- 1-4-A-56 (25.7)
- File
- [198-?]
File contains photocopies of several published articles pertaining to Coast Salish canoe racing.
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Archival description- 122-03-6
- File
- [198- or 199-]
Part of Hilary Stewart fonds
- 122-03-29
- File
- Aug. 1963
Part of Hilary Stewart fonds
Images of net fishing in the Fraser River Canyon with traditional Indigenous fish processing techniques.
Xwemelch'stn (Coast Salish) ceremony
- 25-01-01
- File
- 1956
Part of Anthony Carter fonds
File consists of photographs from a celebration in North Vancouver in 1956.
Anthony Carter
Miscellaneous North Coast images
- 25-01-03
- File
- 1966
Part of Anthony Carter fonds
File consists of images form the north coast and fjords of British Columbia, as well as the North Vancouver area. Subjects include fishing boats, canoe carving, canoe paddlers and races, and rock paintings.
Anthony Carter
- 25-03-12
- File
- 1973
Part of Anthony Carter fonds
File consists of images of a salmon weir on the Cowichan River, Vancouver Island. Some images show individuals on or near the weir with spears. Also included is an image of a salmon store or drying shed, and Carter's wife sitting near salmon that is being barbecued.
Anthony Carter
- 25-04-04
- File
- April 8, 1967 - June 1967
Part of Anthony Carter fonds
File consists of images of scenery and residents of the Fraser River and Boston Bar area of British Columbia.
Anthony Carter
- 25-05-13
- File
- 1978
Part of Anthony Carter fonds
File consists of images of dancer Ernie Philips.
Anthony Carter
- 1-1-GG-1 (8.22)
- File
- 1986
File contains images of the unveiling of Robert Davidson's work "Raven Bringing Light to the World" at the Museum of Anthropology, UBC. In addition are also images of dancers and performance at the opening
- 1-1-HH-1 (8.23)
- File
- [?]
File contains images of the open ceremony for an exhibit of Joe David's masks at the Museum of Anthropology, UBC.
- 122-03-9
- File
- [ca. 1974]
Part of Hilary Stewart fonds
These photographs were originally housed in a small box, filed by subjects. The photographs have been rehoused into archival sleeves, but the groupings and subject names have been retained.