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Bill Reid with Raven in MOA Rotunda
Parte de William McLennan (MOA Curator) fonds
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Parte de William McLennan (MOA Curator) fonds
Item is a negative image showing two women assembling the exhibit <i>On Stoney Ground</i> in the Museum of Anthropology, UBC.
Parte de William McLennan (MOA Curator) fonds
Item is a negative image showing a man and a women assembling the exhibit <i>On Stoney Ground</i> in the Museum of Anthropology, UBC.
Parte de William McLennan (MOA Curator) fonds
Item is a negative image showing two women beginning to assemble the exhibit <i>On Stoney Ground</i> in the Museum of Anthropology, UBC.
Parte de William McLennan (MOA Curator) fonds
Item is a negative image showing two women beginning to assemble the exhibit <i>On Stoney Ground</i> in the Museum of Anthropology, UBC.
Parte de William McLennan (MOA Curator) fonds
Item is a negative image showing two women beginning to assemble the exhibit <i>On Stoney Ground</i> in the Museum of Anthropology, UBC.
Parte de William McLennan (MOA Curator) fonds
Item is a negative image showing two women beginning to assemble the exhibit <i>On Stoney Ground</i> in the Museum of Anthropology, UBC. There is a cart in the foreground.
Parte de William McLennan (MOA Curator) fonds
Item is a negative image showing two women beginning to assemble the exhibit <i>On Stoney Ground</i> in the Museum of Anthropology, UBC.
Parte de William McLennan (MOA Curator) fonds
Item is a negative image showing three women beginning to assemble the exhibit <i>On Stoney Ground</i> in the Museum of Anthropology, UBC.
Parte de William McLennan (MOA Curator) fonds
Item is a negative image showing five women beginning to assemble the exhibit <i>On Stoney Ground</i> in the Museum of Anthropology, UBC.
Parte de William McLennan (MOA Curator) fonds
Item is a negative image showing two women beginning to assemble the exhibit <i>On Stoney Ground</i> in the Museum of Anthropology, UBC.
Parte de William McLennan (MOA Curator) fonds
Subseries consists of records related to the <i>Signed Without Signature: Works by Charles and Isabella Edenshaw</i> exhibit curated by McLennan for MOA. In this exhibition, McLennan focused on showcasing Charles Edenshaw’s metalwork and painting, and Isabella Edenshaw’s basketry, to illustrate how each artist created a recognizable “signature” through art and not by physically signing their names, and how it evolved through their long careers. Records include research on the Edenshaws, exhibit photos, reviews, notes, correspondence, artifact loans, and files relating to individual museums and heritage institutions which hold Edenshaw artifacts.
Parte de William McLennan (MOA Curator) fonds
File contains images of artifacts made of cedar, including baskets, hats, fishing tools, bentwood boxes and totem poles.
Sem título
Parte de William McLennan (MOA Curator) fonds
Subseries contains images of carvings and a contact sheet showing an event in the great hall at the Museum of Anthropology.
Parte de William McLennan (MOA Curator) fonds
Subseries consists of records relating to the <i>Through My Eyes</i> exhibit held at the Museum of Vancouver. The exhibit is a collaborative effort curated by 27 First Nations people of different Northwest Coast communities allowing them to “present their personal perspective” of their culture and its objects. McLennan was involved through managing the development, production and implementation of this collaborative effort. Records include photographs and slides of potential exhibit artifacts, media reviews, student paper reviews, exhibit project statements, transcripts of interviews done with First Nations artists, correspondence, consent forms for interviews and audio cassettes of the taped interviews which detail McLennan discussing various pieces of First Nations art with several artists.
Parte de William McLennan (MOA Curator) fonds
Subseries contains images showing the exhibit.
Parte de William McLennan (MOA Curator) fonds
Subseries contains images of objects in the exhibit Sensibilities: Unsuspected Multicultural Harmonies which ran at the Museum of Anthropology from October 26 1982 – April 17, 1983.
Gathering strength: New generations in Northwest Coast Art exhibit at MOA
Parte de William McLennan (MOA Curator) fonds
Subseries contains three slides documenting the installation of the Musqueam weavers portion of the <i>Gathering Strength: New Generations in Northwest Coast Art</i> exhibit at MOA.
Parte de William McLennan (MOA Curator) fonds
Subseries contains images of an artist.
Parte de William McLennan (MOA Curator) fonds
Subseries contains images of the exhibit and objects in the exhibit <i>Hidden Dimensions: Face Masking in East Asia</i>. Photographs were taken by Moya Waters.