Showing 65 resultsarchivistische beschrijving
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- 1-1-MMM-a-52 (36.16)
File contains correspondence between members of the Heiltsuk community and McLennan regarding the Transforming Image project. In addition are copies of photographs and descriptions of the people and events in the photographs.
- 1-1-RRR-1 (56.4)
File mainly contains information pertaining to the Northwest Coast Architecture project set up in Robson Square in 2002. The information includes copies of correspondence from McLennan to various stakeholders involved in the project, information about the longhouses and the families who lived in them, and photocopies of historical photographs. The photographs depict some historical photographs of longhouses as well as a model of the longhouse to be built for the project.
- 1-2-M -1 (11.3)
File contains copies of correspondence between David Cunningham and the K'omoks First Nation regarding a mask that was lent to a travelling exhibit titled "Written in the Earth".
- 1-4-A-17 (19.9)
- [2000 - 2004]
File contains photocopied images of Haida and Nuxalk masks housed at the Pitt Rivers Museum. Other textual records include information on featured Northwest Coast masks and correspondence between McLennan and the museum. The photographs contain images of masks and other Northwest Coast artifacts such as hats, combs, and carvings housed at Pitt Rivers Museum.
- 1-4-A-18 (19.10)
- [199-?] - [ 200-?]
File contains images of Heiltsuk masks housed at the Royal British Columbia Museum. It also contains an image of an "Egyptian head with curly hair," and two postcards from the Field Museum of Natural History.
- 1-4-C-5 (63.1)
This file contains images of Coast Salish and Kwakwaka'waku artifacts. Many of the photos are official photographs taken by various museums in Canada and the United States, but others are historical photos. These artifacts include masks, rattles, carvings, fishing equipment and fish processing, canoes, and North Coast architecture, such as long houses and house posts.
- 1-4-C-7 (63.4-5)
The majority of the file contains historical images of the Tsilhqot'in, Secwepemc, Stl'al'lmx, and the Nlaka'pamux peoples. The photographs depict village life, including images of building structures in the BC interior, fish processing techniques such as fish drying, and carvings such as mortuary poles. Some of the images also depict First Nations people, some in regalia. The other images are official photographs taken by various museums in Canadian and American museums of Tsilhqot'in, Secwepemc, Stl'al'lmx, or Nlaka'pamux artifacts. The textual records contained in this file consist of a photocopy of a magazine article titled "Upstairs, downstairs: the early years," written by Heather Pringle, and published in the June 1996 (Volume 111, number 5) edition of the magazine <i>Saturday Night</i>
- 1-4-C-8 (64.1-3)
File mainly contains historical images of the Heiltsuk, Nuxalk, and Wuikinuxv First Nations. These images depict village life, architecture and house posts, and regalia. The file contains images of a group of Nuxalk who traveled to Berlin to perform there. Images that are not historical depict a ceremony happening in the Great Hall at UBC MOA, unidentified artists working on a set of drawings, and what appears to be the Acwsalcta High School in Bella Coola. Non textual records include photocopies of photographs, and photocopies of museum catalogue cards.
- 1-4-C-10 (65.1-5; 66.1-2)
File mainly contains historical images of Haida and Tlingit villages and totem poles located on the Northwest Coast of British Columbia and Alaska. There are also images of Haida and Tlingit peoples dressed in regalia. Other photos include images of Haida and Tlingit artifacts, such as bentwood boxes and carvings, housed in various museums around the world. There are also images of a modern day ceremony in front of some totem poles and long houses. The textual records include photocopies of images of totem poles and Haida and Tlingit villages.
- 1-4-C-15 (68.3-5)
File mainly contains historical images of the Nisga'a villages, peoples, and of Nisga'a totem poles. Other images are of modern day Nisga'a totem poles housed in museums in Canada and the United States. The textual records contained in this file are catalogue cards which provide some of the photograph's context, providing information such as the location of the photograph, the people in the photographs, which museum and/or archive collection the image belongs to, and/or the image's catalogue number.
- 1-2-X-4 (12.8)-a035940
- ca. 1996
Image of 2 of the 4 weavings that comprise Out of the Silence on display at the Vancouver International Airport. The weavings were made by Musqueam artists Krista Point, Robyn Sparrow, Debra Sparrow, Gina Grant and Helen Callbreath.
- 1-2-Y-1 (13.1)
File contains copies of webpages pertaining to the Lil'wat First Nations and the Skwxwú7mesh First Nations. These webpages contain information about one or both of the Nations, including the following: a brief overview of the history and culture of the Lil'wat and/or Skwxwú7mesh ; movements and protests; news stories involving the Lil'wat and/or the Skwxwú7mesh ; and/or maps of traditional territory of the Skwxwú7mesh First Nations.
- 1-2-BB-1 (13.11)
Subseries contains photographs and textual records pertaining to the "Northwest Coast Indian Art Work" exhibit which was displayed at the BC Pavilion at the World's Fair in Seville Spain in 1992. The photo depict some of the artists involved in the project painting on a wooden screen. The textual records include copies of correspondence addressed to and written by McLennan about the artwork showcased at the World Fair. Other textual records include background information about the art work and brief biographies of the artists involved in the project.
- 1-4-A-53 (25.4)
File consists of photocopied excerpts from the <i> Bella Coola Indians </i> manuscript.