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Archival description
William McLennan (MOA Curator) fonds Museum exhibitions
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31 resultados con objetos digitales Muestra los resultados con objetos digitales

Lyle Wilson

File contains images of Lyle Wilson's work as well was Wilson's notes regarding a canoe at the American Museum of Natural History and ephemera from an exhibit at the West Vancouver Museum titled <i>North Star: The Art of Lyle Wilson</i>.

Willie White

File contains images of the exhibit My Ancestors are Still Dancing. In addition are textual records relating to the exhibit such as budget and outlines.

CMC [Canadian Museum of Civilization]

File contains images from the Northwest Coast collection at the Canadian Museum of Civilization. There are also images of CMC's <i>Treasures of the Tsimshian</i> exhibit that ran from November 2, 2007 – January 6, 2008.

Working set [photographs]

File contains photo-copies of images of First Nation community members in Alert Bay and at St. Mike's Residential School. The photographs were taken to community elders who had been at the residential school so that they could annotate the photographs. Not all of the images in the file were used in the exhibit.

Annotated photographs

File contains photo-copies of images of First Nation community members in Alert Bay and at St. Mike's Residential School. The photographs were taken to community elders who had been at the residential school so that they could annotate the photographs.

Speaking to memory

Subseries consists of records relating to research on residential schools that led to the production of the exhibit Speaking to Memory: Images and Voices from St. Michael's Residential School, held at the Museum of Anthropology, UBC.

Exhibit design

This file contains the beginning stages of exhibit design for the <i>Signed Without Signature</i> exhibit. This file is divided into two parts: concrete wall, and window wall photo. These refer to structural elements in the gallery space where objects and signage were to be displayed.

Royal British Columbia Museum

File contains copies of still images permission forms from the Royal British Columbia Museum, as well as copies of correspondence between McLennan and the RBCM regarding obtaining images from the RBCM for the <i>Signed without Signatures</i> exhibit. There are also photocopies of the images of cedar hats and silver bracelets supplied by the RBCM. The contact sheets include images of a cedar hat.

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