhibit.

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