Consists of photographs taken of social events and carvers connected to the Tait project, but not officially part of the project itself. Jensen was invited to a number of feasts and parties hosted by the Tait family, which she often photographed, making a gift of the pictures to the family members. At one of the parties, a family member performed a dance wearing a mask made to represent Jensen and her camera, complete with the sound of the shutter. In addition to events, Jensen met a number of artists, both Indigenous and non-Indigenous, through her acquaintance with the Taits, and she often photographed them.
Consists of photographs documenting the work of various artists that assisted Norman Tait in the period that Jensen was photographing his work. Most of the photographs included in this sub-series are of the various side projects that the artists would spend time on whilst major projects such as totem poles were in progress. Artists photographed in this sub-series are: Norman Tait, Isaac Tait, Robert “Chip” Tait, Ron Telek , Wayne Young, Valerie Tait, Alver Tait, Bernice __ .
Consists of tapes and transcripts used to form the text for Where the People Gather. The tapes contain a mix of recordings of Norman Tait teaching/directing the carving of the NEC pole and later poles, and more formal interviews between Jensen and the carvers involved in the projects of this time period.
This subseries consists of records related to the traveling exhibit that came to MOA called <i>Treasures of the Tsimshian from the Dundas Collection.</i> Records include draft correspondence, and draft exhibit photos and text (including case labels).
Subseries contain the images used in the booklet Robes of Power: Totem Poles on Cloth written by Doreen Jensen and Polly Sargent, as well as a copy of the booklet. In addition, there are images of a children's workshop that took place during the exhibit at the Museum of Anthropology.
Subseries consists of records related to the 1987 Commonwealth Conference which brought together heads of government, delegates and media from every commonwealth country in the world. The MOA contributed examples of Northwest Coast art to the conference.
Subseries consists of images of artifacts and of the exhibit. Artifacts in this exhibit are part of the Laboratory of Archaeology (LOA) collection at UBC. For more information on the objects contact the LOA.
Subseries consists of records relating to research on residential schools that led to the production of the exhibit Speaking to Memory: Images and Voices from St. Michael's Residential School, held at the Museum of Anthropology, UBC.
Subseries consists of images used in the booklet Jack Shadbolt and the Coastal Indian Image written by Marjorie M. Halpin as well as a copy of the booklet. In addition are photographs of Jack Shadbolt.