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Ken Kuramoto fonds

  • 61
  • Fundo
  • 1980 - 1981

This fonds consists of 39 16mm film reels of Celebration of the Raven. There are also five audio reels which are soundtracks for the film. Film reels include stills and test stills and camera originals. Most reels are labeled according to the scene.

Ken Kuramoto

Celebration of the Raven film soundtrack, Haida singing Part 1

Item is the second of two audio recording of performers singing Haida songs at the opening reception of Celebration of the Raven. The recording is Reel #5 of the soundtrack for the film Celebration of the Raven, directed by Ken Kuramoto, which documented the work process and installation of Bill Reid’s carving titled The Raven and the First Men and its unveiling by the Prince of Wales in 1980.

Celebration of the Raven film soundtrack, ambient noise

Item is an audio recording of ambient noise which was recorded for the soundtrack for the film Celebration of the Raven, directed by Ken Kuramoto, which documented the work process and installation of Bill Reid’s carving titled The Raven and the First Men and its unveiling by the Prince of Wales in 1980. This is Reel #4 of the soundtrack.

Lyle Wilson fonds

  • 63
  • Fundo
  • 1991

Fonds consists of a copy of Wilson’s “Kitlope Report: Various Haisla Artifacts.”

Lyle Wilson

Kuldip Gill fonds

  • 7
  • Fundo
  • 1978

Fonds consists of 21 photographs from the 1978 Bill Reid pole raising ceremony at Skidegate, an event at which Gill was an observer.

Kuldip Gill

R.A. Brooks collection

  • 72
  • Colección
  • [ca. 1940 - 1950]

Collection consists of 81 b&w photographic prints of the Brooks heads and one of the Vancouver airport.

Richard Cotton fonds

  • 75
  • Fundo
  • [ca. 1960 - 1969]

The fonds consists of four photographs taken by Richard Cotton of mortuary poles on an island in the Skeena River near Kitsilas, BC.

Richard Cotton

Robert Keziere fonds

  • 76
  • Fundo
  • 1982

The fonds consists of 7 photographs taken by Robert Keziere on October 20, 1982 of artist Bill Reid working in his Kerrisdale (Vancouver) studio. The film remained unprocessed until 2009, when it was developed and the prints, contact sheet, and DVD were created. The DVD contains image files in multiple resolutions.

Robert Keziere

Selig and Gloria Kaplan fonds

  • 77
  • Fundo
  • Digitized 1998 - 2011 (originally created 1977 - 2011)

The fonds consists of photographs of Gloria Kaplan with various indigenous artists, whose names have been recorded in the image titles and IPTC metadata. The photographs were taken by Selig Kaplan with the intention of documenting the artists from whom the Kaplans acquired artwork or anticipated acquiring artwork from.

Kaplan family

Sharon Fortney fonds

  • 78
  • Fundo
  • 2006 - 2008

The fonds consists of one file titled Interview Transcripts, which contains recorded interviews, transcripts, and printed copies of transcribed interviews of research done by Sharon Fortney towards her PhD thesis titled Forging New Partnerships: Coast Salish Communities and Museums. Forney's thesis explores what motivates Coast Salish communities to participate in museum representations; considers the legal implications of such representations with respect to aboriginal rights; and analyzes of the diverse experiences of Coast Salish individuals in specific museum projects and partnerships with the goal of progressing museum and community interactions along a path to equal partnership.

The audiotapes in the fonds contain interviews with Coast Salish community members and artists regarding museums. The CD-R contains transcripts of interviews and is located in the temporary CD storage box. Sharon Fortney's curriculam vitae, thesis abstract, and 10 interviewee consent forms are located in the case file.

Sharon Fortney

Evelyn Goddard fonds

  • 8
  • Fundo
  • 1919-1977 [predominant 1919-1923]

Fonds consists of four photographs, and correspondence between Evelyn Goddard and the Museum of Anthropology regarding the donation of the images. The photographs include two snapshots taken by Goddard of indigenous graves at Hagwilget, BC, a photograph showing scenes around Hazelton, BC, and a postcard featuring the image of a totem pole at Kitseguecla, BC.

Evelyn Goddard

Thomas and Mildred Laurie collection

  • 81
  • Colección
  • 1940 - 2003 [predominantly 1940 - 1972]

The collection includes material relating to Alert Bay that was created or collected by Thomas and Mildred Laurie, as well as photographs and textual records created or received by James Barclay Williams, who bequeathed the records to Mildred Laurie. The collection includes a photo album, photographs, postcards, correspondence, newspaper clippings, pamphlets, and a calendar. Photographs document Alert Bay and the surrounding area, including the B.C. Packers store, Christ Church, the native cemetery, St. Michael’s Residential School and Preventorium, Canada Packers, Hardy Bay, totem poles, a long house, and the Nimpkish Hotel. Photographs also document local events, including potlatches, weddings, an outdoor salmon barbeque, BC centenary celebrations in 1958, native ceremonies, and a visit by the Governor General.

The material is arranged in the following files:

01 - James Barclay Williams – Correspondence and press clippings, 1968-1972
02 - James Barclay Williams – Photographs, [1908?]-1967
03 - Mildred Laurie - Photo album photographs, [194-]-1974
04 - Mildred Laurie – Photographs and postcards, [194-]-[199-]
05 - Slides and negatives, 1952-1972
06 - Pamphlets, ephemera, and press clippings, 1947-2003
07 - James Barclay Williams – Photo album, 1940-1941

Mrs. Sewid and daughters

Photograph of a woman identified as Mrs. Sewid and four younger women identified as her daughters. All five of them are in ceremonial dress. They are standing outside, with a group of spectators behind them. It is not clear what type of event they are at. A stamp on the verso of the print indicates that it was printed in 1958.

Mildred Laurie

Tall totem pole, Alert Bay, BC

Photograph of a totem pole in Alert Bay, BC. This pole has been called the world's tallest totem pole, though this is a disputed fact since it is actually comprised of two pieces. The pole is not specific to a particular family, but represents multiple tribes of the Kwakwaka'wakw. The pole was completed in the late 1960's and raised in 1973. It is located near the Big House.

Mildred Laurie

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