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Archival description
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Lilo Berliner fonds

  • 145
  • Fonds
  • Nov. 1968 - 1975

Fonds consists of negative images of petroglyphs largely from the Pacific west coast of North America. Most of the images are from sites located in British Columbia, but there are also images from sites in Washington State, New Mexico, and other areas of the United States and Mexico. There are also images of artifacts, masks, totem poles, wood carvings, and graveyards. Images of family travels, landscapes, wild animals, and house cats are interspersed within the collection.

Lilo Berliner

Stallworthy Family fonds

  • 139
  • Fonds
  • 1856-1925

The fonds reflects the religious work and family history of Rev. George Stallworthy and his descendants. The fonds consists of correspondence and drawings related to the family's time in the South Pacific; 20 photographic portraits of family members; sermons, article reprints, and correspondence related to George Burnett Stallworthy's religious work and life; and a scrapbook containing memoranda, correspondence, photographs, clippings, pamphlets, genealogical research, and other ephemera from the Stallworthy family up to 1925.

The fonds is arranged into files based on the content and medium of the records.

Stallworthy Family

Minn Sjolseth fonds

  • 144
  • Fonds
  • 1966-1999

The fonds reflects Minn Sjolseth's artistic career and travels to First Nations communities throughout British Columbia and Alaska with her husband Anthony Carter. Contents of the fonds depict First Nations cultures in British Columbia between 1960 and 1980, including Haida, Coast Salish, Kwakwaka'wakw, Gitsegukla, Kispiox, and Nisga'a. Several of the contents depict notable figures, including Chief Dan George and August Jacks.

The fonds includes textual records including correspondence, ephemera, newspaper clippings; graphic materials such as photographs, slides, negatives, and transparencies that depict Sjolseth’s travels and artworks; and artworks produced by Sjolseth including paintings, drawings, and prints.

The fonds is organized into the following series:

  1. Personal records
  2. Artwork an Exhibition records
  3. Artworks

Minn Sjolseth

Reverend Smith Stanley Osterhout fonds

  • 89
  • Fonds
  • [1870-1911]

Fonds consists of 45 glass-plate lantern slides featuring scenes from Osterhout's work with B.C. First Nations, including Haida, Tsimshian and Kwakwaka'wakw. Images document First Nations individuals, communities, totem poles and landscapes of British Columbia.

Smith Stanley Osterhout

Frederich H. Maude fonds

  • 47
  • Fonds
  • [189-?], 1977

Fonds consists of 71 black and white photographs of the Hopi, the Zuni, and Inscription Rock. The fonds is divided into threes series: Donation Letter (1977), Hopi Images [189-?], and Zuni and Inscription Rock Images [189-?].

Frederich H. Maude

Robert Reford fonds

  • 11
  • Fonds
  • [1889 - ca. 191?]

The scanned images contained on the two discs in this fonds represent a selection of Robert Reford’s amateur photographs found in two albums from his time in British Columbia (1889-1891) and in the Arctic (ca. 191?). The images are presented in the order that existed in the original albums.

Robert Reford

Lynn Hill fonds

  • 103
  • Fonds
  • 1998 - 2000

The fonds consists of the records created by Lynn Hill while she was employed as curator-in-residence at the Museum of Anthropology. They relate predominantly to her curation of the exhibition Raven’s Reprise. The exhibition involved the installation of works by contemporary Northwest Coast artists around the Museum, and was intended to challenge viewers’ expectations of Northwest Coast art by juxtaposing traditionally accepted aesthetics and technology with modern materials and urban sensibilities. Records reflect Hill’s planning of the exhibition, as well as her communication with artists involved in the exhibit and in a complimentary series of public talks. Other records relate to Hill’s work on Gallery 3 and with the Native Youth Program.

Documents include source books, correspondence, reports, training materials, budgets, grant applications, exhibit proposals, draft exhibition materials, resumes, brochures, photographs, interview transcripts, and copies of print materials.

Lynn Hill

Darrin Morrison fonds

  • 106
  • Fonds
  • 1998 - 2005

Fonds consists of material related to Morrison’s involvement with several exhibits at the Museum of Anthropology at the University of British Columbia, as well as his work planning and implementing preventative conservation measures, and his work design the Museum Research Centre. The fonds consists of one series of Exhibitions with sub-series corresponding to separate exhibits. Another series consists of information on a book on textiles and costumes. The last series consists of information about building projects that Morrison was involved with. Material consists of correspondence, handwritten notes, exhibit catalogs, poster and invitation proofs, budgets, slides, copy and 35 mm negatives, floppy disks, project descriptions, postcards, video cassettes and artist histories.

The fonds is arranged in the following series:

  1. Exhibitions
  2. Textiles and Costume
  3. Building Projects

See attached pdf document for series descriptions and file lists.

Darrin Morrison

Virginia Lade fonds

  • 83
  • Fonds
  • 1968

Fonds consists of seventy-three slides of New Guinea and includes images of markets, buildings, local inhabitants, and landscapes in and around Lae, Goroka, Port Moresby, and other unidentified locations.

Virgina Lade

Volunteer Associates fonds

  • 84
  • Fonds
  • 1975 - 2006

The fonds consists of the following series: source books by Kathie Roads (1970-1992); resignations (1976-1988); minutes (1976-1989); correspondence and memos (1975-1990); education and training (1976-1988); annual reports (1976-1989); photographs (1979-1982); subject files (1976-1991); and hours and attendance (1976-1989).

University of British Columbia. Museum of Anthropology. Volunteer Associates

Friends of the Museum of Anthropology fonds

  • 112
  • Fonds
  • 1977 - 1992, predominant 1978 - 1984

Fonds consists of records related to the administrative functions of the society and includes meeting minutes, internal and external correspondence, membership lists, committee and sub-committee files, records about the society’s constitution and seal, and relevant financial information. There is also a file related to the 1981 benefit concert for the proposed Haida canoe wing.

Friends of the Museum of Anthropology

Audrey Hawthorn fonds (private records)

  • 115
  • Fonds
  • 1950 - 1998, predominant 1960 -1980

This fonds consists primarily of records generated by Audrey Hawthorn in her position as an anthropology professor at the University of British Columbia and records related to her publications. It includes notes, course materials, correspondence, memos, draft copies of publications, and some published materials (originals and photocopies). This fonds also contains photographic materials, primarily slides used in teaching Anthropology 331 and 431. The fonds is organized into the following series and subseries:

  1. Teaching Records (1963-1978)
    A. Anthropology 331 and Anthropology 431
    B. Teaching Slides

  2. Professional Development Records (1973-1975)

  3. Research and Publications Records (1955-1982)
    A. Art of the Kwakiutl Indians
    B. Kwakiutl Ceremonial Art
    C. A Labour of Love
    D. Exhibits and Other Research

  4. Bill Reid (1962-1998)

See attached pdf document for full finding aid and box/file lists.

Audrey Hawthorn

Michael Kew (MOA curator) fonds

  • 116
  • Fonds
  • [1978] - 1997

The fonds consists of slides collected by Dr. Kew in the course of curating the exhibition Visions of Power, Symbols of Wealth: Central Coast Salish Sculpture and Engraving. The fonds is divided into the following series: Central Coast Salish Art Inventory ([1978]-1979), and Visions of Power, Symbols of Wealth Exhibition (1980). It also contains reports, memos, minutes and correspondence relating to the Ways and Means Committee.

There are three series in the fonds:

1.  Central Coast Salish Art Inventory
2. Visions of Power, Symbols of Wealth Exhibition
3. Ways and Means Committee

Michael Kew

Marjorie M. Halpin fonds (private records)

  • 117
  • Fonds
  • 1924 - 2000, predominant 1966 - 2000

Fonds consists of records created by Marjorie Halpin as a professor and scholar of Anthropology. The records mainly consist of textual records and audio-visual material including photographs, slides, audio-cassettes, video-cassettes, posters and maps. The records include correspondence, memoranda, reports, curriculum vitae, cue cards, invitations, lecture notes, planning notes, research notes, draft copies of articles and papers, reviews of publications written by Halpin and reviews of Halpin’s own work, grant applications, budgets, negatives, contact sheets, postcards, overheads, taped interviews, minutes of committee meetings, published proceedings of conferences and other material relating to Halpin’s participation in conferences.

The fonds has been organized into the following series:

1.  Teaching and Education Files, 1971-2000

2. Research Files, 1938-1999

3. Published and Unpublished Works, 1968-2000

4. Community Service Files, 1972-2000

5. Correspondence Files, 1924-2000

Marjorie M. Halpin

Jennifer Kramer fonds

  • 126
  • Fonds
  • 1967-2012

Fonds consists of records related to Jennifer Kramer's work as a curator at MOA. Currently only records relating to the planning and implementation of exhibits curated by Jennifer Kramer are in the fonds.

Jennifer Kramer

Collections Care, Management and Access fonds

  • 133
  • Fonds
  • 1948 - 2014

Fonds consists of records generated by the Collections Care, Management (CCMA) department at the Museum of Anthropology. These records include administrative records and planning material that document the work of the three units within CCMA: Collections, Conservation, and the Audrey & Harry Hawthorn Library and Archives. Record types include policies, loan documentation, acquisition documentation, object evaluations and photographs, conservation notes, teaching and special project files, exhibit planning material, correspondence, budget reports, and meeting minutes.

The fonds is divided into four sous-fonds, one for each of the three units within CCMA, as well as a sous-fonds for general CCMA administrative records:

  1. Collections
  2. Conservation
  3. Audrey & Harry Hawthorn Library and Archives
  4. CCMA Administration

Because of changes to the organization of MOA over the years, there are some overlaps in these functions, especially with older material. For example, there are likely some records relevant to conservation in the Collections sous-fonds and vice-versa.

Collections Care, Management and Access department

Charles E. Borden fonds

  • 140
  • Fonds
  • ca. 1954

The fonds consists of a file titled Tsimshian Totem Poles and contains 38 black and white photographs of Kitwancool totem poles.

Charles E. Borden

Nadia Abu-Zahra fonds

  • 23
  • Fonds
  • 1966-1972

The fonds consists of 26 colour slides, including ceremonies and traditions related to weddings and male circumcision taken in Tunisia, as well as scenery and people in Algeria.

Nadia Abu-Zahra

Virginia Small fonds

  • 19
  • Fonds
  • 1920-1922

Fonds consists of photographs taken by Virginia Small’s husband, Harry M. Small during a trip to Japan between 1920 and 1922. Photos depict a variety of scenes from rural and urban life including craft and silk production, farming, fishing and ceremonial activities. In addition, the fonds includes photos, both posed and candid, of various individuals including members of the traveling party, as well as photos of landscapes and architecture.
Some photos are marked with the subject, date and location on the back with pencil.

Eric Parker fonds

  • 4
  • Fonds
  • ca. 1910-11 - 198?

The fonds consists primarily of material accumulated and/or created by Lt. Col. Parker during the period of his military duties in Tibet and time spent there after his release from the military (1921-1924). This material includes textual records such as correspondence relating to military matters with Sir Charles Bell, and those written to, and received from, Tibetan officers and the 13th Dalai Lama. A few letters written in Tibetan have been recently translated into English and are included in the fonds. Other textual materials includes handwritten speech and other notes, published documents such as an Almanac (written in Tibetan), newspaper clippings, and miscellaneous items such as philatelic materials and handwritten children's rhymes and songs.

The fonds also contains a collection of black and white photographs and negatives, the majority of which were images taken by Lt. Col. Parker, while others, predate Parker’s time in Tibet. The photographs are housed in two albums (Photograph Collections A and B), and show Tibet primarily in the 1920s. The images depict military and domestic scenes in Tibet including photographs of individuals from all social strata, as well as local architecture and landscapes. Some of the places (e.g., monasteries) no longer exist. The albums also contain more recent colour prints of the many Tibetan objects acquired by the Parkers (and now housed in the Ethnology Collection at the Museum of Anthropology). Some duplicates occur within and between albums. The negatives correspond to prints in one album (Photograph Collection A). Only a small number of negatives have not been printed.
The fonds is arranged in the following 3 series:

  1. Correspondence
  2. Photographs
  3. Miscellaneous Materials

Eric Parker

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