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Tsimshian
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A50020

File includes one drawing and one photograph of MOA Object ID A50020 and another totem pole. The contents of this file were used to create object labels for MOA's Great Hall.

Able Derek, Old Aiyansh, Nass River, Nisga'a

Portrait of Able Derek, Nisga'a. A similar portrait of him is printed on page 136 of Carter's book Abundant Rivers, with the caption: Abel Derek at Gitlakdamix, now called Old Aiyanch 'I am just a common man.'"

Anthony Carter

Able Derek, Old Aiyansh, Nass River, Nisga'a

Portrait of Able Derek, Nisga'a. A similar portrait of him is printed on page 136 of Carter's book Abundant Rivers, with the caption: Abel Derek at Gitlakdamix, now called Old Aiyanch 'I am just a common man.'"

Anthony Carter

Able Derek, Old Aiyansh, Nass River, Nisga'a

Portrait of Able Derek, Nisga'a. A similar portrait of him is printed on page 136 of Carter's book Abundant Rivers, with the caption: Abel Derek at Gitlakdamix, now called Old Aiyanch 'I am just a common man.'"

Anthony Carter

Alaska State Museum

File contains correspondence and art packages. The two art packages consists of Northwest Coast Art and The Whale House of the Chilkat. These packages contain historic photographs with full explanations, as well as high lighting the design elements. They were published by the Alaska State Museum.

Bessie Haizinqua, Nisga'a

Image of Bessie Haizinqua in the old village of Aiyanch. A colour version of this image is printed on page 138 of Carter's book Abundant Rivers, with the caption: "Bessie Haizinqua - a proud young Nishga woman. Walking along the pathway through the old village of Aiyanch. She carried a bowl of bear meat; the scene was primitive and beautiful."

Anthony Carter

CMC houses project

This subseries contains records relating to an exhibit built at the Canadian Museum of Civilization. McLennan was the project manager and design developer for this project. He oversaw the completion and installation of six west coast First Nation house designs: Coast Salish, Haida, Tsimshian, Bella Coola, Oweekeno, and Kwakwaka'wakw. The records include newspaper clippings, correspondence, photographs, and notes.

Gitxsan

File contains historical photographs of Gitxsan villages, with a specific focus on totem poles and various buildings in the villages. There are also some images of the Gitxsan people in regalia. The textual records contain information to some of the photographs, listing the photograph's title and the museum and/or archive it originated from.

Kerfed cradle

Image of a cradle constructed largely using kerfs to bend a long board. This photograph may be from an exhibit at the old Museum of Anthropology dealing with Northwest coast technology.

Ketchikan and Kitwancool Totems and Views

File consists of slides depicting totems and views labeled as in Kispiox, Kitwancool, Ketchikan, Haida, Kitseguckla, Skedans, and Kingcome. File also consists of slides documenting two of Minn Sjolseth's paintings entitled "En av de Siste" (sp?) and "Peace."

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