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Archival description
William McLennan (MOA Curator) fonds Subseries English
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Cape Mudge

Subseries contains one file consisting of correspondence, draft manuscript pages, and photographs relating to the ‘Marie Mauze Project’. This project involved the Kwakiutl Museum (now named the Nuymbalees Cultural Centre) and pieces from their collection that had been returned to them after the ban on potlatches had been lifted. The project was designed in order to create a book, however, the book was never published.

President's house

This subseries consists of images showing objects from the MOA on display at the president of the University of British Columbia’s house, and one textual record listing the labels for these objects.

Museums, archives, and subject files

Subseries contains resources acquired by McLennan due largely in his research interest in Northwest coast art and design. The series consists largely of photographs taken by McLennan during his travels to museums and archival institutions of artifacts. There are also collections of photographs acquired by McLennan from archival institutions which he had copied. Correspondence between professionals at museums and archives is also sometimes located within the file with the photographs. The museums and archives which have files in this subseries are geographically very diverse. As a note of interest, some objects were taken out especially for McLennan, when access to them by the general public would not normally be granted.

Metal works

Subseries contains records related to an exhibit on Northwest Coast metals developed by McLennan in collaboration with two anthropology students. Records include exhibit design notes including case arrangements, the exhibit proposal from the students, correspondence regarding the exhibit preparations, research regarding Northwest Coast metal works and photographs depicting various artifacts that would be included on display.

Commonwealth [conference installation]

Subseries consists of records related to the 1987 Commonwealth Conference which brought together heads of government, delegates and media from every commonwealth country in the world. The MOA contributed examples of Northwest Coast art to the conference.

Bill Reid symposium

Subseries contains three files consisting of records related to the Bill Reid symposium which was titled “The Legacy of Bill Reid: A Critical Enquiry”. The records comprise planning of the symposium, research done after the symposium on related topics, and McLennan’s presentation.

Bill Reid pole

Subseries contains images mostly taken by McLennan that show the Bill Reid pole which sat outside the Museum of Anthropology at UBC being taken down and moved inside the museum because it was no longer stable due to weathering. This spurred a project funded with a Canada Council grant to then create a new pole to put up in its place. This pole was carved by Jim Hart and called the Respect to Bill Reid pole.

Beadwork

Subseries consist of images showing a beaded object, possibly associated with the 1982 exhibition Beads: Selections from the Textile Collection of the Museum of Anthropology.

Museum quality

Subseries consists of images showing objects exhibited during the exhibit titled Museum Quality. This exhibit was purchased for the Museum’s permanent collection by the Anthropology Shop Volunteers. Photographs were taken by Moya Waters.

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