Affichage de 209 résultats

description archivistique
Doug Cranmer
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Red Border Eye Design

Image depicts a painting with five crests--four resemble bird heads and surround a centre figure that resembles some kind of mammal. The black on white painting is matted with a red border. Slide notes say, "Sh 60 Ap 5-6"

Ovoid painting

Image depicts a painting filled with ovoid shapes that seem to comprise at least one creature. Painting is done in black on white with highlights of red.

Eagle Painting Red Border

Image depicts a painting done on wood, depicting an eagle. The painting is flanked by two small carvings that face the painting, depicting a bear and an eagle.

Mink and clouds

Image depicts a painting of a mink and clouds, created by Douglas Cranmer in 1965. Additional notes say, "Sh 50 Ap. 2.8"

Eagle painting

Image depicts an eagle, which seems to be painted on canvas rather than paper.

D'zonoqua painting

Image depicts a painting of D'zonoqua, done in red and black on white. Additional notes indicate this work was painted by Douglas Cranmer in 1964 or 1965.

Sea eagle in ovoid form

Image depicts a painting of a sea eagle inside an ovoid form. Additional notes indicate this painting was made by Douglas Cranmer in 1964 or 1965.

Sea creature painting

Image depicts a painting of a sea creature, possibly a whale. The painting is done in black, red and blue on white paper.

Sisiul print

Image depicts the mythical serpent Sisiul, painted in black on white paper. Additional notes say, "Shutter 50 Ap. 2.8__4"

Doug Cranmer exhibit

File contains records relating to the exhibit of Doug Cranmer's work titled <i>Doug Cranmer's Paintings and Lyle Wilson's Transforming Grizzly Bear Human</i>. Records include loan agreements, lists of objects, correspondence between participating institutions, and exhibition text.

George Szanto fonds

  • 138
  • Fonds
  • May 1962

Fonds consists of eight slides of totem poles being raised in the Haida Village at the University of British Columbia (UBC). The slides are dated May, 1962. The photographs were taken by George Szanto, the son-in-law of Geoffrey Andrew who was the Dean and Deputy President of UBC from 1947 to 1962.

The totem poles represented in the images were carved by Haida artist Bill Reid and 'Namgis artist Doug Cranmer. They were originally situated at UBC's Totem Park. They are now located on the grounds behind the Museum of Anthropology, and modelled on a 19th century Haida village.

George Szanto

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