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Alert Bay Carving
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Totem Pole close up

Closeup of very tall totem pole also depicted in item a033272. This pole resembles one reputed to be the world's tallest totem pole. Built in the late 1960s, it was raised in 1973. It is attributed to carver Jimmy Dick and stands 173 feet tall. In 2007 the top of this pole was blown off in high winds.

A50037

File includes one drawing and seven photographs of MOA Object ID A50037 which is a totem pole. The photographs are annotated with handwritten and typed information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.

Kwak’wala

The series contains records created during a number of visits and projects completed with the Kwakwaka'wakw of Alert Bay.

After meeting David Grubb at the Salish Conferences in the early 1970s, Jensen was invited by Grubb to attend a potlatch on Gilford Island, just off Alert Bay. It was the first potlatch that she attended, and Jensen photographed it in black and white without flash.

Around the same time, Gloria Cranmer Webster began involving her UBC colleague Powell in discussions on the development of a Kwak’wala orthography. The two worked on this project during their breaks at work, with the main end goal to create accurate labels for artefacts at the museum, then located in the basement of the library on campus.

In 1975, after she moved back to Alert Bay, Webster contacted Powell and asked him to assist her in the creation of a language and culture book for Kwak’wala speaking people. Powell travelled to Alert Bay, the first of many trips to do such work. Over the next few years, Powell and Jensen were invited to Alert Bay on a number of occasions to attend potlatches, pole raisings, and other community events. Jensen photographed the events, as well as other aspects of the community such as the day care and band school.

In 1980 Webster, on behalf of the U’Mista Cultural Centre, secured salaries for both Jensen and Powell for one full year. They were hired to produce language and culture books, but in reality helped with many other aspects leading to the opening of the Centre. They rented a house in the village and lived there full time for the year, immersing themselves in the community, and creating a body of records that integrates both work and community life. Jensen had permission to photograph extensively, and these are all included in this series. Powell did linguistic research and worked with teachers from both the band school and the provincial school that were located in the village. Jensen also photographed language and culture lessons to be used in the books being produced. During the year they lived in Alert Bay, they produced 12 language books and a teacher’s manual for U’mista.

In 1982 Powell and Jensen purchased a house in Alert Bay, further cementing their intentions to maintain connections to the community. They continued to attend and photograph events and potlatches between projects.

In 1983 the Kwak’wala Teacher Training Program (KTTP) was developed by Powell and Jensen. The program was a college credit course for local area teachers to train them to lead language and culture lessons in their classes. Jensen and Powell divided their teaching duties, involving another teacher named Joy Wild. The program was successful for two years.

Over the next 20 years many of their visits were social in nature, although they continued to keep a detailed record of the events they attended. In 2001 they completed a CD-ROM for the Learning Kwak’wala series. This project had been ongoing for some time.

The series also contains photographic records of two events that took place outside the realm of the language projects. The Canadian Museum of Civilisation hired Doug Cranmer to carve a new Wakas Pole to replace the decaying version in Stanley Park and contacted Jensen to document the event. The second set of photographs records a trip organised by U’Mista Cultural Centre for scholars and experts to visit Mimkwamlis (Village Island) and T’sadzis’nukwakme’ (New Vancouver).

The records kept in this series consist of recordings, photographs, research notes, draft teaching aids, and copies of completed resources for both children’s education and the KTTP.

The series consists of eleven sub-series:
A. U’Mista research/background
B. Research materials
C. Field notes
D. Publications
E. Kwak’wala teacher training program
F. Kwak’wala CD-ROM project
G. Kwak’wala photographs
H. Potlatch photographs.
I. Wakas pole raising in Stanley Park 1987 photographs
J. Trip to Village Island and Tzatsisnukomi (New Vancouver) photographs 2005.
K. Audio recordings

A50042

File includes one photograph of MOA Object ID A50042 which is an eagle sculpture. The photograph is annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.

Totem Poles, Alert Bay, B. C.

Image depicts two totem poles on the grounds of St. Michael's Indian Residential School in Alert Bay, B. C. The poles include Thunderbirds, Grizzly Bears, and Coopers at the base of each pole. Photo attributed to E. J. Cooke.

Totem pole in field

Image depicts a large totem pole standing in a field and surrounded by some brush. This pole resembles one carved by Arthur Shaughnessy, raised in 1924 as a memorial for Chief Wakas . It depicts a Thunderbird with no wings, Dzunuk'wa, Grizzly Bear, Raven, and Sisiyutl.

Two totem poles in a field

Image depicts two totem poles in an open area. Pole on image left resembles a pole carved by Tony Hunt, Calvin Hunt, Peter Knox, and John Livingston in 1976 as a memorial for Johnathan Hunt. It features Raven, Man Holding a Copper, Sun Holding a Copper, and Killer Whale.

Kwakiutl Totem Pole

View of a Kwakiutl totem pole on Alert Bay, Cormorant Island, British Columbia. Pole appears to be standing in a cemetery. A cross marked Charles Smith is visible. This pole features a bird (possibly a raven) atop several other animals.

Kwakiutl Indian Art

Human figure totem pole from Alert Bay, B. C. The figure appears to be wearing a hat and may be a mortuary pole. Photo by E. J. Cooke, published by J. Barnard Photographers, LTD, Victoria, B. C.

Row of totem poles

View of several totem poles in Nimpkish Band Cemetery. Totem on the far right of image is a memorial to Billie Moon, carved by Willie Seaweed and Joe Seaweed in 1931. The pole second from the right, carved by Doug Crammer, Richard Hunt, Bruce Alfred, Donna Ambers, Fish Ambers, and Richer Sumner, is a memorial to Dan Crammer.

Kwakiutl Totem Pole

View of a Kwakiutl totem pole on Alert Bay, Cormorant Island, British Columbia. Pole stands in Nimpkish Band Cemetery and was carved by Willie Seaweed with Joe Seaweed. It is a memorial to Billie Moon and was carved in 1931. It depicts a Thunderbird grasping the head of Dzoonokwa, a giantess. See also images a033236, a033247, and a033260, which also depict this pole.

Killer Whale Arch at the entrance to Kwatiutl Indian Cemetery

View of the Killer Whale Arch located at the entrance to the Kwatiul Indian Cemetery. This arch is a memorial to a boy lost at sea. Located at Alert Bay, British Columbia, this photo is attributed to Eric J. Cooke, Camp "N," Beaver Cove, B. C. Several crosses and memorial totem poles are visible behind this archway. See also item a033261 which includes this same carving.

Totem Pole in clearing

View of a Kwakiutl totem pole on Alert Bay, Cormorant Island, British Columbia. Pole stands in Nimpkish Band Cemetery and was carved by Willie Seaweed with Joe Seaweed. It is a memorial to Billie Moon and was carved in 1931. It depicts a Thunderbird grasping the head of Dzoonokwa, a giantess. See also images a033236, a033242, and a033247, which also depict this pole.

Alert Bay totem poles

Kwakwaka'wakw (Kwakiutl) Memorial Totem Poles, on Namgis Burial Grounds, Alert Bay, Cormorant Island, BC, British Columbia, Canada -Front Totem Pole: Kolus sits atop Cedar Man, above Sun Figure and Killer Whale. A cross and two buildings are visible image left of the totem poles.

Island Moments

Image depicts four totem poles standing in a cleared area. A structure is visible in the lower left corner of the image. The totem on the image's far left appears to be a pole carved by Tony Hunt (with Calvin Hunt, John Livingston, and Peter Knox), located in the Nimpkish Band Cemetery at Alert Bay.

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