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Coast Salish
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Tsimshian and Tillamook Coast Salish songs recorded by Dr. Viola Garfield

Item is a recording with two distinct parts. The first part of the recording features Tsimshian songs recorded in 1932 by the American anthropologist Dr. Viola Garfield (1899-1983) of the University of Washington. The songs in this recording were sung by Lewis Grey (1857-1934) who was born in Port Simpson and was recognized as a shaman by the Nass River tribes and upper Skeen River people. The cylinder number referenced during the recording is #14573. The Dr. Viola Garfield fonds is housed at the University of Washington Special Collections. She carried out field work in the summer of 1932, 1935 and 1937 at the Tsimshian village of Port Simpson, British Columbia. An Ediphone machine provided by the University of Washington Anthropology Department was used to record and store the songs on wax cylinders, which were deposited at the University. The recordings were transferred to the open reel format in 1971. More information is available in Dr. Viola Garfield's book Tsimshian Clan and Society (1939), available in the MOA Reading Room, call number 12.7 TSI GAR.

The second portion of the recording starts at 8:26, when an unidentified male speaker states that the remainder of the tape are Tilamook recordings made by Prof Melville Jacobs of the University of Washington recorded in the Winter of 1933 using an Ediphone cylinder. The speaker states that the first three songs are Tillamook Coast Salish North West Orgeon songs, sung by Clara Pearson, the informant of Elizabeth Jacobs in late 1933, and recorded at Garibaldi, Oregon. The speaker states that two songs are possibly in one of the Muckleshoot Reservation dialects. The speaker states that Song 1, Tit Willow, is possibly sung by the American anthropologist Dr. Erna Gunther.

Accompanying documentation for this recording contains the following text:
B. Johnstone, November 15, 1971
Tsimshian Songs Recorded by Viola Garfield
Tape Two
000 - Song #18 - Louis Gray - Taunting Song
100 - Song #19 - Louis Gray - Nursing Song
145 - Song #20 - Louis Gray - Dancing Society song
180 - Tillamook recordings made by Jacobs in Garabaldi, Ore., 1933.
Ni-sgane’-s are a ganhada chief house of the ginad‚iks tribe

Victoria B.C. Clams

Image is a posed portrait of a woman wearing what appears to be a Coast Salish woven cedar hat and carrying a basket of clams on her back. In the lower righthand corner of the image is a handwritten inscription which reads "Victoria B.C. Clams". Photographer information printed on verso with the inscription "Mrs. R. Maynard, Photographic Artist, And Dealer in all Kinds of PHOTOGRAPHIC MATERIALS. Stereoscopic and Large Views of British Columbia and Vancouver Island for sale. Corner of Douglas and Johnson Sts, VICTORIA, B. C."

MOA News: The Newsletter of the UBC Museum of Anthropology, Vol II No 3, May 1997

The newsletter contains 6 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the erection of new house posts and an ancestral figure by Susan Point, a new school programme co-developed with the Musqueam Nation, the retirement of MOA director Dr. Michael Ames, the launch of MOA's first website, the continuation of Dr. Marjoire Halpin's multimedia project, and the donation and display of Ainu objects. Also included are a Calendar of Events and list of donors.

Central Coast Salish Art Inventory

Series consists of slides representing the inventory of Central Coast Salish art photographed by Dr. Kew during his visits to various North American museums and the British Museum in preparation for the exhibition Visions of Power Symbols of Wealth: Central Coast Salish Sculpture and Engraving. The images illustrate a wide variety of traditional art objects including masks, adzes, spindle whorls, mat creasers, and totems poles, as well as various jewelry, instruments, and utensils. The series also includes two volumes of the Central Coast Salish Computerized Art Inventory, which provides a detailed physical description of each art object.

Series includes --

Album 1: Slides 03-560

Album 2:
Sheet 1-14 Slides 561-940
Sheet 15-32 [Uncatalogued Slides]

Album 3: [Uncatalogued Slides]

Box# 1: Central Coast Salish Computerized Art Inventory

Visions of Power, Symbols of Wealth Exhibition

The series contains slides relating to the exhibition Visions of Power Symbols of Wealth: Central Coast Salish Sculpture and Engraving. Images include exhibit views and various artifacts including masks, adzes, spindle whorls, mat creasers, and textiles.

Series includes --
Album 4: Slides 1-172
Album 5:
Sheet 1-2 Salish Exhibit 1 [exhibit views], Slides 1-1 – 1-29
Sheet 3-4 Salish Exhibit 2 [artifacts], Slides 2-1 – 2-39
Sheet 5-6 Salish Exhibit 3 [textiles, artifacts], Slides 3-1 – 3-35
Sheet 7 Salish Exhibit 4 [artifacts], Slides 4-1 – 4-19
Sheet 8-9 Salish Exhibit 5 [artifacts], Slides 5-1 – 5-36
Sheet 10-11 Salish Exhibit 6 [artifacts], Slides 6-1 – 6-35

Northwest Coast architecture

File mainly contains information pertaining to the Northwest Coast Architecture project set up in Robson Square in 2002. The information includes copies of correspondence from McLennan to various stakeholders involved in the project, information about the longhouses and the families who lived in them, and photocopies of historical photographs. The photographs depict some historical photographs of longhouses as well as a model of the longhouse to be built for the project.

Project research

File contains the research materials for the project where McLennan acted as an adviser for the project. In addition, are images of Ruby Peter showing the process of mat making.

CMC houses project

This subseries contains records relating to an exhibit built at the Canadian Museum of Civilization. McLennan was the project manager and design developer for this project. He oversaw the completion and installation of six west coast First Nation house designs: Coast Salish, Haida, Tsimshian, Bella Coola, Oweekeno, and Kwakwaka'wakw. The records include newspaper clippings, correspondence, photographs, and notes.

General Salish

This file contains images of Coast Salish and Kwakwaka'waku artifacts. Many of the photos are official photographs taken by various museums in Canada and the United States, but others are historical photos. These artifacts include masks, rattles, carvings, fishing equipment and fish processing, canoes, and North Coast architecture, such as long houses and house posts.

Village People

File contains images of various First Nations Cultural groups from the Pacific Northwest. The images include negatives and slides of Northwest Coast villages, totem poles, longhouses, and First Nations peoples dressed in regalia.

Salish

File contains a combination of historical photographs depicting village life of the Coast Salish people, and modern day photographs of Salish artifacts housed in various museums around the world. The historical photographs contain images of Coast Salish peoples, totem poles, house posts, canoes, and petroglyphs. The modern day photographs contain images of Coast Salish artifacts such as blankets, spindle whorls, masks, carvings, house posts and totem poles, and household items such as combs and bowls. The textual records contained in this file are photocopies of images of Coast Salish artifacts housed in various museums around the world.

Alan R. Sawyer fonds

  • 13
  • Fundo
  • 1940 - 1996, predominant 1974-1985

The fonds consists of records created and/or accumulated by Sawyer, predominately during his time as a professor and as a researcher at the University of British Columbia. Presently, there are two series in this fonds reflecting Sawyer’s research on the artifacts of Northwest Coast First Nation communities, including the: Tlingit; Haida; Tsimshian; Gitxsan; Nisga’a; Kwakwaka’wakw (formerly Kwakiutl); Nuxalk; Nuu-chah-nulth (formerly Nootka); and Coast Salish First Nations. The series contains slides, scrapbooks, photographs, textual records, and ephemera.

Alan R. Sawyer

Chief Dan George & band

File consists of images of Chief Dan George with a band, as well as an image of him by himself with a drum and a few images of the North Vancouver area.

Anthony Carter

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