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File consists of slides depicting Minn Sjolseth's paintings and labeled "Longhouse Posts Totem, Village Island, BC, 1974," "Kitwanga Village, 1967," "'Intermission' Kwakiutl, 1974," "Kwakiutl Totems, Alert Bay 1971,", "Last Totem of Skidegate QCI," "Native Cariboo Child, 1973," "Final Rest 1973," "Kwakiutl Totem 1973," "Dominic Charlie, Weather Prophet, Squamish Tribe, 1972," "Wilderness Watch, 1973," and "Basket Weaver." Many of these paintings depict individuals also photographed by Anthony Carter for his book publications.

File mainly consists of slides documenting Minn Sjolseth's paintings. There is also one slide depicting Minn Sjolseth with August Jacks.

File consists of photographic documentation of Minn Sjolseth's paintings, other textual records related to her artworks (appraisal documents, price lists complied by Laila Campbell), and a pamphlet from Sjolseth's 1994 retrospective show in Norway with notes and annotations.

File consists of miscellaneous photographs (some of Anthony Carter) by unknown photographers, newspaper clippings related to Minn Sjolseth and her artwork, and pamphlets from her exhibitions.

File consists of slides documenting Minn Sjolseth's paintings and exhibitions, including paintings depicting Totem poles from the 1970s-1980s, paintings depicting Mexico, and other scenics.

File consists of exhibition related materials, artworks (prints), invitations to events, documentation of Minn Sjolseth's art-related events, photographs, press about Sjolseth, and the program for Sjolseth's memorial service.

File consists of a sketchbook put together by Minn Sjolseth containing some of her drawings, as well as newspaper clippings about her and her work and photographic documentation of her artworks and exhibitions.

File consists of exhibition related materials, including pamphlets from Minn Sjolseth's exhibitions, copies of clippings from her artist file at the Glenbow Museum, newspaper clippings about Sjolseth and her husband Anthony Carter, photographs taken by Carter and annotated by Sjolseth in Norwegian, photographs of Sjolseth's artworks, and negatives from her exhibition at Prince George Art Gallery.

File consists of a copy of Minn Sjolseth's artist pamphlet from 1985.

File consists of photographic documentation of Minn Sjolseth's paintings, and an invitation to one of her exhibitions.

File consists of a tracing of a Bill Reid image done by Minn Sjolseth.

File consists of materials collected in a photographic album icluding clippings, documentation of paintings, brochures and exhibition invites.

File consists of an artist proof intaglio print by Minn Sjolseth.

File consists of an intaglio drypoint print (edition 5 of 7) by Minn Sjolseth.

File consists of three print copies of a drawing of Chief Dan George done by Minn Sjolseth

File consists of a painting done by Minn Sjolseth. The donor notes that the painting depicts a girl would became the lead in The Ecstasy of Rita Joe, and an oil version of the painting also exists.

File consists of a charcoal drawing of Chief Dan George done by Minn Sjolseth.

File consists of slides labeled "Ketchikan," "Miss Guinanook," "Mt Currie res," and "LRH Charles."

File consists of slides depicting one of Minn Sjolseth's paintings ("Village Watch"), Sjolseth working on a painting, a slide bearing the caption "Queen Ch. Island group," and several slides captioned "Caspar at Ketchikan."

File consists of slides labeled "Andy," "Mr and Mrs Williams, Friendly Cove, Nootka," "Anthony Island Queen Charlotte Island 1967," "Minn Sketching at Yan QCI, Haida," "Kitwancool 1969," "Kasper," "Mary Ann 1967 Squamish," and "Kingcome."